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Blinky Palermo
This work is an historical and critical study of Palermo's painting from the time he entered Joseph Beuys's now famous class at the Düsseldorf academy in 1964 to his death in 1977. It explores his significance for postwar and abstract art.
Thomas Schutte
This major retrospective volume on the celebrated contemporary German artist is a kaleidoscopic sampling of Thomas Schutte's exploration of the perversity and pleasure of modern life. Organized around the themes of models, monuments, and memorials key subjects in Schutte's art this volume offers a comprehensive selection of work from the late 1970s to today by an artist considered a key figure of his generation. Schutte's s installations, sculptures, prints, drawings, and watercolours often take contradictory forms, and his art may seem to depict alien worlds. Yet his focus is everyday life, whose basic constituents natural, cultural, political he revises, using a broad range of materials an...
Gerhard Richter, Individualism, and Belonging in West Germany
This book reevaluates the art of Gerhard Richter (b. 1932) in relation to his efforts to achieve belonging in the face of West Germany’s increasing individualism between the 1960s and the 1990s. Richter fled East Germany in 1961 to escape the constraints of socialist collectivism. His varied and extensive output in the West attests to his greater freedom under capitalism, but also to his struggles with belonging in a highly individualised society, a problem he was far from alone in facing. The dynamic of increasing individualism has been closely examined by sociologists, but has yet to be employed as a framework for understanding broader trends in recent German art history. Rather than critique this development from a socialist perspective or experiment with new communal structures like a number of his colleagues, Richter sought and found security in traditional modes of bourgeois collectivity, like the family, religion, painting and the democratic capitalist state. The book will be of interest to scholars working in art history as well as German history, culture and politics.
Artists' Magazines
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists' Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustr...
Palermo
Described by The New York Times art critic Roberta Smith as a "precocious art star," German artist (Blinky) Palermo (1943-1977) has been associated with distinct twentieth-century art practices, from abstraction to Minimalism and Conceptual art. But his diverse body of work in fact defies easy classification. Throughout his brief and influential career- leading all the way up to his untimely death at the age of 33-Palermo executed paintings, objects, installations, and works on paper that mined various contextual and semantic issues at stake in the construction, exhibition, and reception of works of art, eternally "stretching and questioning" the boundaries of every medium he touched. This f...
Bauhaus 1919-1933
The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers in an extraordinary conversation about modern art. Bauhaus 1919-1933, published to accompany a major multimedia exhibition at MoMA, is the first comprehensive treatment of the subject by MoMA since 1938 and offers a new generational perspective on the 20th century's most influential experiment in artistic education. It brings together works in a broad range of mediums, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theatre and costume design, and painting and sculpture - many of which have rarely if ever been seen outside of Germany. Featuring about 400 colour plates and a rich range of documentary images, this publication includes two overarching images by the exhibition's curators, Leah Dickerman and Barry Bergdoll, concise interpretive essays on key objects by over twenty leading scholars, and an illustrated, narrative chronology.
A Conspiracy of Images
An important new look at Cold War art on both sides of the Atlantic
Wols Photographs
"This exhibition of 1930s photographs by Wols will be the first presentation of this material in the United States. The German-French artist Wols, short for Wolfgang Schulze (1913-1951), rose to fame in the post-1945 European art scene as the founder of Informel painting. Previous European curators and scholars have thus presented Wols' photographs of the 1930s as anticipations of or studies for the later paintings. By contrast, this exhibition and the accompanying catalogue will, for the first time, present the photographs as an independent, coherent body of work that resonates rather with European photographic practices in the twenties and thirties. Wols' photographs combine Bauhaus material studies and surrealist defamiliarizations of objects. Their central fascinating characteristic is the peculiar entwinement of an inspecting but at the same time alienated gaze, of a curious and repulsed attitude towards the world. Approximately thirty photographs will be lent from The Getty Museum for the exhibition, which will be supplemented by loans from European institutions and the artist's family"--Publisher's website.
Drawing from the Modern
Published on the occasion of the exhibition held at the Museum of Modern Art, New York, Mar. 30-Aug. 29, 2005.
Gerhard Richter
New scholarship explores Gerhard Richter's often overlooked early work.
