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African Cosmos
A groundbreaking scholarly publication, accompanying an exhibition organized by the National Museum of African Art, Smithsonian Institution, African Cosmos: Stellar Arts brings together exceptional works of art, dating from ancient times to the present, and essays by leading scholars and contemporary artists to consider African cultural astronomy: creativity and artistic practice in Africa as it is linked to celestial bodies and atmospheric phenomena. African concepts of the universe are intensely personal, placing human beings in relation to the earth and sky, and with the sun, moon, and stars. At the core of creation myths and the foundation of moral values, celestial bodies are often accorded sacred capacities and are part of the “cosmological map” that allows humans to chart their course through life.
Inscribing Meaning
Reveals Africa's contributions to the history of writing and inscription system worldwide
Museums and Communities
Contributors to this volume examine and illustrate struggles and collaborations among museums, festivals, tourism, and historic preservation projects and the communities they represent and serve. Essays include the role of museums in civil society, the history of African-American collections, and experiments with museum-community dialogue about the design of a multicultural society.
African Vision
"Asked why he decided to collect African art, Paul Tishman replied, "How does one fall in love?" Such was the passion Paul and Ruth Tishman brought to collecting. The Tishmans acquired their first works of African art - an ivory figure and a bronze mask from the Benin kingdom - in the late 1950s. Over the next 20 plus years, the Tishmans built one of the great private collections of African art that included the major art traditions found throughout the continent. The Tishmans' desire to share the art with as many people as possible led to the 1984 sale of the collection to the Walt Disney Company, who proved to be generous stewards, making the collection available for exhibition and publication. In the autumn of 2005, the Walt Disney World Co., a subsidiary of the Walt Disney Company, donated the Walt Disney-Tishman African Art Collection to the National Museum of African Art, Smithsonian Institution, continuing the tradition of sharing the rich history of African art and culture with current and future generations." --
Museum Frictions
This third volume in a bestselling series on culture, society, and museums examines the effects of globalization on contemporary museum, heritage, and exhibition practices.
Wild Spirits, Strong Medicine
"Wild Spirits, Strong Medicine: African Art and the Wilderness explores African concepts of the nature/culture, wilderness/village dichotomy as it is expressed through works of art. The opposition between nature and culture, one of the fundamental organizing principles of African cosmologies, is an old topic in anthropological discourse. It has, however, never been closely examined in African art. African ideas about the qualities of the wilderness and the village give us insights into African concepts of civilization. These ideas are explored through a sifting of past research and current studies on the subject, and the inclusion of related works of art"--Jacket.
Lines, Marks, and Drawings
From distinctive portraits and complex photographic tableaux to YouTube sensations, the work of prominent African photographer Roger Ballen is given a fresh perspective in this volume. For nearly half a century Roger Ballen has been shooting black-and-white film--a member of the last generation to work in that medium. He started his career taking portraits of rural Afrikaaners in their homes and has lately been moving toward more staged sets, and embellishing his photographs with expressionistic graffiti-type drawings. This retrospective book follows the development of line and drawing in Ballen's body of work, which is often characterized by complex interior arrangements of people, animals,...
Collecting and Provenance
The study of provenance—the history of the creation and ownership of an artefact, work of art, or specimen—provides insights into the history of taste and collecting, illuminating the social, economic, and historic trends in which an object was created and collected. It is as much a history of people as it is of objects, and its study often reveals intricate networks of relationships, patterns of activity and motivations. This book promotes the study of the history of collecting and collections in all their variety through the lens of provenance, and explores the subject as a cross-disciplinary activity. Perhaps for the first time in a publication, it draws on expertise ranging from art ...
Visions from the Forests
Published in conjunction with a traveling exhibition of the same name organized by the Minneapolis Institute of Arts and held at the National Museum of African Art, Smithsonian Institution, Washington, D.C., April 9-August 17, 2014; the Minneapolis Institute of Arts, September 20, 2014-January 18, 2015; Indiana University Art Museum, Bloomington, March-May 2015; and High Museum of Art, Atlanta, July-October 2015.
