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Fractured Families and Rebel Maidservants
An examination of the story of Hagar and Ishmael through the eyes of seventeenth-century Dutch painters. >
Noah's Other Son
Noah's Other Son examines twenty-five familiar figures who play major roles in the Qur'an and in both Old and New Testaments of the Bible, revealing how understanding the characters in these texts can point the present-day Muslim, Jew, and Christian toward a more mature and tolerant concept of religion. Noah's Other Son serves as an introduction to the place of the Qur'an in Muslim and world culture, as well as a tool to help equip all moderate religious people to deal with extremism wherever it may be found.
History in Dutch Studies
History in Dutch Studies re-considers the central role of history within the discipline of Dutch Studies as viewed from a range of specializations within the field. Contributions by scholars of Dutch history, art history, literature and linguistics all illustrate how the past, and one's theories and views of history, affect the practice of each part of the discipline. One reflection of the history of the Low Countries in "Dutch Studies" is the range of the field: it is interpreted broadly in this volume to include studies of Afrikaans as well as Dutch literature- poetry as well as prose- in light of their histories, the history of Flanders and that of the Netherlands, approaches within Dutch linguistics as well as a history of language contact and its influence on Dutch. This breadth continues in the range of institutions and nationalities that are represented. The volume presents work from major scholars from the Netherlands, Belgium, and South Africa as well as from the United States of America. These articles therefore provide a good cross-section of ongoing research in the Netherlandic Studies the world over.
Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque
Examines the iconographic inventions in Magdalene imagery and the contextual factors that shaped her representation in visual art from the fourteenth to the seventeenth centuries.
The Edge of Christendom on the Early Modern Stage
Throughout the sixteenth and seventeenth centuries, the edges of Europe were under pressure from the Ottoman Turks. This book explores how Shakespeare and his contemporaries represented places where Christians came up against Turks, including Malta, Tunis, Hungary, and Armenia. Some forms of Christianity itself might seem alien, so the book also considers the interface between traditional Catholicism, new forms of Protestantism, and Greek and Russian orthodoxy. But it also finds that the concept of Christendom was under threat in other places, some much nearer to home. Edges of Christendom could be found in areas that were or had been pagan, such as Rome itself and the Danelaw, which once covered northern England; they could even be found in English homes and gardens, where imported foreign flowers and exotic new ingredients challenged the concept of what was native and natural.
Congress Volume Helsinki 2010
This volume brings together the main contributions to the 20th congress of the International Organization for the Study of the Old Testament (IOSOT) held in Helsinki, Finland in August, 2010. The 24 articles discuss the following five topics: Archaeology and texts, with an emphasis on the Persian Period; Qumran, the Septuagint and the Textual History of the Hebrew Bible; Deuteronomistic texts, with a special focus on the question “What is ‘Deuteronomistic?’”; Wisdom and Apocalypticism; and methodological and interdisciplinary issues such as Bible and art and intertextuality. The volume gives readers an up-to-date view of the most recent developments in the research of these topics and the study of the Hebrew Bible in general.
Art as Biblical Commentary
Art as Biblical Commentary is not just about biblical art but, more importantly, about biblical exegesis and the contributions visual criticism as an exegetical tool can make to biblical exegesis and commentary. Using a range of texts and numerous images, J. Cheryl Exum asks what works of art can teach us about the biblical text. 'Visual criticism' is her term for an approach that addresses this question by focusing on the narrativity of images-reading them as if, like texts, they have a story to tell-and asking what light an image's 'story' can shed on the biblical narrator's story. In Part I, Exum elaborates on her approach and offers a personal testimony to the value of visual criticism. Part 2 examines in detail the story of Hagar in Genesis 16 and 21. Part 3 contains chapters on erotic looking and voyeuristic gazing in the stories of Bathsheba, Susanna, Joseph and Potiphar's wife and the Song of Songs; on the distribution of renown among Jael, Deborah and Barak; on the Bible's notorious women, Eve and Delilah; and on the sacrificed female body in the stories of the Levite's wife (Judges 19) and Mary the mother of Jesus.
