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Dreaming in Clay on the Coast of Mississippi
"Almost a century ago, a New Orleans society woman vowed that her three sons would become artists. Turning her back on bourgeois life and abetted by her skeptical husband - a grain merchant - she bought twenty-eight acres of woodland on the Mississippi Sound. Beside a sleepy bayou, in the shade of towering pines and magnolias, she opened an art colony, one of the first of its kind in the South." "Intimate diaries, letters, and poems lead the reader into a stormy, passionate, sometimes heart-breaking past. Meticulously researched and compassionately written, Dreaming in Clay gathers one family's eternal legacy of wisdom and beauty: the healing power of art, the consolations of writing and of memory, and the spiritual treasures given to us - if we care to receive them - by the natural world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A Companion to Federico García Lorca
Lorca, icon and polymath in all his manifestations.
Fortune's Favorite Child
In this new biography, Maurer explores the troubled life of one of America's most prolific and idiosyncratic artists.
It's All In The Frijoles
Collected folktales, lullabies, poems, sayings, and dichos from well-known and beloved Latin figures, both past and present—from actor Edward James Olmos and author Isabel Allende to Nobel laureate Octavio Paz and Saint Teresa de Avila. Do you wish you could remember all the words to the childhood songs your grandmother taught you, so you could sing them to your children? Have you ever found yourself repeating the dichos, or proverbs, your parents used to lecture you with? If you are looking for a way to get back in touch with your culture, It's All in the Frijoles is the perfect start. A treasure trove of cherished folktales, lullabies, poems, and dichos, this rich collection of Latino wi...
In Search of Soul
In Search of Soul explores the meaning of “soul” in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the “soul” revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.
Poet in New York
“The definitive version of Lorca’s masterpiece, in language that is as alive and molten today as was the original.” —John Ashbery Newly translated for the first time in ten years, Federico García Lorca’s Poet in New York is an astonishing depiction of a tumultuous metropolis that changed the course of poetic expression in both Spain and the Americas. Written during Lorca’s nine months at Columbia University at the beginning of the Great Depression, Poet in New York is widely considered one of the most important books Lorca produced. This influential collection portrays a New York City populated with poverty, racism, social turbulence, and solitude—a New York intoxicating in it...
Putting On Virtue
This work reveals how a distrust of learned and habituated virtue shaped both early modern Christian moral reflection and secular forms of ethical thought. The author's broad historical sweep takes in the Aristotelian tradition as taken up by Thomas Aquinas and has chapters on Luther, Bunyan, the Jansenists, Hume, and others.
The Work of Creation
In The Work of Creation, poet, editor, and translator Luke Hankins explores literature, art, aesthetics, ethics, religion, and the life of the spirit in a number of genres, including literary criticism, meditations on art and aesthetics, personal essays, and interviews. Collected in this volume are pieces that have appeared in such places as Books & Culture, Contemporary Poetry Review, Image, The Writer's Chronicle, and the American Public Media national radio program "On Being."
Poetry of Jack Spicer
In the years since his death from alcohol poisoning, San Francisco Renaissance poet Jack Spicer (1925-1965) has gradually come to be recognized as one of most intriguing, demanding, and rewarding of the so-called 'New American Poetry' poets who were first published in Donald Allen's historic anthology of that name.This is the first full-length critical monograph on his work, placing it in the context not only of the San Francisco Renaissance and contemporary movements with which Spicer dialogued and often disagreed - such as the Beats, the Black Mountain poets, and the 'New York School' - but also of the major modernists from whom his innovative poetics derived, differed, and developed.Informed by much archival material only recently made available, The Poetry of Jack Spicer, examines Spicer's post-Poundian translation projects; his crucial theories of the 'serial poem' and inspiration as 'dictation'; his contrarian take on queer poetics; his insistently uncanny regionalism; and his elaboration of an epistolary poetics of interpellation and address.
Diversions and Animadversions
Diversions and Animadversions is divided into three parts. The first contains Coleman's literary essays including a lengthy piece on Eça de Quieros, the great master of Portuguese realism, and shorter pieces on the Argentinian writer and Borges disciple, Adolfo Bioy Casares, as well as a review of the most recent translation of the poetry of Federico Garcia Lorca. Coleman's greatest passion, however, was for music, and part two contains essays, concert and book reviews, and reports on the cultural situation of music. Among the subjects examined here are the operas of Schoenberg, Berg, Richard Strauss, the recently published letters of Toscanini, the music criticism of Virgil Thomson, the fluctuating critical reputation of Jean Sibelius, and the "authentic" performance practice movement, along with considerations of such instrumentalists as Sviatoslav Richter and Alicia de Larrocha. The book concludes with Coleman's travel writings, which are both evocative mood pieces and incisive social and political commentary.
