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This essential survey of Italian Radical design, a movement that interrogated modern living against the turbulent political climate of the 1960s, is lavishly illustrated with new photography, including rarely seen prototypes and limited-production pieces.
An unprecedented survey of modern lighting design foregrounding its materials, innovators, and far-reaching influence Offering the first comprehensive history of lighting design from the 20th and 21st centuries, Electrifying Design: A Century of Lighting explores how lighting has been integral to the development of modern design both in terms of aesthetics and technological advances. This fascinating book outlines the key aspects of lighting as a unique and creative artistic discipline and examines themes such as different typologies, the quality of light, and the evolution of the bulb. A series of essays by Sarah Schleuning and Cindi Strauss showcase lighting designs from different time per...
The Drutt Collection , encompassing 800 jewellery objects and drawings by more than 170 world-famous artists from 1963 to the present, documents the profound changes that have taken place since the 1960s in the way jewellery is perceived. At that time artists broke with the conventional jewellery tradition to view their works in the broader context of overall movements in painting, sculpture and architecture. By then what counted was artistic intention rather than the market value of the materials used. This publication shows the collection as a whole, with each piece illustrated, and a selection of over 200 objects presented in large-scale illustrations and extensively analysed by Cindi Str...
A timely and expansive survey of a groundbreaking American art movement that overturned aesthetic hierarchies in a riot of color and ornamentation The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923-2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 arti...
A fascinating and novel exploration of the transformative role played by the American West in the development of modernism in the United States Drawing extensively from various disciplines including ethnology, geography, geology, and environmental studies, this groundbreaking book addresses shifting concepts of time, history, and landscape in relation to the work of pioneering American artists during the first half of the 20th century. Paintings, watercolors, and photographs by renowned artists such as Frederic Remington, Georgia O'Keeffe, Ansel Adams, Thomas Hart Benton, Dorothea Lange, and Jackson Pollock are considered alongside American Indian ledger drawings, tempuras, and Dineh sandpai...
La exposición refleja la historia del Black Mountain College (BMC), fundado en 1933 en Carolina del Norte y concebido como universidad experimental que situaba al arte en el centro de una educación liberal que pretendía educar mejor a los ciudadanos para participar en la sociedad democrática. La educación era interdisciplinaria y concedía gran importancia al debate, la investigación y la experimentación, dedicando la misma atención a las artes visuales –pintura, escultura, dibujo- que a las llamadas artes aplicadas –tejidos, cerámica, orfebrería, así como a la arquitectura, la poesía, la música y la danza.
Originally published in 2007 by the British Museum Press, London.
In the 1960s and 1970s, a generation of young Americans rejected the promise of prosperity and the suburban dream embraced by their parents. Furious about the war in Vietnam, fighting for civil rights at home, and eagerly exploring the effects of psychedelic drugs, the delights of free love, and the mystical teachings of eastern religions, thousands followed the advice to "turn on, tune in, drop out," bringing about a counterculture in the process. For many American jewelers, these events and values found their way into the studio, as well as affecting how they lived, worked, and loved. Jewelers, like other studio craftspeople, rode the wave of popularity for the hand-made and authentic that was at the heart of the counterculture. In Flux is the story of how their jewelry contributed to the raucous, contradictory, and enthusiastic clamor for a new kind of society that made the 1960s and 1970s so extraordinary.
Why do people wear jewelry? What meaning does it hold for the wearer? And what does the wearer hope it will convey to those they encounter—or to someone viewing their image decades, even centuries, later? Artistic renderings of the human figure—in portraiture, sculpture, and other media—in a range of allegorical, historical, and religious images often showcase jewelry. The ornaments depicted in such designs offer an abundance of information that not only heightens our understanding of the subject but also provides insights into the imagination of the artist. Jewelry enhances our enjoyment of works of art because it is visually compelling, sensuous, and laden with an array of associations and symbolic meanings. Bringing together spectacular and significant art objects depicting figures wearing sumptuous personal adornments that define who they are within the specific milieus in which they lived, this richly illustrated and accessible volume represents a novel, interdisciplinary approach to the ways in which jewelry can be studied and understood.
This enlightening examination of creativity looks “at art and science together to examine how innovations . . . build on what already exists and rely on three brain operations: bending, breaking and blending” (The Wall Street Journal) The Runaway Species is a deep dive into the creative mind, a celebration of the human spirit, and a vision of how we can improve our future by understanding and embracing our ability to innovate. David Eagleman and Anthony Brandt seek to answer the question: what lies at the heart of humanity’s ability—and drive—to create? Our ability to remake our world is unique among all living things. But where does our creativity come from, how does it work, and ...