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An unprecedented survey of modern lighting design foregrounding its materials, innovators, and far-reaching influence Offering the first comprehensive history of lighting design from the 20th and 21st centuries, Electrifying Design: A Century of Lighting explores how lighting has been integral to the development of modern design both in terms of aesthetics and technological advances. This fascinating book outlines the key aspects of lighting as a unique and creative artistic discipline and examines themes such as different typologies, the quality of light, and the evolution of the bulb. A series of essays by Sarah Schleuning and Cindi Strauss showcase lighting designs from different time per...
Evaluating Accessibility in Museums bridges accessibility and evaluation through stories that highlight how diverse organizations have developed and grown accessibility initiatives and the vital role that evaluation played in their evolution. Authors share how they worked from a variety of institutional starting points to design programs, exhibitions, and accommodations for visitors with disabilities and how these initiatives were evaluated both during and after implementation. Read about the impact of this work on disabled (and non-disabled) audiences, what staff learned, and conversations about iterating and moving forward. Each story demonstrates how evaluation created more responsive institutions that value diverse communities, invite communication and collaboration, and more meaningfully impact visitors.
The first major look at the renowned industrial designer and architect, who helped to shape the look of American modernism from the 1920s through the early 1950s For German-born Kem Weber (1889-1963), design was not about finding a new expression; it was about responding to "structural, economic, and social requirements . . . characteristic of our daily routine of living." He sought to ensure that each design he produced--whether a piece of furniture or a building or an interior--was an improvement that responded to modern needs and modern life. Weber was a leading figure of modernism on the West Coast from the 1920s through the early 1950s, and his work greatly influenced the California sty...
The essential reader on fabrication in architecture for practitioners and producers alike An original and informative reader on the subject of translating architectural ideas from conceptual propositions to physical manifestations, Manufacturing the Bespoke is an essential resource for students and practitioners of architecture, as well as producers and suppliers of architectural products. At a time where roles, methods and capabilities within the disciplines of building production are in unprecedented flux, this book: Provides a unique and highly current treatment on the subject of fabrication in architecture with its emphasis on contemporary technology, cultural history and theory A key so...
Jacques-mile Ruhlmann, Pierre Chareau, Robert Mallet-Stevens, Charlotte Perriand, Eileen Gray: together these designers and their contemporaries pioneered the look of the modern French interior during the 1920s. Their use of sumptuous materials, rich jewel tones, intricate geometric patterns, and complex and varied textures has made this work a lasting favorite among interior designers, architects, and their clients. When it first appeared, the got moderne, or modern taste, was marketed through limited-edition portfolios containing unbound drawings, printed in full color using a traditional process called pochoir. Created in an era before color photography, the vivid gouache and watercolor d...
A lavish exploration of how contemporary jewelry pushes the boundary between ornament and art This thematic exploration of more than 950 works from the contemporary jewelry collection at the Dallas Museum of Art spans nearly a century up until the present and includes work by some of the field's most innovative and genre-defying makers. These masterpieces--from artists in Italy to Japan, New Zealand to the United States--assert the centrality of ideas beyond aspects of materiality and function. Through stunning photography and essays focusing zones of the body, geometries as archetypes of form, identity as projection or protection, notions of movement and play, and the history of the museum's seminal collection, the author illuminates new ways of understanding and appreciating contemporary jewelry. Constellations is a valuable resource for jewelry scholars and enthusiasts alike. Distributed for the Dallas Museum of Art Exhibition Schedule: Dallas Museum of Art (May 18-November 9, 2025)
This striking soft-cover book with more than three dozen color plates was produced to accompany an exhibition at Wolfsonian-Florida International University on how combatants from many sides used propaganda, mainly ephemera, to stir the masses during World Wars I and II. Even after the exhibit is dismantled, the catalog will stand on its own. The catalog contains essays on why warring governments in the 20th century placed such an emphasis on propaganda and mass communications to sway public opinion, and also on the design elements and language that all sides used to involve the public. The exhibition includes posters, matchbooks, housewares, and even children’s books and games, all designed to prepare the populace for war, encourage enlistment in the armed forces, set behavior standards (“Loose Lips Sink Ships!), and spur domestic production. The second half of the book looks at each image examining why the design elements and text are so effective.
A sumptuous exploration of the ways in which the Islamic arts have inspired the famous jewelry house Cartier, this book accompanies a major exhibition at the Musée des Arts Decoratifs, Paris, and the Dallas Museum of Art. Louis Cartier (1875–1942), the grandson of Cartier founder Louis-François, was an impassioned collector and patron of the arts. He was particularly entranced by Islamic arts, especially Persian book arts: their geometric shapes, color combinations, and motifs are apparent in Cartier jewelry to this day. Louis’s younger brother Jacques—an expert in precious stones—traveled to India and the Persian Gulf in 1911 and 1912 to experience the culture and bring home treas...
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Here is the fascinating story of Bertoia Studio, where Sound Sculpture was invented and new ideas of what art is were developed. This book documents all the types of original sculptures, graphics, and commissions made by Harry Bertoia and his son, Val Bertoia, from the 1950s to the present. Harry Bertoia helped Charles Eames to develope a chair design, and went on to create the famous Bertoia chairs for Knoll. Over 500 photographs show the Bertoias evolution of ideas that explore the relationships of space, color, and sound. Art collectors have been passionate in their praise and enjoyment of Bertoias work for over fifty years.