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Roberto Burle Marx
Roberto Burle Marx (Sao Paulo, 1909-Rio de Janeiro, 1994) is known as a landscape architect, but also as a painter, botanist, gardener, chef and jewellery designer. He considered the garden to be one of the fine arts, as the adaptation of the biome to civilisation's natural requirements." This book introduces the realm of the full sensory experience. Burle Marx's work with plants becomes highly pictorial-everything is drawn, coloured and constructed. In this symbiosis between aesthetics and botany, Burle Marx is the master of both species and spaces. His work is the embodiment of the "nature-city," a concept developed from the garden cities of the late 19th century, which has become compromi...
Architecture in Uniform
"It discusses topics such as the role of cities in the air war, the new buildings erected for industrial production, architecture's participation in actual warfare, and wartime mega projects and post-war developments in the civilian sphere, revealing the extent of the contribution made by architects to all aspects of the total mobilization that characterized the war years."--Page [4] of cover.
Sustainable Design
The concept of sustainability stands at the center of efforts to develop an architecture capable of meeting the challenges of the future. In urban structures as well as in design and the details of execution, sustainable architecture demands a value-preserving, resource-friendly approach to materials and construction. It was in large part in order to do justice to this development that in 2007, the Cité de l’Architecture et du Patrimoine and Jana Revedin created the international Global Award for Sustainable Architecture, which honors architects who have specifically excelled in the area of sustainability. This book documents the work of the prizewinners for 2007 and 2008. A first section...
Perspective, Projections and Design
The essays selected for this book, presented in chronological order, discuss various aspects of image-making technologies, geometrical knowledge and tools for architectural design, focusing in particular on two historical periods marked by comparable patterns of technological and cultural change. The first is the Renaissance; characterized by the rediscovery of linear perspectives and the simultaneous rise of new formats for architectural drawing and design on paper; the second, the contemporary rise of digital technologies and the simultaneous rise of virtual reality and computer-based design and manufacturing. Many of the contributing authors explore the parallel between the invention of the perspectival paradigm in early-modern Europe and the recent development of digitized virtual reality. This issue in turn bears on the specific purposes of architectural design, where various representational tools and devices are used to visualize bi-dimensional aspects of objects that must be measured and eventually built in three-dimensional space.
Digital Heritage
This book constitutes the refereed proceedings of the 5th International Conference on Digital Heritage, EuroMed 2014, held in Limassol, Cyprus, in November 2014. The 84 full and 51 short papers presented were carefully reviewed and selected from 438 submissions. They focus on the interdisciplinary and multi-disciplinary research concerning cutting edge cultural heritage informatics, -physics, chemistry and engineering and the use of technology for the representation, documentation, archiving, protection, preservation and communication of Cultural Heritage knowledge.
Henri Labrouste
Henri Labrouste is one of the few nineteenth-century architects consistently lionized as a precursor of modern architecture throughout the twentieth century and into our own time. The two magisterial glass-and-iron reading rooms he built in Paris gave form to the idea of the modern library as a collective civic space. His influence was both immediate and long-lasting, not only on the development of the modern library but also on the exploration of new paradigms of space, materials and luminosity in places of great public assembly. Published to accompany the first exhibition devoted to Labrouste in the United States--and the first anywhere in the world in nearly 40 years--this publication presents nearly 225 works in all media, including drawings, watercolors, vintage and modern photographs, film stills and architectural models. Essays by a range of international architecture scholars explore Labrouste's work and legacy through a variety of approaches.
Best Practice 3
Emma Nardi, Introduction; Anja Bellmann, Stefan Bresky, Bernd Wagner, Early Childhood Education in Museums. Exploring History in the Deutsches Historisches Museum; Anna Asoyan, Armine Grigoryan, The Museum is the Guest of the School; Ana Luisa Nossar, Branca Pimentel, Elaine Fontana, Marina Herling, Maria Carolina Machado, Paula Selli, Babies at the Museum? At Segall, that’s happening!; María Antonieta Sibaja Hidalgo, Descubrir, experimentar, construir…; Ernesta Todisco, Summer Camp for children. Promoting the knowledge of the museum; Niko Bos, Developing Look & Learn cards; Annemies Broekgaarden, History adventure! You and the Golden Age; Anne-Sophie Grassin, Un dimanche avec des étud...
Lacaton & Vassal
This monographic book designed by Anne Lacaton and Jean-Philippe Vassal, is published in conjunction with their exhibtion at the Cité de l'architecture et du patrimoine. It gathers all the projects designed by their firm into thematic groups (beginnings, landscape, dreams, freedom, Inhabiting, transformation, enchanting and city) and weaves them into a story that challenges their proposals. Their approach, involving an in-depth reflection on the ethical dimension of architecture, is founded upon both the generosity of the dwelling and the pleasure of the dweller. In denying the obvious, they seek in its place what is essential and specific to each situation and context. Lacaton and Vassal propose architecture that allows us greater freedom.
Machine à Amuser
A richly illustrated history of a single building, the celebrated and yet enigmatic penthouse of the wealthy playboy Charles de Beistegui, designed by Le Corbusier and Pierre Jeanneret in late 1920s Paris. What does it take to build not only a house but a machine for amusement? In Machine à Amuser, Wim van den Bergh chronicles the genesis of the famous penthouse of French-born Mexican millionaire bachelor Charles de Beistegui. The penthouse was planned and constructed by Le Corbusier & Pierre Jeanneret and built on a rooftop site on the Champs-Élysées between 1929–1932. Retracing the evolution of this icon of modern architecture from the initial competition between Gabriel Guevrekian, A...
Avant, après
" Il n'y a pas de contradiction entre le traditionnel et le moderne, entre l'ordre et l'aventure (...), la tradition est faite d'une suite séculaire d'audaces. " Jorge Luis Borges. Au début étaient cent cinquante films retraçant la naissance d'autant d'architectures. Mais un livre n'est pas un film et l'important, évidemment, était de traduire les idées qui en constituent la raison d'être, à savoir que le temps autant que l'espace est essentiel à l'architecture, que le changement est la seule loi immuable de la nature et que le présent et l'avenir seront toujours plus intéressants que le passé. Patrice Goulet.
