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The Law Reports
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The Law Reports
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The Weekly Notes
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Avant-Garde and Criticism
Avant-Garde and Criticism sheds new light on the complex aims, functions, practices and contexts of art-criticism in relation to the European avant-garde. Although many avant-garde works and the avant-gardes of various countries have been analyzed, considerably less attention has been given to the reviews in newspapers and journals on avant-garde literature, art, architecture and film. This volume of Avant-Garde Critical Studies will look at how art critics operated in a strategic way. The strategies of avant-garde criticism are diverse. Art critics, especially when they are artists themselves, attempt to manipulate the cultural climate in their favour. They use their position to legitimize ...
Janus at the Millennium
This volume contains a selection of articles originally presented at the Tenth Interdisciplinary Conference on Netherlandic Studies. These revised contributions, relating to the common theme of Janus and the perspective of time, examine Dutch language and culture from the U.S., Belgium, and the Netherlands.
One Into Many
This is the first anthology of its kind in English that deals in depth with the translation of Chinese texts, literary and philosophical, into a host of Western and Asian languages: English, French, German, Dutch, Italian, Spanish, Swedish, Hebrew, Slovak and Korean. After an introduction by the editor, in which multiple translations are compared to the many lives lived by the original in its new incarnations, 13 articles are presented in 3 sections.
Making the Personal Political
"Making the Personal Political is an interdisciplinary account of a now forgotten success story in the history of the society and culture of the Netherlands. While Dutch women had apparently retreated into domesticity after gaining the vote in 1919, women writers were out there in the market place selling the inside story of women's lives. Eight case studies of women writers between 1919 and 1970 trace the unconscious politics of the personal in narratives of women's identity and experience through close readings of texts located in the culture of the time. Jane Fenoulhet, whose knowledge of Dutch literature and culture in the twentieth century is unparallelled in the English-speaking world, tracks the public representation of women's private project of self development to the moment when the personal is finally accepted as politically important in Dutch society."
Cultural Criticism in the Netherlands, 1933-1940
In Cultural Criticism in the Netherlands, 1933-40, Jacob Boas offers a broad selection of the newspaper columns of legendary Dutch cultural critic Menno ter Braak. Ter Braak’s columns are noteworthy not only for their distinctive treatment of disparate cultural components ranging from literature to the social sciences, but also for the light they throw on the extent to which politics intruded on the cultural sphere in the years prior to the outbreak of war. Ter Braak set a standard for literary criticism of surpassing quality. Moreover, a staunch advocate of democracy, the critic joined the battle against fascism, urging fellow intellectuals to rise to the occasion. The ‘conscience of Dutch letters’ killed himself on the eve of the German occupation, May 1940.
