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Algebraic geometry and geometric modeling both deal with curves and surfaces generated by polynomial equations. Algebraic geometry investigates the theoretical properties of polynomial curves and surfaces; geometric modeling uses polynomial, piecewise polynomial, and rational curves and surfaces to build computer models of mechanical components and assemblies for industrial design and manufacture. The NSF sponsored the four-day ''Vilnius Workshop on Algebraic Geometry and Geometric Modeling'', which brought together some of the top experts in the two research communities to examine a wide range of topics of interest to both fields. This volume is an outgrowth of that workshop. Included are surveys, tutorials, and research papers. In addition, the editors have included a translation of Minding's 1841 paper, ''On the determination of the degree of an equations obtained by elimination'', which foreshadows the modern application of mixed volumes in algebraic geometry. The volume is suitable for mathematicians, computer scientists, and engineers interested in applications of algebraic geometry to geometric modeling.
Students enjoy the concise and approachable style of Strategic Management: Concepts and Cases, 5th Edition. Written in an accessible Harvard Business Review style with lots of practical examples and strategy tools, this course engages students with an easy-to-understand learning experience to strategic management concepts that will help them succeed in today's workplace. The newest edition of Strategic Management sparks ideas, fuels creative thinking, and discussion, while engaging students via contemporary examples, outstanding author-produced cases, unique Strategy Tool Applications, and much more!
This volume examines various manifestations of anguish in art, literature, and philosophy. It demonstrates that the experience of anguish manifested itself in a spectacular way in the arts in the late 19th – early 20th centuries. It makes obvious the extraordinary tension between anguish and art. The works discussed here reflect the magnitude of anguish generated by historical events, scientific advancements (especially in psychology), and metaphysical inquiries of the time. Through the invention of new artistic languages, those works also illustrate the fecundity of anguish for artists.
Context in Literary and Cultural Studies is an interdisciplinary volume that deals with the challenges of studying works of art and literature in their historical context today. The relationship between artworks and context has long been a central concern for aesthetic and cultural disciplines, and the question of context has been asked anew in all eras. Developments in contemporary culture and technology, as well as new theoretical and methodological orientations in the humanities, once again prompt us to rethink context in literary and cultural studies. This volume takes up that challenge. Introducing readers to new developments in literary and cultural theory, Context in Literary and Cult...
This volume, edited by scholars from diverse backgrounds, stems from the original convergence of various geo-cultural viewpoints on the reception of East Slavic cultures and literatures (Russian, Ukrainian, Belarussian, Soviet): European viewpoints are juxtaposed with those of the Japanese, Chinese, Israeli areas. The volume offers a broad look at the history of the perception of these literatures in Europe, Italy, and East Asia (with special attention to their reception in Japan and China). Contacts, influences, meditations, and difficulties in the perception of literary and cultural phenomena are the subject of original comparative analyses. The vitality with which Slavic-Eastern literatures have found echoes in very distant environments, but also the evolution of the self-perception of Ukrainian literature over time, are among the topics.
Originally published in hardcover in 2021 by Simon & Schuster.
This book contains a synchronic grammar and grammatical dictionaries of Old Church Slavic. The framework is based on a substantially revised version of the classical descriptive methodology. The intent is to improve on the classical monographs by Vaillant, Diels, Lunt in the direction of utmost completeness, explicitness, and deliberate consistency between the grammatical structure, the corpus of texts (limited to the seven oldest OCS manuscripts), and the dictionaries. The grammar is intended as a set of rules that provide a complete characterization of any OCS wordform. Peculiarities in the language of each source are described as systematic departures from canonical OCS, a conventional constructed variety primarily described by the grammar. The book is addressed to linguists working in Slavic studies, as well as to specialists in the general theory of grammar, especially phonologists and morphologists.
The essays gathered in this volume are devoted to different aspects of the reception of Humanism and the Renaissance in Slavic countries. They mark the beginning of a dialogue among scholars of different Slavic languages and literatures, in search of the ways in which the entire Slavic world – albeit to varying degrees – has participated from the very beginning in European cultural transformations, and not simply by sharing some characteristics of the new currents, but by building a new identity in harmony with the changes of the time. By overcoming the dominant paradigm, which sees all cultural manifestations as part of a separate ‘national’ linguistic, literary and artistic canon, this volume is intended to be the first step in outlining some ideas and suggestions in view of the creation, in the future, of an atlas that maps the relevance of Humanism and the Renaissance in the Slavic world.
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The present book addresses a wide range of problems concerning the history of Eastern Slavic culture in its interaction with cultural models of Western Europe. This collective work is the final result of the French-Italian conference “Fratture e integrazioni tra Russia, mondo slavo orientale e Occidente. Storia e civiltà letteraria dal Medioevo all’epoca contemporanea” (University of Florence, April 16-17, 2015): the complexity of cultural relations between Russia, the Slavic East and the European West is analysed by enhancing the variety of points of view and by using different methodological approaches and perspectives provided by different fields of study. Here, new materials and new analytical methods are presented, useful for studying the complex interactions between the Western cultural tradition and the Eastern Slavic one from the Middle Ages to the present day. The “fractures” and “integrations” are identified through critical reading or rereading of texts, works and authors who have taken part in the construction and development of cultural relations between the different European areas.