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The core of this book is an encyclopedia of Javanese terms for individual dance positions and movements, with detailed drawings by Marjolijn Groustra. This is preceded by a discussion of the significance and function of the art of dancing in Javane complemented by lengthy excerpts from treatises written by Javanese specialists, and by a survey of the different genres and choreographies of traditional Javanese dance. The historical dimension is provided by an early-twentieth-century manuscript on Javanese dance from the Mangkunegaran.
This study of traditional literature in Pakpak-Dairi, an endangered North Sumatran language, is based on written and oral versions of stories. Discussing the views of well-known scholars of Sumatran languages, the book includes the texts of seven stories which were collected in North Sumatra by the well-known linguist Herman Neubronner van der Tuuk (1824-1894) and are kept in Leiden University Library. The book also contains a story performed in the village of Sukarame by Sonang Sitakar, who may well have been one of the last Pakpak-Dairi storytellers. Presenting unique information on an endangered literary genre from North Sumatra.
The ritual bedhaya dances of the Central Javanese courts form a highly valued expression of Javanese culture. These stately dance forms, comprising complex choreographies executed to the accompaniment of archaic songs and gamelan music, are part of the cultural tradition of the Mataram dynasty. They have been preserved in the two main court centres of Central Java: Surakarta and Yogyakarta. The contents of the book range from a relatively general introduction to a detailed analysis of structural, formal features of the dances. Included are theories on the origin, social context and esoteric meaning, as well as 19th and 20th century scores of performances. The two main components of the art f...
An original and deeply researched work on a key period of Javanese history, by a world expert.
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Although the history of Indonesian music has received much attention from ethnomusicologists and Western composers alike, almost nothing has been written on the interaction of missionaries with local culture. This study represents the first attempt to concentrate on the musical dimension of missionary activities in Indonesia. In fourteen essays, a group of distinguished scholars show the complexity of the topic: while some missionaries did important scholarship on local music, making recordings and attempting to use local music in services, others tried to suppress whatever they found. Many were collaborating closely with anthropologists who admitted freely that they could not have done their work without them. And both parties brought colonial biases into their work. By grappling with these realities and records, this book is a collective effort to decolonize the project of making music histories.
Considered the most authoritative single-volume reference work on Islam in the contemporary world, the German-language Der Islam in der Gegenwart, currently in its fifth edition, offers a wealth of authoritative information on the religious, political, social, and cultural life of Islamic nations and of Islamic immigrant communities elsewhere. Now, Cornell University Press is making this invaluable resource accessible to English-language readers. More current than the latest German edition on which it is based, Islam in the World Today covers a comprehensive array of topics in concise essays by some of the world's leading experts on Islam, including: • the history of Islam from the earlies...
This publication brings together current scholarship that focuses on the significance of performing arts heritage of royal courts in Southeast Asia. The contributors consist of both established and early-career researchers working on traditional performing arts in the region and abroad. The first volume, Pusaka as Documented Heritage, consists of historical case studies, contexts and developments of royal court traditions, particularly in the nineteenth and twentieth centuries. The second volume, Pusaka as Performed Heritage, comprises chapters that problematise royal court traditions in the present century with case studies that examine the viability, adaptability and contemporary contexts for coexisting administrative structures.
No European country enjoyed such long-standing relations with the Thai Kingdom of Ayutthaya as the Netherlands. This study focuses on the perceptions of the merchants of the Dutch East India Company (VOC) of the Thai royal court in the seventeenth and eighteenth century. Basing herself on a wealth of Dutch primary sources, the author shows how trade, politics, and diplomacy shaped a unique relationship based on ‘partnership’ and a ‘sense of differences’. The book contributes to expanding the study of the history of Ayutthaya—known for its scarcity of sources— with the help of contemporary Dutch views.
From healing, fertility, and religious rituals, through theatrical entertainment, to death ceremonies and ancestor worship, the updated and revised second edition of World Dance Cultures introduces an extraordinary variety of dance forms and their cultures, which are practiced around the world. This highly illustrated textbook draws on wide-ranging historical documentation and first-hand accounts taking in India, Bali, Java, Cambodia, China, Japan, Hawai‘i, New Zealand, Papua New Guinea, Africa, Türkiye, Spain, Native America, South America, and the Caribbean, with this second edition adding new chapters on the Pacific Islands, Southern Africa, France, and Cuba. Each chapter covers a cert...