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American Coverlets and Their Weavers
This lavishly illustrated guide to one of the premier collections of woven coverlets in the United States is an essential reference for collectors, historians, specialists in material culture, and all those who are interested in American textiles. Information about the lives and professional careers of more than seven hundred weavers is included. In-depth discussions explore fifty coverlets that are depicted in detail.
Kentucky by Design
The Index of American Design was one of the most significant undertakings of the Federal Art Project—the visual arts arm of the Works Progress Administration. Part of President Franklin D. Roosevelt's New Deal, this ambitious initiative set out to discover and document an authentic American style in everyday objects. The curators of the Index combed the country for art of the machine age—from carved carousel horses to engraved powder horns to woven coverlets—created by artisans for practical use. In their search for a true American artistic identity, they also sought furniture designed by regional craftsmen laboring in isolation from European traditions. Kentucky by Design offers the f...
Los Angeles Magazine
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.
26.2
A visual and narrative tour of marathon history throughout the world examines marathon popularity in social, philosophical, athletic, fashion, cultural, and scientific contexts, featuring photography by such top contributors as Helmut Newton and Susan Meiselas. 25,000 first printing.
Overshot
Woven coverlets have appeared in several guises within the history of folk textiles. Created on four-harness looms, coverlets made in the nineteenth-century American South typically featured colored wool and cotton threads woven into striking geometric patterns. Although they are not as well known as other textiles and domestic objects, “overshot” coverlets were, and continue to be, significant examples of material culture that require tremendous skill and creativity to produce. They also express currents of conformity and dissent. In addition to being pleasing to the eye and hand, “overshot” coverlets have advanced a variety of social and political ends. At times exhibited in slave ...
Art for the Middle Classes
How did the average American learn about art in the mid-nineteenth century? With public art museums still in their infancy, and few cities and towns large enough to support art galleries or print shops, Americans relied on mass-circulated illustrated magazines. One group of magazines in particular, known collectively as the Philadelphia pictorials, circulated fine art engravings of paintings, some produced exclusively for circulation in these monthlies, to an eager middle-class reading audience. These magazines achieved print circulations far exceeding those of other print media (such as illustrated gift books, or catalogs from art-union membership organizations). Godey's, Graham's, Peterson...
Weaving a Legacy
Nineteenth-century handwoven coverlets are exceptional windows on the early years of American culture. They are increasingly prized by collectors for their superb craftsmanship and beauty of design as well as their historical significance. Produced by professional weavers, many of whom had fled the industrial revolution in Europe, coverlets were used as the uppermost coverings of beds. In addition to their intricate and colorful designs, many have personal inscriptions woven into their corner blocks or borders. The peak of production for handwoven coverlets was the relatively short period between 1820 and the end of the Civil War, when the weaving industry was rapidly becoming fully mechanized. The Don and Jean Stuck Coverlet Collection at the Columbus Museum of Art is the largest public collection of coverlets in the United States. The works of 185 known weavers are documented here, as are those of many anonymous weavers. With works from the nine most prominent coverlet-producing states and Canada, the collection includes examples of most weave structures and has a broad representation of colors, centerfield and border designs, and corner blocks.
