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In many countries around the world, the end of the First World War, far from leading to a new world order of stability, ushered in an era of uncertainty and economic decline. To solve the problems of unemployment, high inflation, low wages and poor working conditions, many turned to the political right for a solution – to leaders such as Mussolini and Hitler. But it was not only in countries such as Italy and Germany that people saw fascism as an alternative to democracy. It is sometimes said fascism in America first manifested itself as a reaction by a native-born population to the surge in the numbers of European immigrants in 1830. It went on to find a voice at least another four times ...
FIELD & STREAM, America’s largest outdoor sports magazine, celebrates the outdoor experience with great stories, compelling photography, and sound advice while honoring the traditions hunters and fishermen have passed down for generations.
The Second Edition of Hegel and Marx After the Fall of Communism surveys Hegel’s close connection with world-famed economist Friedrich List, the declared enemy of Karl Marx. Illuminating the mysterious nature of Hegel’s relationship with Marx and Friedrich List may help us to comprehend the extraordinary geopolitical transformations that have occurred in the last 15 years since the original publication in 1998. The Afterword to this Edition looks at Russia’s revival as a world power under Vladimir Putin, and China’s ambitious economic development efforts that bring to mind Sun Yat-sen’s vision of The International Development of China.
This volume explores a variety of iconic female characters in Italian literature, art and film who depict distinct representatives of female identity within this national culture. The contributors here apply various methodologies to characterize the evolution of women’s identity and their representation in such expressive modalities, drawing from literature, film, drama, history, the humanities, media and cultural studies. Cross-genre, cross-cultural, and cross-national explorations are also utilised here in order to underline the multifaceted ways in which de facto female characterization occurred.
In Opera as Art: Philosophical Sketches, Paul Thom argues for opera as an art, standing alongside other artforms that employ visual and sonic media to embody the great themes of human life. Thom contends that in great operatic art, the narrative and expressive content collaborate with the work's aesthetic qualities towards achieving this aim. This argument can be extended to modern operatic productions. At their best, these stagings are works of art in themselves, whether they give faithful renditions of the operas they stage and whether their aims go beyond interpretation to commentary and critique. This book is a philosophical introduction to the key practices that comprise the world of opera: the making of the work; its interpretation by directors, critics, and spectators; and the making of an operatic production. Opera has always existed in a context of philosophical ideas, and this book is written for opera-lovers who would like to learn something about that philosophical context.
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O'Regan (religious studies, Yale U.) argues for a theological reading of Hegel which clarifies the religious or theological species Hegel thinks can be brought into rapprochement with philosophy; unites a number of different approaches to Hegel which have proven fruitful, if incomplete; and, within the bounds of a systematic approach, addresses que