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Words Matter
In this age of rapid transition, Asian American studies and American studies in general are being reconfigured to reflect global migrations and the diverse populations of the United States. Asian American literature, in particular, has embodied the crisis of identity that is at the heart of larger academic and political debates surrounding diversity and the inclusion and exclusion of immigrant and refugee groups. These issues underlie the very principles on which literature, culture, and art are produced, preserved, taught, and critiqued. Words Matter is the first collection of interviews with 20th-century Asian American writers. The conversations that have been gathered here—interviews wi...
An Interethnic Companion to Asian American Literature
A survey of Asian American literature.
Asian American Literature
Asian American Literature: An Encyclopedia for Students is an invaluable resource for students curious to know more about Asian North American writers, texts, and the issues and drives that motivate their writing. This volume collects, in one place, a breadth of information about Asian American literary and cultural history as well as the authors and texts that best define it. A dozen contextual essays introduce fundamental elements or subcategories of Asian American literature, expanding on social and literary concerns or tensions that are familiar and relevant. Essays include the origins and development of the term "Asian American"; overviews of Asian American and Asian Canadian social and...
Aiiieeeee!
In the eyes of mid-twentieth-century white America, “Aiiieeeee!” was the one-dimensional cry from Asian Americans, their singular expression of all emotions—it signified and perpetuated the idea of Asian Americans as inscrutable, foreign, self-hating, undesirable, and obedient. In this anthology first published in 1974, Frank Chin, Jeffery Chan, Lawson Inada, and Shawn Wong reclaimed that shout, outlining the history of Asian American literature and boldly drawing the boundaries for what was truly Asian American and what was white puppetry. Showcasing fourteen uncompromising works from authors such as Carlos Bulosan and John Okada, the editors introduced readers to a variety of daring ...
The Cambridge Companion to Asian American Literature
This Companion surveys Asian American literature from the nineteenth century to the present day.
Asian American Literature
An introduction to the literary works of Chinese-Americans, Japanese-Americans, Filipino-Americans, and Korean-Americans, this book focuses on the self-images and social contexts of the nineteenth-century immigrants, their descendants, and the Americanized writers of today.Although the book examines the novels, autobiographies, poems, and plays themselves, the social history of Asians in American is a significant backdrop-as Maxine Hong Kingston herself argues it should be. These racially distinctive Americans have confronted in their lives and writings American stereotypes of the "Oriental," racial discrimination, and the cultural gulf between East and West.After a chapter on Fu Manchu, Cha...
The Joy Luck Club
Discover Amy Tan's moving and poignant tale of immigrant Chinese mothers and their American-born daughters. 'The Joy Luck Club is an ambitious saga that's impossible to read without wanting to call your Mum' Stylist In 1949 four Chinese women, recent immigrants to San Francisco, meet weekly to play mahjong and tell stories of what they left behind in China. United in loss and new hope for their daughters' futures, they call themselves the Joy Luck Club. Their daughters, who have never heard these stories, think their mothers' advice is irrelevant to their modern American lives - until their own inner crises reveal how much they've unknowingly inherited of their mothers' pasts. 'Pure enchantment' Mail on Sunday
Narrating Nationalisms
In Narrating Nationalisms, Jinqi Ling brings fresh perspectives to ongoing debates over the nature of Asian American literary production from the 1950s through 1980. He offers provocative interpretations of five formative texts demonstrating how these works contribute to the ongoing dialogue around progressive multicultural projects. Ling's nuanced analysis richly complicates our understanding of these Asian American classics and provides a sound critical basis for evaluating subsequent Asian American literary writings. Narrating Nationalisms synthesizes the literary discourse and critical debates within the field in a crucial period of post - World War II Asian American literary history, and specifies the components of "Asian American cultural nationalism" in ways that have not yet been attempted. This book will be compelling reading for those working in American literature, critical theory, cultural history, and ethnic studies.
No-No Boy
"No-No Boy has the honor of being among the first of what has become an entire literary canon of Asian American literature,” writes novelist Ruth Ozeki in her new foreword. First published in 1957, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. It was not until the mid-1970s that a new generation of Japanese American writers and scholars recognized the novel’s importance and popularized it as one of literature’s most powerful testaments to the Asian American experience. No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life “no-no boys.” Yamada answered “no” twice in a compulsory governmen...
