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Yale French Studies, Number 141
This 141st volume of Yale French Studies carefully examines the life and work of Claude Lanzmann (1925-2018) following his 1985 masterpiece, Shoah This volume of Yale French Studies charts the different paths Lanzmann took after the release of Shoah in 1985. These paths are explored through a consideration of his late films--Tsahal (1994), A Visitor from the Living (1997), Sobibor, October 14, 1943, 4 p.m. (2001), Light and Shadows (2008), The Karski Report (2010), The Last of the Unjust (2013), Napalm (2017), and Four Sisters (2018)--and of his memoir, The Patagonian Hare. The volume also includes an English translation of his last major interview, "Self-Portrait at Ninety." The original essays collected here show that Lanzmann's late films and writing stand as something more than mere footnotes to his 1985 masterpiece. Continuing to wrestle with questions of cinematic transmission and the relationship among film, history, and testimony, they confront anew and in a variety of approaches the challenge of representing the Holocaust, and of living in its aftermath.
Shoah
A nine-and-a-half-hour documentary on the Nazi extermination camps, Shoah (the Hebrew word for "Holocaust") was internationally hailed as a masterpiece upon its release in 1985. Shunning any re-creation, archival footage, or visual documentation of the events, filmmaker Claude Lanzmann relied on the words of witnesses—Jewish, Polish, and German—to describe in ruthless detail the bureaucratic machinery of the Final Solution, so that the remote experiences of the Holocaust became fresh and immediate. This book presents in an accessible and vivid format the testimony of survivors, participants, witnesses, and scholars. This tenth anniversary edition, published on the fiftieth anniversary of the liberation of the camps, is newly revised and corrected in order to more accurately present the actual testimony of those interviewed. Shoah is an unparalleled oral history of the Holocaust, an intensely readable journey through the twentieth century's greatest horror.
An Archive of the Catastrophe
Comprehensive analysis of 220 hours of outtakes that impels us to reexamine our assumptions about a crucial Holocaust documentary. Claude Lanzmann’s 1985 magnum opus, Shoah, is a canonical documentary on the Holocaust—and in film history. Over the course of twelve years, Lanzmann gathered 230 hours of location filming and interviews with survivors, witnesses, and perpetrators, which he condensed into a 9½-hour film. The unused footage was scattered and inaccessible for years before it was restored and digitized by the United States Holocaust Memorial Museum. In An Archive of the Catastrophe, Jennifer Cazenave presents the first comprehensive study of this collection. She argues that the...
An Archive of the Catastrophe
Honorable Mention, 2020 Best First Book Award presented by the Society for Cinema and Media Studies Claude Lanzmann's 1985 magnum opus, Shoah, is a canonical documentary on the Holocaust—and in film history. Over the course of twelve years, Lanzmann gathered 230 hours of location filming and interviews with survivors, witnesses, and perpetrators, which he condensed into a 91⁄2-hour film. The unused footage was scattered and inaccessible for years before it was restored and digitized by the United States Holocaust Memorial Museum. In An Archive of the Catastrophe, Jennifer Cazenave presents the first comprehensive study of this collection. She argues that the outtakes pose a major challen...
Claude Lanzmann’s 'Shoah' Outtakes
As we approach the end of the 'era of the witness', given the passing on of the generation of Holocaust survivors, Claude Lanzmann's archive of 220 hours of footage excluded from his ground-breaking documentary Shoah (1985) offers a remarkable opportunity to encounter previously unseen interviews with survivors and other witnesses, recorded in the late 1970s. Although the archive is all available freely to view online and includes extra footage of those who appear in Shoah, this book focuses on the interviews from which no extracts appear in the finished film or in any subsequent release. The material analysed features interviews with such significant figures as the former partisan Abba Kovn...
The Patagonian Hare
The international bestseller: a cry of witness to the 20 th century - the unforgettable memoir of 70 years of contemporary and personal history from the great French filmmaker, journalist and intellectual Claude Lanzmann. 'The guillotine - and capital punishment and other diverse methods of dispensing death more generally - have been the abiding obsessions of my life. It began very early. I must have been no more than ten years old...' Born to a Jewish family in Paris, 1925, Lanzmann's first encounter with radicalism was as part of the Resistance during the Nazi occupation. He and his father were soldiers of the underground until the end of the war, smuggling arms and making raids on the Ger...
The Construction of Testimony
Scholars and students of film studies and Holocaust studies will value this close analysis.
Shoah
Documentaire sur l'extermination des Juifs d'Europe par les Nazis au cours de la deuxième guerre mondiale à travers les témoignages de gens qui ont vécu à cette époque. Le réalisateur s'est surtout attaché à l'étude des méthodes utilisées dans les camps établis en Pologne tels Treblinka et Auschwitz en interrogeant des Juifs survivants, des Polonais qui vivaient à proximité de ces lieux et diverses personnes qui furent mêlées consciemment ou non à ce processus. En finale vient une section concernant la vie dans le ghetto de Varsovie et sa destruction.
The Construction of Testimony
Groundbreaking analyses of the vast archive of newly digitized and released outtakes from Lanzmann's masterwork.
Claude Lanzmann's Shoah
Claude Lanzmann's monumental 'Shoah' is a celebrated film about the Holocaust. It provides vivid accounts of the destruction of European Jewry by those who witnessed the slaughter at first hand. This text examines 'Shoah' from its inception through its reception in France, Europe, and the United States.
