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This volume is dedicated to Miguel Civil in celebration of his 90th birthday. Civil has been one of the most influential scholars in the field of Sumerian studies over the course of his long career. This anniversary presents a welcome occasion to reflect on some aspects of the field in which he has been such a driving force.
The clothed and adorned body has been at the forefront of Nili S. Fox's scholarship. In her hallmark approach, she draws on theoretical models from anthropology and archaeology, and locates the text within its native cultural environment in conversation with ancient Near Eastern literary and iconographic sources. This volume is a tribute to her, a collection of essays on dress and the body with original research by Fox's students. With the field of dress now garnering the attention of biblical and Ancient Near Eastern scholars alike, this book adds to the growing literature on the topic, demonstrating ways in which both dress and the body communicate cultural and religious beliefs and practices. The body's lived experience is the topic of section one, the body lived. The body and the social construction of identity is discussed in section two, the body cultured, while section three, the body adorned, analyzes the performative nature of dress in the biblical text.
Provides a broad view of the history and current state of scholarship on the art of the ancient Near East This book covers the aesthetic traditions of Mesopotamia, Iran, Anatolia, and the Levant, from Neolithic times to the end of the Achaemenid Persian Empire around 330 BCE. It describes and examines the field from a variety of critical perspectives: across approaches and interpretive frameworks, key explanatory concepts, materials and selected media and formats, and zones of interaction. This important work also addresses both traditional and emerging categories of material, intellectual perspectives, and research priorities. The book covers geography and chronology, context and setting, m...
This book is the first to characterize the Iron Age city-states of southeastern Turkey and northern Syria, using archaeological, historical, and visual evidence to argue for a unified cultural formation characterized above all by diversity and mobility.
The Sumerian World explores the archaeology, history and art of southern Mesopotamia and its relationships with its neighbours from c.3,000 - 2,000BC. Including material hitherto unpublished from recent excavations, the articles are organised thematically using evidence from archaeology, texts and the natural sciences. This broad treatment will also make the volume of interest to students looking for comparative data in allied subjects such as ancient literature and early religions. Providing an authoritative, comprehensive and up to date overview of the Sumerian period written by some of the best qualified scholars in the field, The Sumerian World will satisfy students, researchers, academics, and the knowledgeable layperson wishing to understand the world of southern Mesopotamia in the third millennium.
New results and interpretations challenging the notion of a uniform, macroregional collapse throughout the Late Bronze Age Eastern Mediterranean Ancient Western Asia Beyond the Paradigm of Collapse and Regeneration (1200–900 BCE) presents select essays originating in a two-year research collaboration between New York University and Paris Sciences et Lettres. The contributions here offer new results and interpretations of the processes and outcomes of the transition from the Late Bronze Age to the Iron Age in three broad regions: Anatolia, northern Mesopotamia, and the Levant. Together, these challenge the notion of a uniform, macroregional collapse throughout the Eastern Mediterranean, fol...
"Judean Pillar Figurines regularly appear in discussions about Israelite religion, monotheism, and female practice. Erin Darby uses Near Eastern texts, iconography, the Hebrew Bible, and the archeology of Jerusalem to explore figurine function, the gender of figurine users, and the relationship between Judean figurines and the Assyrian Empire"--Back cover.
Through her published works and in the classroom, Irene J. Winter has served as a mentor for the latest generation of scholars of Mesopotamian visual culture. The various contributions to this volume in her honor represent a cross section of the state of scholarship today. Topics by the twenty authors include palatial and temple architecture, royal sculpture, gender in the ancient Near East, and interdisciplinary studies that range from the fourth millennium BCE to modern ethnography and cover Sumer, Assyria, Babylonia, Iran, Syria, Urartu, and the Levant. Reflections on Winter’s scholarship and teaching accompany her bibliography. The volume will be useful for scholars who are curious about how visual culture is being used to study the ancient Near East.
This volume provides two of Martin Luther's most significant writings on prayer. In Little Prayer Book (1522), Luther seeks to reform the theology and practice of prayer in clear and understandable language for all people by encouraging simple, direct prayer to God, who promises to hear the one who prays. Luther focuses on the Ten Commandments, Apostles' Creed, and Lord's Prayer, giving his treatment of prayer a catechetical feel that would later provide the structure of his catechisms. In A Simple Way to Pray (1535), Luther offers his barber and all other readers insights into his own prayer life. He organizes his comments around the seven petitions of the prayer Jesus taught to his disciples. He also uses the Ten Commandments and the Apostles' Creed as resources for prayer. He sets out to "kindle a fire in the heart" and increase the reader's eagerness for prayer. This volume is excerpted from The Annotated Luther series, volume 4 (Pastoral Writings). Each volume and selection in the series contains new introductions, extensive annotations, illustrations, and notes to help shed light on Luther's context and to interpret his writings for today.
"Elizabeth A. Waraksa examines the ceramic female figurines excavated by John Hopkins at the Precinct of Mut in Luxor, Egypt between 2001 and 2004. The figurines date from the New Kingdom to the Late Period (ca. 1550-332 BCE). Ceramic figurines are frequently overlooked by archaeologists, art historians, and social historians because the lack the aesthetic qualities usually associated wit Egyptian art. However, the Hopkins-excavated figurines display features that mark them as standardized ritual objects. Waraksa argues that ceramic female figurines were produced in Workshops, utilized by magician/physicians in healing rituals, and regularly snapped and discarded at the end of their effective "lives". This is a new, broader interpretation for objects that have previously been considered as toys, dolly, concubine figures, and - most recently - votive "fertility figurines"."--Publisher's website