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This book argues that through adult education, feminist aesthetics can inform our responses to problems such as gender, racial, class and ecological injustices, including the #MeToo movement. The book illustrates the critical, creative and provocative pedagogical theorising, research, and engagement work of feminist educators and researchers who work in diverse community, institutional, and social movement contexts across North America and Europe. It captures the complexity, diversity, energy, and imagination of those who theorise and decolonise, facilitate, investigate and create within the politics of gender justice and change.
Offering a diagnostic global perspective on police brutality, Towards Anti-policing: Prefiguring Possibilities beyond the Thin Blue Line raises critical questions about whether policing is needed at all and what underlying purpose it actually serves. In this post-pandemic era, where the grip of authoritarianism has only tightened, Towards Anti-policing positions radical grassroots activism as a first line of critical defiance against the ‘Fear Terror Paradigm’ of policing logics and the pervasive brutality that this form of community control represents.
Renowned sound artists and theorists advocate for sound as a new paradigm in art In this second installment of the Dirty Ear Report series, leading sound artists and theorists argue for sound as a new paradigm in art, particularly considering questions of noise and otherness. Ricarda Denzer, Claudia Firth, Lucia Farinati, Brandon LaBelle, Ana Pais, Tao G. Vrhovec Sambolec, Alexandre St-Onge and James Webb are included.
The Force of Listening explores the role of listening in the contemporary intersection of art and activism and asks what potential for transformation it might facilitate. Written as a constructed montage in dialogic form, 'The Force of Listening' draws from conversations with artists, activists, and political thinkers which took place during 2013-2014, in the aftermath of the wave of protests and occupations against austerity. Members of Ultra-red, Precarious Workers Brigade and feminist consciousness-raising groups, artists Ayreen Anastas and Rene Gabri, media theorist Nick Couldry and philosopher Adriana Cavarero meet on the page to discuss questions of listening. Conversations cover theme...
While political scientists and political theorists have long been interested in social and political performance, and theatre and performance researchers have often focused on the political dimensions of the live arts, the interdisciplinary nature of this labor has typically been assumed rather than rigorously explored. This volume brings together leading scholars in the fields of Politics and Performance--drawing on experts across the fields of literature, law,anthropology, sociology, psychology, and media and communiction, as well as politics and theatre and performance--to map out and deepen the evolving interdisciplinary engagement. Organized into seven thematic sections, the volume investigates the relationship between politics and performance to show thatcertain features of political transactions shared by performances are fundamental to both disciplines--and that to a large extent they also share a common communicational base and language.
Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. Rather than looking to the stage for a politics or ethics of performance, Rajni Shah asks what work needs to happen in order for the stage itself to appear, exploring some of the factors that might allow or prevent a group of individuals to gather together as an ‘audience’. Shah proposes that the theatrical encounter is a structure that prioritises the attentive over the declarative; each of the five chapters is an exploration of this proposition. The first two chapters propose readings for the terms ...
Is it possible to abolish coercion and hierarchy and build a stateless, egalitarian social order based on non-domination? There is one political tradition that answers these questions with a resounding yes: anarchism. In this book, Carissa Honeywell offers an accessible introduction to major anarchist thinkers and principles, from Proudhon to Goldman, non-domination to prefiguration. She helps students understand the nature of anarchism by examining how its core ideas shape important contemporary social movements, thereby demonstrating how anarchist principles are relevant to modern political dilemmas connected to issues of conflict, justice and care. She argues that anarchism can play a central role in tackling our major global problems by helping us rethink the essentially militarist nature of our dominant ideas about human relationships and security. Dynamic, urgent, and engaging, this new introduction to anarchist thought will be of great interest to both students as well as thinkers and activists working to find solutions to the multiple crises of capitalist modernity.
This book examines the concept of darkness through a range of cultures, histories, practices and experiences. It engages with darkness beyond its binary positioning against light to advance a critical understanding of the ways in which darkness can be experienced, practised and conceptualised. Humans have fundamental relationships with light and dark that shape their regular social patterns and rhythms, enabling them to make sense of the world. This book ‘throws light’ on the neglect of these social patterns to emphasize how the diverse values, meanings and influences of darkness have been rarely considered. It also examines the history of our relationship with the dark and highlights ho...
This book analyzes the everyday emotions of international peacebuilding practitioners as practices that hinder – and potentially help – them to listen more receptively to their local partners. It develops ‘‘emotional practices’’ as an analytical concept by integrating critical feminist perspectives insights into practice approaches. Effective peacebuilding requires international actors to listen to local partners. This sounds simple enough but often fails in practice. Examining how everyday emotions help or hinder internationals’ receptivity to local perspectives, the book challenges the conventional wisdom that emotions do not matter – at least not those of internationals wh...
Acoustic Justice engages issues of recognition and misrecognition by mobilizing an acoustic framework. From the vibrational intensities of common life to the rhythm of bodies in movement, and drawing from his ongoing work on sound and agency, Brandon LaBelle positions acoustics, and the broader experience of listening, as a dynamic means for fostering responsiveness, understanding, dispute, and the work of reorientation. As such, acoustic justice emerges as a compelling platform for engaging struggles over the right to speak and to be heard that extends toward a broader materialist and planetary view. This entails critically addressing questions of space, borders, community, and the acoustic norms defining capacities of listening, leading to what LaBelle terms “poetic ecologies of resonance.” Acoustic Justice works at issues of recognition and resistance, place and displacement, by moving across a range of pertinent references and topics, from social practices and sound art to the performativity of skin and the poetics of Deaf voice. Through such transversality, LaBelle captures acoustics as the basis for strategies of refusal and repair.