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L'arcipelago di St Kilda è la parte più remota delle isole britanniche, nelle Ebridi Esterne, Scozia. Nel 1930 gli ultimi abitanti abbandonarono l'isola: restano muri di pietra, case, sentieri segnati dal lavoro, un'intera topografia perde il suo disegno, ciò che si possedeva si disperde, ciò che si sperava non accade. L'artista Claudia Losi riesce ad arrivare a St Kilda nel 2012. In che misura un luogo è descritto dalla geologia, dalla geografia, dalla storia, e in che misura è invece immaginato? Cosa vuol dire pensare un luogo ancora prima di esserci stati fisicamente? Quante descrizioni vanno ad abitare la nostra coscienza? Quali fra loro governano le parole e le immagini che decidiamo di restituire al mondo? "How do I imagine being there?"cerca di rispondere a queste domande attraverso una riflessione corale: uno scrittore, un semiologo e uno storico del cinema, un geografo, un biologo e un naturalista, un neuroscienziato, uno psichiatra e un artista hanno prestato a Losi la propria voce per descrivere, attraverso St Kilda, un'idea di "arcipelago mondo". Completa il libro una serie di nuove tavole dell'artista.
An expert on the brain argues that the mind is not a blank slate and that much early behavior is biologically predisposed rather than learned. Why do newborns show a preference for a face (or something that resembles a face) over a nonface-like object? Why do baby chicks prefer a moving object to an inanimate one? Neither baby human nor baby chick has had time to learn to like faces or movement. In Born Knowing, neuroscientist Giorgio Vallortigara argues that the mind is not a blank slate. Early behavior is biologically predisposed rather than learned, and this instinctive or innate behavior, Vallortigara says, is key to understanding the origins of knowledge. Drawing on research carried out...
Covering almost 8 percent of the earth's terrain, lichens are living beings which are familiar to everyone, known to no one. They are one of those organisms that seem to offer nothing to hold our gaze. But the more time we spend with lichens, the more they reveal their beauty, their mysteries and their strange power of attraction. Part-algae and part-fungus, lichens call into question our customary ways of classifying forms of life, and allow us to conceive of an ecology that is no longer based on distinctions between nature and culture, urban and rural, competition and cooperation. The result of several years of investigation carried out on several different continents, this remarkable book...
This book provides an original research perspective to the field of contemporary urban conflicts. Even though violent conflicts have transformed cities during the XX century, it is nowadays possible to identify the phenomenon of “Tensions” as a specific contemporary both social and spatial urban changes catalyst. Through a collection of essays from various disciplines focusing on international case studies—from India to Europe to Latin America— the publication explores the multifaceted concept of “spatial tensions” as a lens for better understanding contemporary urban transformations. While tensions often depend on spatial dispositives and superstructures, they also offer a powerful key for design practices and strategies.
The revised and extended BMW Art Guide by Independent Collectors presents 304 private collections of contemporary art accessible to the public—featuring large and small, famous and the relatively unknown. Succinct portraits of the collections with countless color illustrations take the reader to 51 countries, often to regions or urban districts that are off-the-beaten-path. This practical guide is a collaborative publication stemming from the partnership between BMW and Independent Collectors, the international online platform for collectors of contemporary art. To date, neither the Internet nor any book has ever contained a comparable assembly of international private collections, including several that have opened their doors to art lovers and connoisseurs for the first time.
Artists and writers go beyond disciplinary boundaries and linear histories to address the fight for environmental justice, uniting the Asia-Pacific vantage point with international discourse. Modeling the curatorial as a method for uniting cultural production and science, Climates. Habitats. Environments. weaves together image and text to address the global climate crisis. Through exhibitions, artworks, and essays, artists and writers transcend disciplinary boundaries and linear histories to bring their knowledge and experience to bear on the fight for environmental justice. In doing so, they draw on the rich cultural heritage of the Asia-Pacific, in conversation with international discourse...
The revised and extended BMW Art Guide by Independent Collectors presents nearly 300 private collections of contemporary art accessible to the public—featuring large and small, famous and the relatively unknown. Succinct portraits of the collections with countless color illustrations take the reader to more than 40 countries, often to regions or urban districts that are off the beaten path. This practical guide is a collaborative publication stemming from the partnership between BMW and Independent Collectors, the international online platform for collectors of contemporary art. To date, neither the Internet nor any book has ever contained a comparable assembly of international private collections, including several that have opened their doors to art lovers and connoisseurs for the first time.
The idea of co-operativity underlying this book runs on a spectrum spanning the dynamics typically found in elementary – but complex, institutive – structures of experience, and those informing current practices of organization of reality that are also oriented by a humanistic, ecological and socially engaged impulse. This kind of co-operativity both recognizes an anti-isolationist foundation to experience and implements this same principle in situations where it seems to be lacking or not sufficiently perspicuous. This book gathers some of the most relevant contemporary voices, both of “theorists” and of “operators” of a co-operativity that, in a very broad sense, can be charact...