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Research On STEM Education in the Digital Age
Supporting education through digital technology becomes increasingly important. Especially in the light of the Covid-19 pandemic, online teaching and learning has been increased massively. In these precarious times, multiple approaches have been developed to enable the delivery of online education. But also for the regular classroom setting, more and more technologies are developed and implemented in educational practice. This volume contains the papers presented at the Research On STEM Education in the Digital Age (ROSEDA) Conference, held in Porto, Portugal, in February 2023. The proceedings summarize and link theoretical consi-derations, practical experiences and ideas, and empirical research on the use of technology to enrich students’ learning. Hereby, the papers focus on the STEM subjects of Mathematics, Technology, Engineering and Mathematics. The ROSEDA Conference and its proceedings are part of the Erasmus+ Strategic Partnership ASYMPTOTE which is co-funded by the European Union.
Internet, Telematics, and Health
This book is the final result of a team effort involving a large number of international experts, coordinated and led by Dr. Marcelo Sosa-Iudicissa, in Brussels, Dr. Nora Oliveri, in Buenos Aires, Dr. Carlos A. Gamboa, in Washington, and Ms. Jean Roberts, in England. They have attracted and assembled together the contributions of 80 specialists from over 20 countries in North America, Europe and Latin America. This makes the present book a unique publication, presenting a true global vision of the opportunities opened up by the advent of the Internet for doctors, health professionals, planners and managers, as well as for patients and the public at large, wanting to know more and better abou...
Simplemente, el insconsciente es la política
Este libro incluye: Intuiciones milanesas, de Jacques-Alain Miller. Seminario organizado por: Leticia Acevedo, Damasia Amadeo, Gerardo Arenas, Silvia Baudini, Diana Campolongo, Walter Capelli, Alejandra Glaze, Claudia Lázaro, Marisa Morao, Gustavo Stiglitz, Mónica Wons. Invitados: Patricio Álvarez Bayón, Gerardo Battista, Graciela Brodsky, Gastón Cottino, Elena Levy Yeyati, Viviana Mozzi, Pilar Ordóñez, Silvia Salman, Mónica Torres, Beatriz Udenio, Paula Vallejo y Antoni Vicens. Este libro reúne las ideas y reflexiones presentadas en 2022 durante un seminario dictado por varios analistas y centrado en las Intuiciones milanesas de Jacques-Alain Miller, también publicadas en este vol...
The Mexican Filmography, 1916 through 2001
Mexican cinema has largely been overlooked by international film scholars because of a lack of English-language information and the fact that Spanish-language information was difficult to find and often out of date. This comprehensive filmography helps fill the need. Arranged by year of release and then by title, the filmography contains entries that include basic information (film and translated title, production company, genre, director, cast), a plot summary, and additional information about the film. Inclusion criteria: a film must be a Mexican production or co-production, feature length (one hour or more, silent films excepted), fictional (documentaries and compilation films are not included unless the topic relates to Mexican cinema; some docudramas and films with recreated or staged scenes are included), and theatrically released or intended for theatrical release.
The Islands of Divine Music
The Islands of Divine Music is a novel of five generations of an Italian-American family finding its place in the New World. Against a backdrop of Immigration, Prohibition, the Cuban Missile Crisis, the Vietnam War, and the new millennium, five generations of the Verbicaro family make their way from Southern Italy to San Francisco as each character brushes up against some aspect of the divine. The family matriarch is Rosari, a little girl whose family flees Italy because her prodigality is exploited by illiterate kidnappers. After her beautiful, psychotic mother’s suicide, the girl and her despondent father come to San Francisco, where she meets the man she’ll marry, a handsome, fiercely...
The Divine Claudia
“Muzio was a case apart: you cannot classify her, for in the end you have been so emotionally destroyed by her performance, you did not even know anymore what kind of instrument she had”. So spoke Lucrezia Bori, the beloved soprano of the Metropolitan Opera. Bori was echoing the opinion of many of Claudia Muzio’s contemporaries and successors such as Eva Turner, Rosa Ponselle, and Mafalda Favero who wrote:“Actually,” she [Favero] admitted with her total candor, “it took me a long time to find my own interpretation [La traviata], for I was haunted by Claudia Muzio in this role. When she sang it at the Colon in Buenos Aires in 1933, I went to each rehearsal, worshiping her, and it ...
¿Somos todos religiosos?
De este modo, una vez más afirmamos que la propuesta de tomar la enseñanza de Lacan en bloque es la única oportunidad de captar qué fue para él el significante del Otro barrado y ver de qué manera él mismo se embrolló y desembrolló ante ese real al que la práctica analítica día a día nos convoca. Un real que es lo que precisamente debería poner en cuestión lo religioso que siempre anuda en el corazón del parlêtre, del hablanteser. Porque si como decía Lacan en el 75, la religión es un síntoma, no va de suyo que su función como tal sea fácilmente eliminable. En otros términos, nos preguntaremos: ¿cuánto de religión aún perdura entre nosotros, en el uso de nuestros conceptos, en nuestra práctica y aún en el lazo la Escuela? ¿Podremos al menos no contradecirnos todo el tiempo? Leonardo Gorostiza
