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PERCEPTION in Architecture
Definitions of space are as diverse as the disciplines in which it plays a fundamental role; from science and philosophy to art and architecture, each field’s perception of space is often simplified or reduced. This consequently denies access to ‘new spaces’, whose definitions and perspectives, strategies and impacts on human perception are rarely considered in any cohesive manner. This is where the Aedes Network Campus Berlin (ANCB) programme ‘No Space Without Traits’ came in: particularly through artistic approaches, it aimed to open doors into spatial worlds that until now have remained closed. The symposium ‘PERCEPTION in Architecture. HERE and NOW’ was part of this program...
The Progressive Heritage of the Bauhaus
When the Bauhaus left Dessau in 1932, no Bauhaus collection remained. Apart from files in the city archives, some works in the Anhaltische Gemäldegalerie that survived the Nazi iconoclasm, and privately owned works of art, there was nothing left of documents and objects in Dessau. Today, the collection of the Bauhaus Dessau Foundation comprises more than 50,000 objects and documents on the history of the Bauhaus and its reception. They tell of the school in Dessau as a creative actor in a cultural, social and economic upheaval. The beginnings of the Bauhaus Dessau Foundation's collection date back to the 1970s. The publication goes back to the early years of "collecting the Bauhaus", describes and analyses the institutional processes preceding the founding of the Dessau Bauhaus collection and traces the history of Bauhaus reception in the GDR.
Bauhaus news : present positions
Organized into three sections addressing Bauhaus location, history and character, the book highlights its open-ended curriculum, workshop-based combination of research and design, theory and practice, and its structural inte- gration of artistic disciplines that make it a model for the future.
Stiftung Bauhaus Dessau: The Collections
The Bauhaus was one of the most important schools of art, design, and architecture, whose visionary designs continue to be regarded as icons of modernity today.This book provides an in-depth presentation of the second-largest Bauhaus collection in the world.It includes objects from all the phases and fields at the renowned institution, including student works by Marianne Brandt, Josef Albers, or Marcel Breuer, as well as works by Paul Klee, Wassily Kandinsky, or Gunta Stölzl.Objects and materials found in the Bauhaus buildings in Dessau--the Bauhaus Building, the Masters' Houses, the Employment Office, and the Dessau-Törten estate--are presented as well.The book also provides an introduction to the history and development of the school.Published on the occasion of the 100th anniversary of the Bauhaus.
Inflection 06: Originals
Architects are expected to create original ideas resulting in a unique, bespoke design. With the rise of Modern Architecture, originality became ingrained in perceptions of good design. As a result, originality has become a barometer against which we measure the value of design. However technology today allows for ease of replication and copies, thus originality in design has become an ostensibly hollow prospect. Originals gathers a wide range of responses, varied in their opinions and approaches to originality and authorship in design and architecture. Inflection is a student-run design journal based at the Melbourne School of Design, University of Melbourne. Born from a desire to stimulate debate and generate ideas, it advocates the discursive voice of students, academics and practitioners. Founded in 2013, Inflection is a home for provocative writing—a place to share ideas and engage with contemporary discourse.
Japanese Horror and the Transnational Cinema of Sensations
Japanese Horror and the Transnational Cinema of Sensations undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to world horror cinema. Neither a conventional film history nor a thematic survey of Japanese horror cinema, this study offers a transnational analysis of selected films from new angles that shed light on previously ignored aspects of the genre, including sound design, framing techniques, and lighting, as well as the slow attack and long release times of J-horror’s slow-burn style, which have contributed significantly to the development of its dread-filled cinema of sensations.
Carl Fieger
The Bauhaus Edition presents the latest state of research on the architect and designer Carl Fieger (1893-1960).The publication presents the innovative projects that he realized as an independent architect and furniture designer and examines his close connection to the Bauhaus.Designs, drawings, and photographs bear witness to his extensive work at the renowned architecture firms of Peter Behren and Walter Gropius on the most important building projects of the architectural history of the twentieth century.In 1953, the experience in standardized and serial construction that Carl Fieger had gained over decades culminated in the first prefabricated construction in East Germany.This catalogue is produced as part of a series of special exhibitions at Bauhaus Dessau Foundation in the build-up to the Bauhaus Centenary 2019.Published on the occasion of the exhibition, Carl Fieger: From Bauhaus to Bauakademie at Bauhaus Building, Dessau (22 March - 31 October 2018).
Living the Modern
Since the nineteen-fifties, a unique form of modern architecture has been developing in Australia-a "progressive modernism," which involves the dynamic combination of tradition and transformation. This catalogue accompanies the exhibition Living the Modern_Australian Architecture, and analyzes this culture- and environment-specific architecture, using its residential constructions as a basis for examination. The scope of the book extends from detached family houses to high-rise buildings. Examples of early design from the post-war period are explored in an introductory overview, but the focus of the publication is directed towards a diverse mix of twenty-five Australian architects. For the last fifteen years, they have been applying, interpreting, or reworking modernist approaches, but despite fame in their homeland, their outstanding and refreshing productions remain largely unheard of in Europe. Including texts by Richard Blythe, Philip Drew, Philip Goad, Gevork Hartoonian, Tom Heneghan, Hannah Lewi, Elizabeth Musgrave, Stephen Neille, Claudia Perren, Kristien Ring, and Peter Wilson. Book jacket.
Big Plans!
90 years after the Bauhaus first opened its doors in Dessau, Big Plans! Modern Types, Dreamers, and Inventors is the first publication to prove that the Bauhaus was not the only forum for the international avant-garde, but part of a large, Modernist utopia.A futurist industrial region grew up in central Germany from 1919 to 1933; it was closely linked to visionary and idealized plans for a new image of humanity, realized in everything from architecture, education, and advertising to the notion of space exploration.The exhibition includes correspondence sent from the Bauhaus to Magdeburg, Halle (Saale), Leuna, Merseburg, Wolfen, and Elbingerorde.This intriguing companion volume opens up a view into a highly active field of dynamic, exploratory ideas coming from participants such as Walter Gropius, Xanti Schawinsky, Bruno Taut, and Wilhelm Deffke.English text.
