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1 Antwortbrief an Claus Bremer
  • Language: en

1 Antwortbrief an Claus Bremer

  • Type: Book
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  • Published: Unknown
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  • Publisher: Unknown

None

Claus Bremer
  • Language: de
  • Pages: 66

Claus Bremer

  • Type: Book
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  • Published: 1981
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  • Publisher: Unknown

None

Utopie Theater
  • Language: en
  • Pages: 53

Utopie Theater

  • Type: Book
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  • Published: 1971
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  • Publisher: Unknown

None

Claus Bremer
  • Language: de
  • Pages: 16

Claus Bremer

  • Type: Book
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  • Published: 1966
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  • Publisher: Unknown

None

Claus Bremer
  • Language: de
  • Pages: 92

Claus Bremer

  • Type: Book
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  • Published: 1970
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  • Publisher: Unknown

None

Dreams of Chaos, Visions of Order
  • Language: en
  • Pages: 232

Dreams of Chaos, Visions of Order

Addresses the question of how--and to what extent--viewers can make sense of American avant-garde films. Peterson examines the implicit assumptions of other scholars, advocates an alternative to dominant approaches to the avant-garde cinema, and questions some long-standing cliches about the history of the avant garde. Includes numerous (but tiny) photographs. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR

futura
  • Language: de
  • Pages: 2

futura

  • Type: Book
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  • Published: 1966
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  • Publisher: Unknown

None

Futura 8
  • Language: de

Futura 8

  • Type: Book
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  • Published: 1966
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  • Publisher: Unknown

None

Visions of Violence
  • Language: en
  • Pages: 340

Visions of Violence

Nazi Germany's campaign against 'degenerate art' and its persecution of experimental artists pushed the avant-garde in Germany to the brink of extinction. This book examines how the avant-garde came back after the war, reconfiguring its aesthetics in the light of those years.

Text Into Image, Image Into Text
  • Language: en
  • Pages: 456

Text Into Image, Image Into Text

  • Type: Book
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  • Published: 1997
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  • Publisher: Rodopi

Text into Image: Image into Text is a truly interdisciplinary publication. Whilst all of the contributions focus upon the central problem of the relationship between literature and the visual arts -- one which has lost nothing of its fascination as the debate has expanded in numerous forms from antiquity into the realm of postmodern theory -- they come from contributors working in a large number of different areas. Represented are academics from the worlds of German Studies, French Studies, English Studies, Art History and Film Studies. Given their backgrounds each of the contributors can offer a different perspective upon the core issue of translation between media, but perhaps most valuable is the com-bination of perspectives made possible by the arrangement of the volume into sections dealing with aspects of the image/text debate. In the same way that the volume gains by ranging across traditional disciplinary boundaries so it also gains from dealing with a wide range of historical material from -- to take only one possible route -- Baroque icono-graphy through Romantic imagery to Expressionist agony.