You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Nostalgia is a topic that most lay people are familiar with, but, until recently, few social scientists understood. Once viewed as a disease, nostalgia is now considered to be an important psychological resource. It involves revisiting personally cherished memories that involve close others. When people engage in nostalgia, they experience a boost in positive psychological states such as positive mood, feelings of social connectedness, self-esteem, self-continuity, and perceptions of meaning in life. Since nostalgia promotes these positive states, when people experience negative states (such as loneliness or meaninglessness), they use nostalgia to regulate distress. This book explains in det...
Humans--even those who consider themselves secular or atheists--are utterly seduced by supernatural beliefs. Clay Routledge, an experimental social psychologist who grew up in a deeply religious environment, argues that belief or trust in forces beyond our understanding is natural and rooted in our fears of death. In Supernatural: Death, Meaning, and the Power of the Invisible World, Routledge argues that supernatural thinking is adaptive, even healthy, and that it should unite and not divide us.
This groundbreaking book is the first to provide a critical overview of the relationship between contemporary ceramics and curatorial practice in museum culture. Ceramic objects form a major part of museum collections, with connections to anthropology, archaeology and other disciplines that engage with the cultural and social history of humankind. In recent years museums have provided the impetus for cutting-edge artistic practice, either as a response to particular collections, or as part of exhibitions. But the question of how museums have staged contemporary ceramics and how ceramic artists respond to museum collections has not been the subject of published research to date. This book exa...
This publication provides practical guidance on appropriate methods of conservation and repair of earth buildings using traditional building materials. It is the first major work on the subject since Clough Williams-Ellis and the Eastwick-Fields published "Building in Cob, Pise and Stabilized Earth" in 1947. The book deals with the nature of clay and chalk, their qualities and characteristics, and the way in which they have been used to construct buildings. Advice is given on soils analysis, the philosophy of repair techniques and the factors to be considered before altering, converting or extending an earth building. The author primarily advocates repair techniques using traditional materials, but he also considers the role played by certain modern materials, and assesses their suitability.
Certain wastes such as nuclear wastes, are so hazardous that their disposal creates a major challenge requiring considerable technical skill and understanding. Their effective isolation in the ground depends on the properties of the surrounding clays. This authoritative book explains the detailed function of clay-based engineered barriers, gives a number of examples of the design and construction of successful sites, and sets out conceptual and theoretical models for the prediction of their performance. It begins by providing a scientific grounding in the relevant aspects of clay science and successively moves onto the practicalities, while retaining the scientific slant. It will be useful for students, and invaluable for research institutes, specialists in environmental protection agencies and consultants in the field of disposal of hazardous waste.
The word 'iconoclasm' is most often used in relation to sculpture, because it is sculptures that most visibly bear witness to physical damage. But damage can also be invisible, and the actions of iconoclasm can be subtle and varying. Iconoclastic acts include the addition of objects and accessories, as well as their removal, or may be represented in text or imagery that never materially affects the original object. This book brings together a collection of essays each of which fundamentally questions the meaning of the word iconoclasm as a descriptive category. Each contribution examines the impact of iconoclastic acts on different representational forms, and assesses the development and historical implications of these various destructive and transformative behaviours.
Clay Work and Body Image in Art Therapy provides an important addition to resources available in the field of clay work and art therapy, highlighting the unique sensory aspects of the medium and its ability to provide a therapeutic resource for women who experience body image issues. Chapters offer a comprehensive distillation of current knowledge in the field of body image, clay work, neuroscience, and art therapy, building a theoretical framework around personal narratives. Case studies examine the benefits of exploring body image through clay work within art therapy practice, providing a positive and contained way to find personal acceptance and featuring photographs of clay body image sc...
This work provides an analysis of how knowledge is constructed and defined by teachers and lecturers in schools and universities/colleges. It considers how everyday uses of reading, writing, numeracy and science are cast aside in favour of academic language and academic discourse, arguing that such discourses are alien to learners' daily experiences and are, therefore, difficult to acquire and adopt.; Chapters examine literacies of English, mathematics and science as practised in and outside schools and colleges. The book is interdisciplinary and multicultural, adopting perspectives from the UK, USA, South Africa, India, Brazil and Kenya. It should be of interest to a wide market of educationalists, including those involved in educational policy making, teacher education, cultural/multicultural studies, development studies, anthropology, and adult and continuing education.
All cultures make, and break, images. Striking Images, Iconoclasms Past and Present explores how and why people have made and modified images and other cultural material from pre-history into the 21st century. With its impressive chronological sweep and disciplinary breadth, this is the first book about iconoclasm (the breaking of images) and the transformation of broader sets of signs that includes contributions from archaeologists, curators, and museum conservators as well as historians of art, literature and religious studies. The chapters examine themes critical to the study of iconoclasm: violence, punishment, memory, intentionality, ruins and relics and their survival. The conclusion s...
This book presents the characteristic of philosophical writing in the theory of knowledge covering the major themes: skepticism, externalism, reliabilism, probability, and justification. It also analyses epistemology from both historical and contemporary perspective.