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Spectacular Men
In Spectacular Men, Sarah E. Chinn investigates how working class white men looked to the early American theatre for examples of ideal manhood. Theatre-going was the primary source of entertainment for working people of the early Republic and the Jacksonian period, and plays implicitly and explicitly addressed the risks and rewards of citizenship. Ranging from representations of the heroes of the American Revolution to images of doomed Indians to plays about ancient Rome, Chinn unearths dozens of plays rarely read by critics. Spectacular Men places the theatre at the center of the self-creation of working white men, as voters, as workers, and as Americans.
Florida Studies
Included in this volume are essays on various aspects of Florida Literature and history by scholars from across the state representing every kind of institution of higher learning. Of special interest are the studies of Florida literature in the 19th Century and in the late 20th and early 21st centuries, areas that are generally underrepresented in national journals. The papers on the contributions of African- America figures, such as Zora Neale Hurston, are noteworthy. Of particular interest are the suggestions for teaching Florida Studies in the classroom, which can be adapted for high school as well as college students.
Bulletin
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Slavery and Silence
In the thirty-five years before the Civil War, as it became increasingly difficult for those outside the world of politics to have frank and open discussions about slavery, Paul D. Naish argues that many Americans displaced their most provocative criticisms and darkest fears about the institution onto Latin America.
Bulletin
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Acts of Manhood
Exploring the performance of masculinity on and off the nineteenth-century American stage, this book looks at the shift from the passionate muscularity to intellectual restraint as not a linear journey toward national refinement; but a multitude of masculinities fighting simultaneously for dominance and recognition.
Theatre, Society and the Nation
Theatre has often served as a touchstone for moments of political change or national definition and as a way of exploring cultural and ethnic identity. In this book Steve Wilmer selects key historical moments in American history and examines how the theatre, in formal and informal settings, responded to these events. The book moves from the Colonial fight for independence, through Native American struggles, the Socialist Worker play, the Civil Rights Movement, and up to works of the last decade, including Tony Kushner's Angels in America. In addition to examining theatrical events and play texts, Wilmer also considers audience reception and critical response.
To the Halls of the Montezumas
For mid-19th-century Americans, the Mexican War was not only a grand exercise in self-identity, legitimizing the young republic's convictions of mission and destiny to a doubting world; it was also the first American conflict to be widely reported in the press and to be waged against an alien foe in a distant and exotic land. It provided a window onto the outside world and promoted an awareness of a people and a land unlike any Americans had known before. This rich cultural history examines the place of the Mexican War in the popular imagination of the era. Drawing on military and travel accounts, newspaper dispatches, and a host of other sources, Johannsen vividly recreates the mood and feeling of the period--its unbounded optimism and patriotic pride--and adds a new dimension to our understanding of both the Mexican War and America itself.
Nick of the Woods
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