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It was during the exciting modernist movement in Spanish American literature that Clemente Plama (1872-1946), son of Ricardo Palma, began his writing career and signaled the birth of modern Peruvian literature. This volume offers detailed critical analyses of Palma's short stories and novels.
Malignant Tales is the first and only translation of Clemente Palma's Historietas malignas (1925), a book now out of print in its Spanish original. This translation, then, fills a double void; it makes the narrative accessible to the English-reading public and to those unable to obtain the original text.
Presented here in new English translations by Shawn M. Garrett is an expanded version of the Peruvian author Clemente Palma's first volume of Decadent and Supernatural stories, as well as some bitter fairy tales - MALEVOLENT TALES ("Cuentos Malévolos") - includes the delirious "Lina's Eyes," the blasphemous "Fifth Gospel," and the horrific "The White Farm." Also appended are seven extra stories, including "The Vampires" and the apocalyptic "The Tragic Day," as well as an afterword from the translator.CONTENTS: Baskets / Idealism / The Last Faun / Parable / A Vulgar Story / Lina's Eyes / A Puppet Tale / The Fifth Gospel / The Last Blonde / The Prodigal Son / The White Farm / The Legend Of Hashish / I Have A White Cat / Mythological Reveries / The Scorpion Prince / The Necromancer / The Vampires / The Tragic Day / The Butterflies
The Historical Dictionary of Latin American Literature and Theater provides users with an accessible single-volume reference tool covering Portuguese-speaking Brazil and the 16 Spanish-speaking countries of continental Latin America (Argentina, Bolivia, Chile, Colombia, Costa Rica, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Uruguay, and Venezuela). Entries for authors, ranging from the early colonial period to the present, give succinct biographical data and an account of the author's literary production, with particular attention to their most prominent works and where they belong in literary history. The introduction provides a review of Latin Ame...
Influenced by anarchism and especially by the anarcho-syndicalist Georges Sorel, the political praxis of Peruvian activist and scholar José Carlos Mariátegui (1894–1930) deviated from the policies mandated by the Comintern. Mariátegui saw that new subjectivities would be required to bring about a revolution that would not recreate bourgeois or fascist structures. A new society, he argued, required a new culture. Thus, Mariátegui not only founded the Peruvian Socialist Party, but also created Amauta, a magazine that brought together the writings of the political and cultural avant-gardes. In the spirit of this approach, Bread and Beauty not only studies the political signifi cance of cultural habits and products; it also looks at the cultural underpinnings of the political proposals found in Mariátegui’s writings and actions.
It was during the exciting modernist movement in Spanish American literature that Clemente Plama (1872-1946), son of Ricardo Palma, began his writing career and signaled the birth of modern Peruvian literature. This volume offers detailed critical analyses of Palma's short stories and novels.
The Chinese migration to the Latin America/Caribbean region is an understudied dimension of the Asian American experience. There are three distinct periods in the history of this migration: the early colonial period (pre-19th century), when the profitable three-century trade connection between Manila and Acapulco led to the first Asian migrations to Mexico and Peru; the classic migration period (19th to early twentieth centuries), marked by the coolie trade known to Chinese diaspora studies; and the renewed immigration of the late 20th century to the present. Written by specialists on the Chinese in Latin America and the Caribbean, this book tells the story of Asian migration to the Americas and contributes to a more comprehensive understanding of the Chinese in this important part of the world.
This book analyzes the initial engagement with Hollywood by key Latin American writers, examining the ways in which these writers seized the opportunity to reassert their relevance in the rapidly modernizing public sphere by actively – and often subversively – mediating encounters between Hollywood and local audiences.
Characters are made, scripted, and invented, but Creators and Created Beings in Twentieth-Century Latin American Fiction explores what occurs when literary creations become creators themselves. Representing Latin American fiction’s increasingly skeptical gaze in the early- to mid- twentieth century, these literary creators breach the metafictional frame in order to problematize themes including life and death, gender and sexuality, and technology. Drawing upon a diverse range of literary works by canonical and non-canonical authors including Jorge Luis Borges, Horacio Quiroga, Carlos Onetti, Julio Cortázar, María Luisa Bombal, Carlos Fuentes, Roberto Arlt, Juan José Arreola, Eduardo Ladislao Holmberg, Clemente Palma, Adolfo Bioy Casares, and Pedro Angelici, this study excavates critical ontological and epistemological inquiries and delves into questions of identity, power, scientific knowledge, and the transformative nature of fiction.
This is the first full-length study in English of the Peruvian poet, César Vallejo (1892-1938). Franco explores limitations on the poet's freedom of speech, and goes on to explore Vallejo's later poetry, which gestures towards the tentative nature of humanity and civilisation that gives the poetry its abiding relevance.