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The Colbeck collection was formed over half a century ago by the Bournemouth bookseller Norman Colbeck. Focusing primarily on British essayists and poets of the nineteenth century from the Romantic Movement through the Edwardian era, the collection features nearly 500 authors and lists over 13,000 works. Entries are alphabetically arranged by author with copious notes on the condition and binding of each copy. Nine appendices provide listings of selected periodicals, series publications, anthologies, yearbooks, and topical works.
First published in 1975, this tells of one of the Bright Young Things in that brilliant and stimulating era between the wars, Alec Waugh remembers 1931 as being a year of firsts. It was the year he attended his first garden party, the year he made his first transatlantic phone call, the year he became a member of the MCC. But it was also a year that marked the end of one epoch and the beginning of another, far less frivolous. Nostalgic for the best of that time, Alec Waugh recalls the writers he knew and met here and in America - Somerset Maugham, A J Cronin, John O'Hara, Thurber and Dorothy Parker. Here is an insight into the literary and publishing world of the thirties through an account of the author's own experiences. We hear of Alec Waugh's life at leisure with stories of his family and brother Evelyn, his affairs (with Ruth in California, with Mary in Villefranche, with Elizabeth in London), the wild parties, the tours round the speakeasies, the Atlantic crossings and the fascinating people he met on them.
This collection of essays is dedicated to the memory of David Hawkes (1923–2009), who is remembered as a pre-eminent translator and interpreter of Chinese literature into English, his most famous work being the translation of the classic eighteenth-century Chinese novel, the Hongloumeng or The Story of the Stone. The first part of the collection consists of studies on him and his works; the second part on the art of translation into English from Chinese literature. All the essays are written by scholars in the field from Britain, America, Australia and Hong Kong.
The history of English song from the late nineteenth century to the Second World War.
Originally published in 1984. The turn of the nineteenth and twentieth centuries was a time of considerable change in the English theatre. Victorian attitudes were shocked or shattered by the new drama of Ibsen; the major figure of George Bernard Shaw dominated the period; theatre censorship was the subject of a long and furious contest; and staging conventions changed from the spectacular stylings of Irving and Beerbohm Tree to the masking and statuesque styles of Isadora Duncan and the inner realism of Stanislavsky. This book traces the activities of the leading figures in the English theatre, notably William Archer who introduced Ibsen to this country and who became one of the main promot...