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In a career spanning more than fifty years, Wallace Stegner (1909?93) emerged as the greatest contemporary author of the American West?writing more than two dozen works of history, biography, essays, and fiction, including the Pulitzer Prize-winning Angle of Repose and the bestselling Crossing to Safety. Jackson J. Benson?s Wallace Stegner: His Life and Work is the first full-dress biography of this celebrated ?Dean of Western Writers.? Drawing on nearly ten years of research and unlimited access to Stegner?s letters and personal files, Benson traces the trajectory of Wallace Stegner?s life from his birth on his grandfather?s Iowa farm to his prominence as an award-winning writer, critic, historian, environmental activist, and teacher, and as founder of Stanford?s creative writing program. But Benson?s book is as much a consideration of Stegner?s literary legacy as it is a retelling of his life. His critical reassessment of the entire body of Stegner?s work argues convincingly for his subject?s place in the literary canon?not merely as a ?regional? Western writer but straightforwardly as one of the great American writers of the twentieth century.
The Role of Today’s Museum provides a thorough investigation of what museums do and why. Arguing that museums are multifunctional institutions, the book examines the consequences of this for the services that museums provide, the publics to whom they are provided and the providers themselves. Adopting a wide perspective on understandings of the roles of museums and considering the different environments within which museums operate, Gray and McCall provide a new perspective on how transformations, as well as the gaps between intended policies and the actual work that is undertaken within museums, can be both identified and understood. By differentiating between social, economic and politic...
This is the first book to examine how and why museums are political institutions. By concentrating on the ways in which power, ideology and legitimacy work at the international, national and local levels of the museum experience, Clive Gray provides an original analysis of who exercises power and how power is used in museums.
Asserts that the CIA turned the National Student Association into an intelligence asset during the Cold War, with students used—often wittingly and sometimes unwittingly—as undercover agents inside America and abroad.
Presents the life and accomplishments of a leading supporter of the women's liberation movement in the United States who helped found the feminist magazine "Ms." as well as other organizations.
Anniversary of the Eureka Rebellion. Behind the scenes of the Eureka movie mini-series. Through the narrative views of Peter LaLour and Happy Sack.
MUSEUM THEORY EDITED BY ANDREA WITCOMB AND KYLIE MESSAGE Museum Theory offers critical perspectives drawn from a broad range of disciplinary and intellectual traditions. This volume describes and challenges previous ways of understanding museums and their relationship to society. Essays written by scholars from museology and other disciplines address theoretical reflexivity in the museum, exploring the contextual, theoretical, and pragmatic ways museums work, are understood, and are experienced. Organized around three themes—Thinking about Museums, Disciplines and Politics, and Theory from Practice/Practicing Theory—the text includes discussion and analysis of different kinds of museums from various, primarily contemporary, national and local contexts. Essays consider subjects including the nature of museums as institutions and their role in the public sphere, cutting-edge museum practice and their connections with current global concerns, and the links between museum studies and disciplines such as cultural studies, anthropology, and history.
This book presents the history of the Council for the Encouragement of Music and the Arts (CEMA) in Northern Ireland from its conception in 1943, and its successor organisation, the Arts Council of Northern Ireland (ACNI). Exploring the political and social impact of cultural policy in Northern Ireland, the book illustrates how the arts developed during the twentieth century and sheds light on the relationship between politics and culture. The author takes a closer look at the responsibilities of ACNI, and examines its interaction with the unionist government, which sought to influence how the organisation distributed its grants. Spanning the outbreak of the Troubles in the 1960s and the Pea...
David Bell and Kate Oakley survey the major debates emerging in cultural policy research, adopting an approach based on spatial scale to explore cultural policy in cities, nations and internationally. They contextualise these discussions with an exploration of what both ‘culture’ and ‘policy’ mean when they are joined together as cultural policy. Drawing on topical examples and contemporary research, as well as their own experience in both academia and in consultancy, Bell and Oakley urge readers to think critically about the project of cultural policy as it is currently being played out around the world. Cultural Policy is a comprehensive and readable book that provides a lively, up-to-date overview of key debates in cultural policy, making it ideal for students of media and cultural studies, creative and cultural industries, and arts management.
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