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Dracula
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Bram Stoker: Dracula - The Relationship of Jonathan and Mina Harker
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Trier, course: Dracula - Novel into Film, 8 entries in the bibliography, language: English, abstract: Bram Stoker introduces the characters of Jonathan Harker and Mina Murray through Jonathan's Diary entry at the beginning of his novel Dracula . They are of great importance for the development of the story as Jonathan enables Count Dracula to come to London and as Mina plays an important role in finding and finally destroying him. Their relationship, as they are two of the most suffering characters, is put on a severe test during the novel. Count Dracula develops into their greatest enemy and task, which their partnership would probably have ever faced . In the following analysis will be discussed how the incidents in the novel affect and change both the characters of Jonathan and Mina and their relationship to each other.
Dracula Unearthed
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The Origins of Dracula
The Origins of Dracula
Britain and Saudi Arabia, 1925-1939
First Published in 1983. Routledge is an imprint of Taylor & Francis, an informa company.
This Thing of Darkness
Written across the disciplines of art history, literature, philosophy, sociology, and theology, the ten essays comprising the collection all insist on multidimensional definitions of evil. Taking its title from a moment in Shakespeare’s Tempest when Prospero acknowledges his responsibility for Caliban, this collection explores the necessarily ambivalent relationship between humanity and evil. To what extent are a given society’s definitions of evil self-serving? Which figures are marginalized in the process of identifying evil? How is humanity itself implicated in the production of evil? Is evil itself something fundamentally human? These questions, indicative of the kinds of issues raised in this collection, seem all the more pressing in light of recent world events. The ten essays were originally presented at the First Global Conference on Perspectives on Evil and Human Wickedness, held in March 2000 in Lady Margaret Hall, Oxford University.
Textual Revisions
Textual Revisions is a collection of new essays which discusses adaptations for cinema and television of a variety of novels, plays and short stories. Works discussed include adaptations of novels by Austen, Stoker, Michael Cunningham, Fowles and Tolkien, plays by Shakespeare and Pinter, and a short story by Philip K. Dick.
Reading the Vampire
Insatiable bloodlust, dangerous sexualities, the horror of the undead, uncharted Trannsylvanian wildernesses, and a morbid fascination with the `other': the legend of the vampire continues to haunt popular imagination. Reading the Vampire examines the vampire in all its various manifestations and cultural meanings. Ken Gelder investigates vampire narratives in literature and in film, from early vampire stories like Sheridan Le Fanu's `lesbian vampire' tale Carmilla and Bram Stoker's Dracula, the most famous vampire narrative of all, to contemporary American vampire blockbusters by Stephen King and others, the vampire chronicles of Anne Rice, `post-Ceausescu' vampire narratives, and films such as FW Murnau's Nosferatu and Bram Stoker's Dracula. Reading the Vampire embeds vampires in their cultural contexts, showing vampire narratives feeding off the anxieties and fascinations of their times: from the nineteenth century perils of tourism, issues of colonialism and national identity, and obsessions with sex and death, to the `queer' identity of the vampire or current vampiric metaphors for dangerous exchanges of bodily fluids and AIDS.
Bram Stoker and Russophobia
In Victorian England, a marked fear of Russia prevailed in the government and the public. As a result of the Crimean War and other Russian threats to the British empire, the English mind was haunted by a shadowy enemy of barbarous Eastern invaders. The influence of this Russophobia is evident in the works of Bram Stoker, who responded to the Russian challenge to British Imperial hegemony through the character of Dracula, a primitive and menacing Eastern figure destroyed by warriors pledged to the Crown. The text investigates the role of Russophobia in Stoker's fiction, particularly his novels Dracula and The Lady of the Shroud. It offers historical information about Russophobia and the Crimean War, considers Slavic and Balkan connections, and analyzes Stoker's vampire themes. The resulting work shows how two nations' histories intertwine in an unexpected literary avenue. Illustrations include numerous political cartoons of the era.
Bram Stoker's Dracula
A concise, readable and comprehensive introduction to Bram Stoker's classic Dracula (1897) for undergraduates.
