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Clô Orozco
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Clô Orozco
No prefácio do livro, Thais Mol ressalta como Clô Orozco cria trajes casuais a partir da técnica experimental da moulage. Já Cynthia Garcia, no ensaio sobre a estilista, recupera sua formação em sociologia, as viagens, a paixão por Sartre e a influência dos criadores japoneses. A edição é dividida em capítulos, de acordo com o estilo atemporal da marca - peças de alfaiataria, casuais, sofisticadas, luxuosas, acessórios e detalhes. O livro reforça a coerência e as preferências da estilista, deixando claro como ela se manteve fiel ao seu universo particular.
Brazilian design today
This exhibition shows us how different sectors of design production ally art, a Brazilian character and technology to create objects utilized in our daily lives that take our culture to the four corners of the world. The exhibition intent is to present a transversal view of this moment, aiming at highlighting some revealing examples that attest to the creative ability of Brazil from different fields of design. All projects included are after the year 2000 and by designers living in Brazil (including foreigners who adopted Brazil as home), and works by Brazilian born designers scallered around the world. Designers are included from different regions in Brazil as well as from different generat...
Gabriel Orozco
Gabriel Orozco was born in Mexico City in 1962. He is considered one of the most influential conceptual artists of this generation thanks to his use of multiple media (installations, videos, drawings, sculptures and photography). His art creates a consta
Josè Clemente Orozco
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Gabriel Orozco
The book is the most complete monograph of artist Orozco (b.Jalapa, Veracruz, Mexico,1962) published to date, covering his career with a selection of his most representative works from the late 1980's to the present. Contents include essays by art historians Yve-Alain Bois and Benjamin H. D. Buchloh and a long interview by Briony Fer, where the artist shares his motivations and thoughts regarding conceptual art, culture and the philosophy behind his work. Benjamin H.D. Buchloh refers to the different forms of sculpture during the 20th century and the culture of market economy and their manifestations since the transformations to object-subject. Finally Yve-Alain Bois explores the recent return to painting of Orozco critically analyzing the formal and structural logic of his canvas. With a nomadic lifestyle and a permanent changing and varied artistic practice that includes sculpture, drawing, photography, installation, collage, painting and video, noted Orozco is an artist that defies any categorization.
