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Susan Bennett's highly successful Theatre Audiences is a unique full-length study of the audience as cultural phenomenon, which looks at both theories of spectatorship and the practice of different theatres and their audiences. Published here in a brand new updated edition, Theatre Audiences now includes: • a new preface by the author • a stunning extra chapter on intercultural theatre • a revised up-to-date bibliography. Theatre Audiences is a must-buy for teachers and students interested in spectatorship and theatre audiences, and will be valuable reading for practitioners and others involved in the theatre.
Brings together international debates on the discourses and practices of contemporary feminisms.
Coding with Coda is a comprehensive look at the beloved text editor by Panic. In this book, the author will talk about all the fantastic features of the newly released Coda 2. Coda has "one-window web development" - with shell access, text editing, CSS editor, references books and a browser - it's a fantastic tool for laptop loving, coffee shop working web developers who need to maximize screen real estate while coding great websites. and, Coding with Coda will be the book to help them know how to do it.
The impact of naturalism, a literary approach invented by Zola and especially significant in the field of the novel through his American «disciples» Crane, Norris, and Dreiser, is well acknowledged and recognized. Not so well recognized, but equally important, is naturalistic theatre; this was a style that also originated with Zola, but its progeny was more international and its significance more radical and insurrectionary than in the less «spectacular» genre of fiction. The Theatre of Naturalism: Disappearing Act establishes the incipiently revolutionary context (between the Paris Communist Commune, crushed in 1871, and the successful Bolshevik insurrection of October 1917) - more or l...
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A monograph presenting recent work of architects Fardjadi and Mostafavi including the Matteson Library; Municipal Building, Mobile; Ulug Beg Cultural Center, Samarkand; Cultural Park, Athens; Ackerman/Slosburg-Ackerman Residence; Evanston Library; and Residence, Dover as well as four essays examinin
Reading by Starlight explores the characteristics in the writing, marketing and reception of science fiction which distinguish it as a genre. Damien Broderick explores the postmodern self-referentiality of the sci-fi narrative, its intricate coded language and discursive `encyclopaedia'. He shows how, for perfect understanding, sci-fi readers must learn the codes of these imaginary worlds and vocabularies, all the time picking up references to texts by other writers. Reading by Starlight includes close readings of paradigmatic cyberpunk texts and writings by SF novelists and theorists including Isaac Asimov, Arthur C. Clarke, Brian Aldiss, Patrick Parrinder, Kim Stanley Robinson, John Varley, Roger Zelazny, William Gibson, Fredric Jameson and Samuel R. Delaney.
At once a royal secretary, a poet, and a composer, Guillaume de Machaut was one of the most protean and creative figures of the late Middle Ages. Rather than focus on a single strand of his remarkable career, Elizabeth Eva Leach gives us a book that encompasses all aspects of his work, illuminating it in a distinctively interdisciplinary light. The author provides a comprehensive picture of Machaut's artistry, reviews the documentary evidence about his life, charts the different agendas pursued by modern scholarly disciplines in their rediscovery and use of specific parts of his output, and delineates Machaut's own poetic and material presentation of his authorial persona. Leach treats Macha...
Adopting Kafka as a lens to examine modern concepts in architecture, this book pries open new interpretations in Kafka scholarship. Each of eight chapters takes up an architectural element with which to explore meanings central to both literature and architecture. Stairs function as vertical access but in Kafka's hands become an instrument of science, testing the merit of natural selection. Kafka's doors open and close less to allow passage than to reconcile one psychological interior with the next. Notions of plumbing and hygiene begin to acquire new meaning. The architecture of Mies van der Rohe begins to make more sense, especially his tabula rasa approach to design, signifying less a harsh disdain for site and more a response to a reality in which the ceremony of the stairs had died and was replaced by the pervasive flatness of the modern floor.