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A Decade of Democracy
A fitting way of reflecting on the changes of the last decade and assessing the extent to which transformation has had an impact on South Africa
Printmaking Bible, Revised Edition
At over 400 pages and packed with 1000 full-color photos and illustrations, this is truly the category-defining book on the subject of printmaking. Perfect for students and casual and professional artists, with lots of great reference information for print collectors as well, this is the ultimate guide to the ins and outs of every variety of printmaking practiced today. In addition to in-depth step-by-step instructions, The Printmaking Bible features artist profiles that take you behind the scenes to show how professionals in the field create their work. You'll also find historical information on printmaking techniques, troubleshooting tips, and an extensive resource section. The revised edi...
Spearheading Debate
As South Africa’s democracy matures, this book raises pertinent questions: How does the state mediate between traditional tribal authority and constitutional law in matters such as initiation customs or the rights of women, children, and homosexuals? What are the limitations on artistic freedom in a society where sensitivities over colonial- and apartheid-era representations are acute? How does race open up discussions or close down dialogue? and What are the parameters of freedom of speech when minorities fear that hateful language may trigger actual violence against them? Examining disputes over South African art, music, media, editorial cartoons, history, public memory, and a variety of social practices, the culture wars' perspective is extended to new territory in this study, demonstrating its cross-cultural applicability and parsing critical debates within this vibrant society in formation.
Rorke's Drift
"The evangelical Lutheran Art and Craft Centre at Rorke's Drift, as one of the very few places that offered training to black artists during the years of aparthied, played a key role in South African art, not only for those who studied there, but the many others whom they trained or influenced in turn." "Drawing on a wide range of interviews with participants in the Rorke's Drift project, not only from South Africa, but also from Sweden, the Netherlands, Britain and the USA, this book sets out to write the story of the beginnings of the Centre in the 1960s, the founding and development of the Fine Art School in 1968, and the contribution of teachers and students until its closure in 1982." --book jacket.
BILAKHULU!
Papa, I know it took us twenty years to erect your tombstone All along the wind was blowing you away The sun was burning you Your pillow was your hand But now Bila, Mhlahlandlela, rest in peace Do not open the grave and come home wearing shorts Since you left, your wife has remained in the house I’ve not seen a man sitting on your chair It’s still your house Full of trees and vegetables 7/8 u ya lithanda isaka la mazambani U ya lithanda isaka la mazambani
In the Shadow of the Springs I Saw
In the Shadow of the Springs I Saw is an exploration, and stories, of people who live in the Art Deco buildings of Springs. It is the imagined lives of those who live in a space that is not theirs historically but one that they have reclaimed. This work, in times of doom and complaint, creates a new narrative: one of revival, vigour and celebration. ‘The writing tries to capture the “grain” of a place, object or conversation, as if a swatch were cut from a larger fabric. One could trace the use of similar techniques back to the canonical modernist works of James Joyce, William Faulkner, John Dos Passos, William Carlos Williams or to a later experimenter like Burroughs … Adair uses these techniques with flair and purpose … the book’s method is to declare and contradict, to present one side and then another, keeping both present.’ Ivan Vladislavic
Art South Africa
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10 Years 100 Artists
Celebrating ten years of democracy with a showcase of contemporary South African photography.
Printmaking Today
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