You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Emily Brown and Colin Archer, together with their parents, share employment on the farms of Lord Heny Tweed., a wealthy land owner. This is a story of two teenagers sharing common interests in community life who explore the ethical and moral conduct of adults. Through a combination of shared adventures, the two create situations that require the intervention of adult friends and family members to resolve conflicts with Lord Tweed, thereby placing everyone in untenable positions. This is a story of teenagers sharing common interests in community life and who gain appreciation for the richness of life as they grow in understanding what it means to be Friends.
Archaeologies of the Middle East provides an innovative introduction to the archaeology of this fascinating region and a window on both its past and present. Written by some of the top archaeologists of the Middle East: scholars from diverse backgrounds with a wide range of interests and intellectual approaches Coverage spans 100,000 years: from the Paleolithic to Hellenistic times Explores the connections between modern-day politics and the social context of archaeological practice and various underutilized approaches to archaeological interpretation Designed for student use
For each name Osborn provides a history, number, astrological sign, color, stone, element, and herb.
About the Book Rise Up follows a group of four individuals fighting alongside the Resistance (known as the Coalition of Earth's Liberation or C.E.L) for the liberation of their planet from the Khro'nin Empire, the government of a reptilian race from another galaxy. About the Author Wallace Collins III enjoys playing and studying the production of video games. His hobbies also include animation and art of many varieties. He takes a special interest in writing and drawing, having admired the mediums for some time. Collins is the middle of four children raised by a single mother in inner Kansas City. He is largely inspired by his older brother to write, and he is influenced by the video game medium.
Explores Haneke's historically complex award-winning film The White Ribbon (2009) as a multilayered reflection on purity, ideology, violence, and child-rearing. In this tense black-and-white whodunit, mysterious events occur in a small town on the German-Polish border in 1913-14. While the film unfolds on the eve of the First World War, the violence evokes other historical moments: the breakup of the multiethnic Austro-Hungarian Empire, the rise of National Socialism, the emergence of 1960s German terrorism, and religious fundamentalism post 9/11. Naqvi's book looks at Haneke's technique of combining various histories in the digital era. It also reflects on the guise of literariness and historical authenticity in which the director clothes this fictional film. It meditates on the film's inscription techniques and its ability to appeal to international audiences. Naqvi shows that The White Ribbon bespeaks a certain historical "translatability" into historical and aesthetic contexts outside of Germany--in marked contrast to the historical specificity it conveys on a surface level.
"Etiquette," as noted toastmaster Herbert V. Prochnow once pointed out, "is knowing how to yawn with your mouth closed"—that is, to spare the feelings of the other person, one must stifle one's own. To be polite, therefore, is to perform. Onscreen, closeups often reveal the effort that goes into maintaining that performance: with a fleeting frown or a slight scowl, an actor reveals the "torture" of mannered behavior. In Torturous Etiquettes, Daniel Varndell examines such gestures to reveal the difficulties of the social encounter. Drawing on the history of etiquette, the book deconstructs an array of examples from classical and contemporary Hollywood and European cinema, taking a close look at onscreen representations of rudeness, ridiculing, racist and sexist etiquettes, hospitality, table manners, and more. In doing so, it reveals etiquette to be a persistent theme in cinema and questions the role it plays in either upholding or denying the basic humanity of others.
Cinema and Surveillance: The Asymmetric Gaze shows how key modern filmmakers challenge and disturb the relation between film and surveillance, medium and message. Assembling readings of films by Harun Farocki, Michael Haneke, and Fritz Lang, the book considers surveillance in such different domains as urban life, religious doctrine, and law enforcement. With surveillance present in the modern world as both a technological phenomenon and a social practice, the author shows how cinema, as a visual medium, presents highly sophisticated analyses of surveillance. He suggests that “surveillance” is less an issue to be tackled from a secure spectatorial position than an experience to be rendered, an event to be dealt with. Far from offering a general model of spectatorship, the book explores how narrative moments of surveillance are complicated by specific spectatorial responses. In its intersection of well-known figures and a highly topical issue, this book will have broad appeal, especially, but not exclusively, among students and scholars in film studies, media studies, German studies, European studies, art history, and political theory.
A comprehensive review of all modern methods for plant root research, both in the field and in the laboratory. It covers the effects of environmental interactions with root growth and function, focussing in particular on the assessment of root distribution and dynamics. It also describes and discusses the processing of root observations, analysis and modelling of root growth and architecture, root-image analysis, computer-assisted tomography and magnetic resonance imaging. Furthermore, a survey of the application of isotope techniques in root physiology is given.