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Later compositions, particularly those from an underwater viewpoint, use an increasingly abstract and fluid line to capture the fast and fleeting movements of birds and fish.
"A collection of work by 22 artists whose delight is to experiment with the vagaries of printmaking, refining their ideas to fit a process, or inventing a process to suit their ideas. Their images are triggered by encounters with wildlife. They know the habits and habitats of wildlife and respond to it with interpretation full of freshness, imagination and vivacity. This is a collection of artists from different generations, with varied styles and diverse approaches to making prints, who are all united in taking inspiration from the natural world, from insects to whales and flowers to forests."--Publisher website.
Explores the prominent role of Highland Scots in the slavery industry of the cotton, sugar and coffee plantations of the 18th and 19th centuries. Longlisted for the 2021 Highland Book Prize.
An all-new collection of paintings and sculpture by art legend Robert Williams. First exhibited at the Los Angeles Municipal Art Gallery in early 2015, the work in this oversized, hardcover exhibition catalog is accompanied by insightful essays by the artist. --- "The current international capitol of artistic sophistication is New York City. Ever since the end of the Second World War, every small city in the United States that has an art community has looked to New York for cultural parenting. However, an interesting anomaly has developed over the years. "Sophistication," like any other folkway, travels slowly with misinterpretations happening along the way. By the time high culture reached the West Coast it had traded its Brooks Brothers suit for cut-offs, a Hawaiian shirt, and flip-flops. Art on the West Coast, as much as it tries to maintain blue blood affectations shows mutations. It just doesn't have the aloof adroit coldness the Eastern Seaboard art society seems to portray." - Robert Williams, from his introduction to Slang Aesthetics
Covers the entire history of wood engraving, including every major artist of the genre Accompanies the Scene through Wood: A Century of Wood Engraving exhibition at the Ashmolean Museum, from 28 March to 12 July 2020 The Ashmolean Museum houses one of the most extensive collections of wood engravings in the world. The collection effectively began with the gift in 1964, by Arthur Mitchell, of over 3,000 prints, including a large group of wood engravings. During the 1980s and 1990s, it expanded remarkably with acquisitions of large groups of prints, often as gifts from the artists, resulting in a succession of monographic exhibitions on some of the most important wood engravers. They included ...