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Flemish and Dutch Drawings from the Fifteenth to the Eighteenth Century
Drawings Of The Masters In Five Volumes. Volume 1, French Impressionists, By Ira Moskowitz; Volume 2, German Drawings, By Colin T. Eisler; Volume 3; Volume 4, Spanish Drawings From The Tenth To The Nineteenth Century, By F. J. Sanchez Canton. Volume 5, American Drawings, By Bartlett H. Hayes.
New Studies on Old Masters
The twenty essays in this collection examine critical issues in Renaissance art. Written by students of Colin Eisler (Professor, Institute of Fine Arts, New York University), they serve as both a tribute to an exceptional scholar and a reflection of his engagement with technical studies, connoisseurship, cultural exchanges between Italy and northern Europe, and the intersection between art and its religious and cultural contexts. Collectively, they highlight the ways in which Colin Eisler?s scholarly achievements have inspired and will continue to inspire innovative research into the art of western Europe and beyond.
DURERS ANIMALS
In a guided tour through the works of Durer (1471-1528), the greatest Renaissance artist of northern Europe, Eisler reveals the mystic, religious, and social meanings behind Durer's bestiary, accompanied by some 600 illustrations (including 36 color plates) taken from drawings, illuminated manuscripts, painting, etchings, engravings, woodcuts, and pageants Durer created for the Holy Roman Emperor Maximilian. A lovely production. Annotation copyrighted by Book News, Inc., Portland, OR
Early Netherlandish Painting
Early Netherlandish Painting will be equally welcome to the art lover , the museum and the reference library, giving access to the last major collection early Netherlandish painting to remain in private posession. It includes over forty masterpieces by Robert Campin, Petrus Chritus, Jacques Daret, Jan van Eyck, Hans Memling and Rogier van der Weyden. The collection is also rich in works by the painters of the new generation of the early 16th century. An extensive introduction to the period precedes the catalogue of 43 paintings by masters including Jan van Eyck, Rogier van der Weyden, Robert Campin and Hans Memling. A very substantial introduction by Colin Eisler illuminates the background to early Netherlandish art and traces its development through the paintings. The extensively illustrated catalogue was prepared with the collaboration of graduate students at the Intsitute of Fine Arts, New York. Dr Emil Bosshardt, Conservator at the Villa Favorita, and Elizabeth Ardrery contribute to the paintings' technical examination. Infra-red reflectography has been used to examine each work and the results are published alongside the finished painting.
Masterworks in Berlin
This work looks at important paintings from nine museums all over Berlin. Eisler uses a chronological and geographical organization to bring together over 700 works of world importance, stretching from the first half of the 12th century to 1914 and covering artists as diverse as Giotto, Raphael, Da Vinci, Titian, Tintoretto, Breughel, Van Eyck and Durer.
Drawings of the Masters
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Paintings from the Samuel H. Kress Collection
"This is the concluding volume of the catalogue of paintings in the Kress Collection and deals with some 320 works of the German, Early Netherlandish, Flemish and Dutch seventeenth-century, Spanish and French schools. . .Short biographical details on each artist are followed by extensive critical catalogue entries on his works, discussing technique, condition, subject-matter, chronology and other problems. There is also a précis of previous literature on each painting, and the author's views and findings are given at the end." /
