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Constable's England
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Landscape and Ideology
In this interdisciplinary study, Ann Bermingham explores the complex, ambiguous, and often contradictory relationship between English landscape painting and the socio-economic changes that accompanied enclosure and the Industrial Revolution.
The Place of Landscape
Interdisciplinary perspectives on landscape, from the philosophical to the geographical, with an emphasis on the overarching concept of place. This volume explores the conceptual "topography" of landscape: It examines the character of landscape as itself a mode of place as well as the modes of place that appear in relation to landscape. Leading scholars from a range of disciplines explore the concept of landscape, including its supposed relation to the spectatorial, its character as time-space, its relation to indigenous notions of "country," and its liminality. They examine landscape as it appears within a variety of contexts, from geography through photography and garden history to theolog...
The Sculptural Imagination
Potts also offers a detailed view of selected iconic works by sculptors ranging from Antonio Canova and Auguste Rodin to Constantin Brancusi, David Smith, Carl Andre, Eva Hesse and Louise Bourgeois - key players in modern thinking about the sculptural. The impact of minimalism features prominently in this discussion, for it disrupted accepted understanding of how a viewer interacts with a work of art, thereby placing the phenomenology of viewing three-dimensional objects for the first time at the center of debate about modern visual art."--Jacket.
From Gainsborough to Constable
This is the catalogue to the exhibition held in summer 1991 at Gainsborough House, Sudbury, focusing on Constable and the artists whose work was important to him in his formative years - Gainsborough, Wilson, Beaumont and Farington. This exhibition complements the 1991 Tate Gallery exhibition which omits Constable's early work.
The Invention of Essex
SHORTLISTED FOR THE EAST ANGLIAN BOOK AWARD 2023 'Exceptionally well-written and intelligent ... if you are interested in this remarkable microcosm of England, the book will grip you; if you aren't, it will make you realise that you jolly well should be.' Simon Heffer, Spectator 'A deeply sensitive and engaging portrait of a misunderstood county and its people' Financial Times 'A stellar performance' Jonathan Meades Essex. A county both famous and infamous: the stuff of tabloid headlines and reality television, consumer culture and right-wing politicians. England's dark id. But beyond the sensationalist headlines lies a strange and secret place with a rich history: of smugglers and private islands, artists and radicals, myths and legends. It's where the Peasants' Revolt began and the Empire Windrush docked. And - from political movements like Brexit to cultural events like TOWIE - where Essex leads, the rest of us often follow. Deeply researched and thoroughly engaging, The Invention of Essex shows that there is more to this fabled English county than meets the eye.
Great British Watercolors
Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.
Reading Landscape
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Technologies of the Picturesque
With considerable learning and insight, Broglio reveals how artists are both complicit with such objectification of nature, and at other moments work toward a more vivid connection to the environment."--BOOK JACKET.
Art History Through the Camera's Lens
Photography of art has served as a basis for the reconstruction of works of art and as a vehicle for the dissemination and reinterpretation of art. This book provides the first definitive treatment of the subject, with essays from noted authorities in the fields of art history, architecture, and photography. The essays explore the many meanings of photography as documentation for the art historian, inspiration for the artist, and as a means of critical interpretation of works of art. Art History Through the Camera's Lens will be important reading for students, historians, librarians, and curators of the visual arts.
