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Beauty and Business
Beauty seems simple; we know it when we see it. But of course our ideas about what is attractive are influenced by a broad range of social and economic factors, and in Beauty and Business leading historians set out to provide this important cultural context. How have retailers shaped popular consciousness about beauty? And how, in turn, have cultural assumptions influenced the commodification of beauty? The contributors here look to particular examples in order to address these questions, turning their attention to topics ranging from the social role of the African American hair salon, and the sexual dynamics of bathing suits and shirtcollars, to the deeper meanings of corsets and what the Avon lady tells us about changing American values. As a whole, these essays force us to reckon with the ways that beauty has been made, bought, and sold in modern America.
An Intimate Affair
Intimate apparel, a term in use by 1921, has played a crucial role in the development of the "naughty but nice" feminine ideal that emerged in the twentieth century. Jill Fields's engaging, imaginative, and sophisticated history of twentieth-century lingerie tours the world of women's intimate apparel and arrives at nothing less than a sweeping view of twentieth-century women's history via the undergarments they wore. Illustrated throughout and drawing on a wealth of evidence from fashion magazines, trade periodicals, costume artifacts, Hollywood films, and the records of organized labor, An Intimate Affair is a provocative examination of the ways cultural meanings are orchestrated by the "fashion-industrial complex," and the ways in which individuals and groups embrace, reject, or derive meaning from these everyday, yet highly significant, intimate articles of clothing.
Sisters
The agency of this erasure is a heroic rescue of one sister by the other. In both arts the subject of female rescue is resisted and contested.
Encyclopedia of Comparative Iconography
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
An Introduction to Iconography
Available for the first time in English, An Introduction to Iconography explains the ways that artists use references and allusions to create meaning. The book presents the historical, theoretical, and practical aspects of iconography and ICONCLASS, the comprehensive iconographical indexing system developed by Henri van de Waal. It gives particular emphasis to the history of iconography, personification, allegory, and symbols, and the literary sources that inform iconographic readings, and includes annotated bibliographies of books and journal articles from around the world that are associated with iconographic research. The author of numerous articles and a four-volume reference work on Italian prints, Roelof van Straten is currently working on an iconographic index covering the prints of Goltzius and his school.
Subjects on Display
Through a consideration of fiction by Charlotte Brontë, Charles Dickens, George Eliot, and Henry James, Newman shifts the inquiry toward the observed in the experience of being seen. In the process she reopens the question of the gaze and its relation to subjectivity."--Jacket.
Artist of Wonderland
Best known today as the illustrator of Lewis Carroll's Alice books, John Tenniel was one of the Victorian era's chief political cartoonists. This extensively illustrated book is the first to draw almost exclusively on primary sources in family collections, public archives, and other depositories. Frankie Morris examines Tenniel's life and work, producing a book that is not only a definitive resource for scholars and collectors but one that can be easily enjoyed by everyone interested in Victorian life and art, social history, journalism and political cartoons, and illustrated books. In the first part of the book, Morris looks at Tenniel the man. From his sunny childhood and early enthusiasm ...
Shakespeare and Appropriation
The vitality of our culture is still often measured by the status Shakespeare has within it. Contemporary readers and writers continue to exploit Shakespeare's cultural afterlife in a vivid and creative way. This fascinating collection of original essays shows how writers' efforts to imitate, contradict, compete with, and reproduce Shakespeare keep him in the cultural conversation. The essays: * analyze the methods and motives of Shakespearean appropriation * investigate theoretically the return of the repressed author in discussions of Shakespeare's cultural function * put into dialogue theoretical and literary responses to Shakespeare's cultural authority * analyze works ranging from nineteenth century to the present, and genres ranging from poetry and the novel to Disney movies.
Picturing Christian Witness
Christian mission in previous centuries often drew on images of imperial expansion and war. While few today would describe the gospel task in such imperialistic terms, have we developed appropriate alternate images to associate with the good news of Jesus Christ? In "Picturing Christian Witness" missiologist Stanley Skreslet searches for new, more holistic images of mission from Scripture. Undertaking a novel exegetical study of mission in the New Testament, he highlights five actions that depict the witness of Jesus' first followers: announcing good news, sharing Christ with friends, interpreting the gospel, shepherding, and building/planting. After carefully examining key biblical passages, Skreslet draws out the implications of these five images for the theology of mission and lets each image take shape visually through an array of Western and non-Western art. "Picturing Christian Witness" will provoke readers to imagine what mission will look like when actively embodied by contemporary disciples of Jesus.
Woman and the Demon
Analyzes the Victorian conception of both demonic and divine nature of women in Victorian art and literature.
