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The Missing Word
"Like Truman Capote's In Cold Blood, De Gregorio takes a true story and reveals what life cannot. Extraordinary."– Grazia Irina's life with her husband and her twin daughters is orderly. An Italian living in Switzerland, she works as a lawyer. One day, something breaks. The marriage ends without apparent trauma, but on a weekend seemingly like any other, the girls' father takes Alessia and Livia away with him. They disappear. A few days later the man takes his own life. Of the girls, there is no trace. Concita De Gregorio takes the unadorned, terrible facts of this true story and embodies the protagonist's voice. In a narrative that is fast and urgent, she unravels these traumatic events to tell the story of a mother bereft of her children – a state for which there is no word. An urgently told story and a fierce portrait of a woman in all her frailty and courage, The Missing Word delves deep into Irina's thoughts and memories as she grasps at the shreds of truth and, piece by piece, stitches her life back together.
Righteous Anger in Contemporary Italian Literary and Cinematic
This book examines the many ways in which anger and indignation shape authorial intentions and determine the products of contemporary Italian artists.
Feminism, Violence, and Representation in Modern Italy
Can the way a word is used give legitimacy to a political movement? Feminism, Violence, and Representation in Modern Italy traces the use of the word "femminicidio" (or "femicide") as a tool to mobilize Italian feminists, particularly the Union of Women in Italy (UDI). Based on nearly two years of fieldwork among feminist activists, Giovanna Parmigiani takes a broad look at the many ways in which violence inflects the lives of women in Italy. From unchallenged gendered grammar rules to the representation of women as victims, Parmigiani examines the devaluing of women's contribution to their communities through the words and experiences of the women she interviews. She describes the first use...
Rethinking Romantic Love
This volume is the result of a thorough exploration of contemporary conceptions of romantic love from different points of view. Beginning with an initial text where the meanings of romantic love are discussed theoretically and historically, the contributions gathered here present current discussions about love in the present day and in different geographical contexts that range from Hungary to Italy or Spain. The first part of the book is devoted to the analysis of mobilities for the sake of love as a result of globalization. These mobilities are analysed in relation to love ideals, to gender equality and to online searches for the ideal partners. The second part of the book deals with the e...
Grassroots Memorials
Grassroots memorials have become major areas of focus during times of trauma, danger, and social unrest. These improvised memorial assemblages continue to display new and more dynamic ways of representing collective and individual identities and in doing so reveal the steps that shape the national memories of those who struggle to come to terms with traumatic loss. This volume focuses on the hybrid quality of these temporary memorials as both monuments of mourning and as focal points for protest and expression of discontent. The broad range of case studies in this volume include anti-mafia shrines, Theo van Gogh’s memorial, September 11th memorials, March 11th shrines in Madrid, and Carlo Giuliani memorials in Genoa.
Sexscapes of Pleasure
Focusing on Italy, this book discusses how women negotiate sexuality and social status in a Western sexscape constituted by multifaceted articulations of women’s sexuality, commodities and modernity. Drawing from ethnographic research, this book brings together the narratives of Italian and migrant women pole dancing for leisure, women pole and lap dancing for work, as well as women selling sex. By tracing commonalities in women’s processes of subjectivation and othering across the non/sex working women divide, the book foregrounds the intersecting structures of oppression under which women negotiate selfhood.
Sicily on Screen
With its physical beauty and kaleidoscopic cultural background, Sicily has long been a source of inspiration for filmmakers. Twelve new essays by international scholars--and additional writings from directors Roberta Torre, Giovanna Taviani, and Costanza Quatriglio--seek to offset the near-absence of scholarship focusing on the relationship between the Mediterranean island and cinema. Touching on class relations, immigration, gender and poverty, the essays examine how Sicily is depicted in fiction, satire and documentaries. Situated between North and South, East and West, innovation and tradition, authenticity and displacement, Sicily acts as a microcosm of the world, a place to explore numerous narratives and develop intercultural dialogue. It is also the center of cinematographic discussions and events such as the Taormina Film Festival and the SalinaDocFest. The volume presents Sicily almost as a character and creator in its own right.
A Fatal Attraction
Cinzia Padovani takes an in-depth look at Italian public service broadcasting, covering its history, its role in Italian society, its relationship to the political party system, and its influence on cultural and linguistic unification in Italy.
Ecclesiology and Exclusion
Ecclesiologists and other experts from around the world address various forms of exclusion in the Catholic Church. These essays address the many forms of exclusion in churches around the world, with a major focus on the Roman Catholic Church but also addressing exclusion in other churches. Topics included are exclusion of marginal people, exclusion and racial justice, exclusion and gender, exclusion and sacramental practices, and exclusion and ecumenical reality. Contributors include Paul Lakeland, Gerard Mannion, A. E. Orobator, Bryan Massingale, Phyllis Zagano, Neil Ormerod, Bradford Hinze, Mary McClintock Fulkerson, and Susan K. Wood, among others.
The Tomb of the Unknown Soldier, Modern Mourning, and the Reinvention of the Mystical Body
I slutningen af 1. Verdenskrig indførte flere krigsførende lande et nyt hidtil ukendt ritual. Kroppen af en anonym soldat, død på slagmarken, blev begravet i "den ukendte soldats grav" for at symbolisere den fælles sorg over slagmarkens voldsomme traumer. Ved at undersøge hvordan forskellige lande ofte med vidt forskellig politisk og kulturel baggrund har anvendt "Den ukendte Soldat" symbolsk, hævder forfatteren, at der er skabt en ny måde at udtrykke fælles national sorg på.
