You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This volume brings together scholarship from many disciplines, including history, heritage studies, archaeology, geography, and political science to provide a nuanced view of life in medieval Ireland and after. Primarily contributing to the fields of settlement and landscape studies, each essay considers the influence of Terence B. Barry of Trinity College Dublin within Ireland and internationally. Barry’s long career changed the direction of castle studies and brought the archaeology of medieval Ireland to wider knowledge. These essays, authored by an international team of fifteen scholars, develop many of his original research questions to provide timely and insightful reappraisals of material culture and the built and natural environments. Contributors (in order of appearance) are Robin Glasscock, Kieran O’Conor, Thomas Finan, James G. Schryver, Oliver Creighton, Robert Higham, Mary A. Valante, Margaret Murphy, John Soderberg, Conleth Manning, Victoria McAlister, Jennifer L. Immich, Calder Walton, Christiaan Corlett, Stephen H. Harrison, and Raghnall Ó Floinn.
Part of the "New Survey of Clare Island" series, this volume offers an account of the archaeology of the island.
This publication is primarily a study of the various aspects of the use and situation of the land held by the Cistercian order in medieval Leinster. A number of key topics form the central elements of this study. These include an examination of the physical landscape into which the Cistercian order settled and the changes that occurred within that landscape during the later medieval era. The book examines whether the location of the monasteries indicated any underlying nuances or if the monks were happy to settle wherever they were given land. The involvement of the Cistercian order in the agricultural and economic life of Leinster is also examined. A breakdown of the acreage and land type t...
In this first volume of the Royal Irish Academy's multi-volume A New History of Ireland a wide range of national and international scholars, in every field of study, have produced studies of the archaeology, art, culture, geography, geology, history, language, law, literature, music, and related topics that include surveys of all previous scholarship combined with the latest research findings, to offer readers the first truly comprehensive and authoritative account of Irish history from the dawn of time down to the coming of the Normans in 1169. Included in the volume is a comprehensive bibliography of all the themes discussed in the narrative, together with copious illustrations and maps, and a thorough index.
These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' (fecit). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, fro...
Lush and green, the beauty of Ireland's landscape is legendary. "The Atlas of the Irish Rural Landscape" has harnessed the expertise of dozens of specialists to produce an exciting and pioneering study which aims to increase understanding and appreciation for the landscape as an important element of Irish national heritage, and to provide a much needed basis for an understanding of landscape conservation and planning. Essentially cartographic in approach, the Atlas is supplemented by diagrams, photographs, paintings, and explanatory text. Regional case studies, covering the whole of Ireland from north to south, are included, along with historical background. The impact of human civilization ...
This anthology honors Lawrence Nees’ expansive contributions to medieval art historical inquiry and teaching on the occasion of his retirement from the University of Delaware. These essays present a cross-section of recent research by students, colleagues, and friends; the breadth of subjects explored demonstrates the pertinence of Nees’ distinctive approach and methodology centering human agency and creativity. The contributions follow three main threads: Establishing Identity, Patronage and Politics, and Beyond the Canon. Some authors draw upon Nees’ systematic analysis of iconographic idiosyncrasies and ornamental schemes, whether adorning manuscripts or monumental edifices, which elucidates their unique visual and material characteristics. Others apply a Neesian engagement with the complex dynamics of cultural exchange, visual manifestations of political ambitions and ideologies, and selective mining of the classical past. Ultimately, this collection aims to illustrate the impact of Nees’ transformative scholarship, and to celebrate his legacy in the field of medieval art history.
This history of the Nordic peoples in the period 750-1050 focuses on their homelands and colonies, demonstrating the fluidity and incoherence of the world in which they lived. Considers the Nordic peoples in Viking times without undue recourse to developmental theories. Guides readers through some of the scholarly controversies surrounding these peoples. Illustrated by reference to runic, poetic and archaeological evidence.
A study of the mysterious stone carvings of naked females exposing their genitals on medieval churches all over the British Isles.
The seventeenth and eighteenth centuries represent a high point in the intersection between design and workmanship. Skilled artisans, creative and technically competent agents within their own field, worked across a wide spectrum of practice that encompassed design, supervision and execution, and architects relied heavily on the experience they brought to the building site. Despite this, the bridge between design and tacit artisanal knowledge has been an underarticulated factor in the architectural achievement of the early modern era. Building on the shift towards a collaborative and qualitative analysis of architectural production, Between Design and Making re-evaluates the social and profe...