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From the 1880s to 1940, French colonial officials, businessmen and soldiers, returning from overseas postings, brought home wooden masks and figures from Africa. This imperial and cultural power-play is the jumping-off point for a story that travels from sub-Saharan Africa to Parisian art galleries; from the pages of fashion magazines, through the doors of the Louvre, to world fairs and international auction rooms; into the apartments of avant-garde critics and poets; to the streets of Harlem, and then full-circle back to colonial museums and schools in Dakar, Bamako, and Abidjan. John Warne Monroe guides us on this journey, one that goes far beyond the world of Picasso, Matisse, and Braque, to show how the Modernist avant-garde and the European colonial project influenced each other in profound and unexpected ways. Metropolitan Fetish reveals the complex trajectory of African material culture in the West and provides a map of that passage, tracing the interaction of cultural and imperial power. A broad and far-reaching history of the French reception of African art, it brings to life an era in which the aesthetic category of "primitive art" was invented.
This accessible book explores the creative uses of photography with political purpose, both in terms of subject matter and of the political perspectives that have driven attitudes to viewing photographs. The shorter Part I reviews twentieth-century thinking that has influenced attitudes to photography and the political. Part II identifies the political ideas that drive practical strategies in the twenty-first century. It considers the politics of photography by looking at what affects people’s lives and agency: attitudes to difference and identity; power relations between institutions, individuals, and communities; the impact of trauma and global change. With a focus on the exchange of ide...
"Examining major works in the light of recent critical and theoretical perspectives, this book also considers the extent to which Arp's resistance to single, reductive interpretations may be linked to his bilingual, bicultural upbringing in Alsace and his experience of two world wars."--BOOK JACKET.
This collection contains writings on Irish politics, literature, drama, and visual arts, along with a series of dialogues with important cultural and intellectual figures. Previously unpublished pieces include essays on Joyce and on the Irish Hunger Memorial in New York City and a dialogue with Georges Dumézil on myth.
A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.
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Feminist Review is the UK's leading feminist journal. It has a unique place in the women's movement internationally. This issue focusing on Nationalism and National Identities features articles by Nahid Yegeneh and Catherine Hall.