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The nineteen papers in this collection come from a conference which explored current attitudes to restoration among a wide range of conservators (including paintings, frescoes, carpets and rugs, textiles, mosaics, vehicles, armour). Contributors were asked to address the various dilemmas facing conservators, curators and collectors in the display and interpretation of museum objects, and among the problems discussed are invisible restoration, the running of machinery and clocks, and the introduction of replica components.
Cultural heritage identifies and preserves past achievements for the benefit of future generations. Examining the extent to which heritage preservation is feasible in an era governed by modernism and globalization is essential for both regional development and cultural conservation. Conservation, Restoration, and Analysis of Architectural and Archaeological Heritage provides innovative insights into digital technologies that have produced important methodological changes in the documentation, analysis, and conservation of cultural heritage. The content within this publication represents the work of digital restoration, inclusive communication, and reality-based representation. It is a vital reference source for software developers, sociologists, policymakers, tourism managers, and academicians seeking coverage on digital technologies and data processing in cultural heritage.
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 143. Chapters: Preservation (library and archival science), Conservation and restoration of metals, Conservation-restoration, Radiocarbon dating, Conservation Techniques for Cultural Properties, Digital preservation, Radiometric dating, Film preservation, Textile preservation, Restoration of the Statue of Liberty 1984-1986, Conservation and restoration of ceramic objects, UVC-based preservation, Stained glass conservation, Historic preservation, Historic paint analysis, Monuments, Fine Arts, and Archives program, List of dates in the history of conservation a...
The word conservation, when used in the context of the preservation of built heritage, implies an intrinsically complex concept that evolved over time, since it has been influenced by the perception of history throughout time. This volume emphasises why an understanding of the cultural evolution of the conservation approach must be considered a prerequisite for architects and engineers if they are to cooperate in full harmony with historic-artistic culture for the preservation of global built heritage. In particular, the volume highlights how, during the second half of the last century, the preservation process also involved engineering – the science of making practical applications of kno...
Before the 1970s, most information concerning the conservation and restoration of paintings, wood, and archaeological artefacts were focused on the history of the artefacts, previous attempts of conservation, and the future use of these artefacts. The technical methods of how the restoration and conservation were made were dealt with only very briefly. Today, sophisticated methods of scientific analysis such as DNA are common place, and this encourages conservators and scientists to work together to work out the development of new methods for analysis and conservation of artefacts. This book focuses on the chemicals used for conservation and restoration of various artefacts in artwork and archaeology, as well as special applications of these materials. Also the methods used, both methods for cleaning, conservation and restoration, as well as methods for the analysis of the state of the respective artefacts. Topics include oil paintings, paper conservation, textiles and dyes for them, archaeological wood, fossils, stones, metals and metallic coins, and glasses, including church windows.
Based on more than forty years of practical experience in dealing the wide variety of problems that arise in the conservation of museum objects, this book is the most comprehensive work of its kind in any language. Information is given on the nature of the materials found in museums, libraries, archives and picture galleries; the causes of their deterioration are discussed, and detailed instructions are given on methods of preservation, repair and restoration.
The impetus for this book was the desire to systematically organize the extant literature on the conservation of cultural property made of wood, from its beginnings before the Christian Era to the year 2000. Various published reviews and monographs, including Holzkonservierung (Wood Conserva tion) published by the senior author in 1988, have appeared over the years, especially in English and in German. They have provided exemplary treat merit of individual areas or aspects of wood conservation, but a comprehen sive, up-to-date exposition of historic and current developments has been lacking. The diverse professional fields of the authors, as well as their insights into methods of conservatio...