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Restoration
The nineteen papers in this collection come from a conference which explored current attitudes to restoration among a wide range of conservators (including paintings, frescoes, carpets and rugs, textiles, mosaics, vehicles, armour). Contributors were asked to address the various dilemmas facing conservators, curators and collectors in the display and interpretation of museum objects, and among the problems discussed are invisible restoration, the running of machinery and clocks, and the introduction of replica components.
Handbook of Medieval Studies
This interdisciplinary handbook provides extensive information about research in medieval studies and its most important results over the last decades. The handbook is a reference work which enables the readers to quickly and purposely gain insight into the important research discussions and to inform themselves about the current status of research in the field. The handbook consists of four parts. The first, large section offers articles on all of the main disciplines and discussions of the field. The second section presents articles on the key concepts of modern medieval studies and the debates therein. The third section is a lexicon of the most important text genres of the Middle Ages. The fourth section provides an international bio-bibliographical lexicon of the most prominent medievalists in all disciplines. A comprehensive bibliography rounds off the compendium. The result is a reference work which exhaustively documents the current status of research in medieval studies and brings the disciplines and experts of the field together.
Still Life
How do you keep the cracks in Starry Night from spreading? How do you prevent artworks made of hugs or candies from disappearing? How do you render a fading photograph eternal—or should you attempt it at all? These are some of the questions that conservators, curators, registrars, and exhibition designers dealing with contemporary art face on a daily basis. In Still Life, Fernando Domínguez Rubio delves into one of the most important museums of the world, the Museum of Modern Art (MoMA) in New York, to explore the day-to-day dilemmas that museum workers face when the immortal artworks that we see in the exhibition room reveal themselves to be slowly unfolding disasters. Still Life offers ...
Ancient Bronzes Through a Modern Lens
This publication brings together prominent art historians, conservators, and scientists to discuss fresh approaches to the study of ancient Mediterranean and Near Eastern works of bronze. Featuring significant bronzes from the Harvard Art Museums' holdings as well as other museum collections, the volume's eight essays present technical and formal analyses in a format that will be useful for both general readers and students of ancient art. The text provides an overview of ancient manufacturing processes as well as modern methods of scientific examination, and it focuses on objects as diverse as large-scale statuary and more utilitarian armor, vessels, and lamps. Filling a current gap in the art historical literature, this book offers a much-needed, accessible introduction to ancient bronzes.
Methods in Premodern Economic History
This edited collection demonstrates how economic history can be analysed using both quantitative and qualitative methods, connecting statistical research with the social, cultural and psychological aspects of history. With their focus on the time between the end of the commercial revolution and the Black Death (c. 1300), and the Thirty Years’ War (c. 1600), Kypta et al. redress a significant lack of published work regarding economic history methodology in the premodern period. Case studies stem from the Holy Roman Empire, one of the most important economic regions in premodern times, and reconnect the German premodern economic history approach with the grand narratives that have been developed mainly for Western European regions. Methodological approaches stemming from economics as well as from sociology and cultural studies show how multifaceted research in economic history can be, and how it might accordingly offer us new insights into premodern economies. Chapters 9 and 10 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
The Explicit Material
The Explicit Material gathers varied perspectives from the discourses of conservation, curation and humanities disciplines to focus on aspects of heritage transmission and material transitions. The authors observe and explicate the myriad transformations that works of different kinds - manuscripts, archaeological artefacts, video art, installations, performances, film, and built heritage - may undergo: changing contexts, changing matter, changing interpretations and display. Focusing on the vibrant materiality of artworks and artefacts, The Explicit Material puts an emphasis on objects as complex constructs of material relations. By so doing, it announces a shift in sensibilities and understandings of the significance of objects and the materials they are made of, and on the increasingly blurred boundaries between the practices of conservation and curation.
Between Philology and Archaeology
This volume celebrates the scientific and academic career of Massimiliano Marazzi, full professor of Aegean and Anatolian History and Philology at the University of Naples "Suor Orsola Benincasa." His lifelong interest in the preclassical cultures of the Mediterranean is reflected in his intense research activity, carried out both as a philologist and as an archaeologist, with a special focus on the records of the Hittite world in both cuneiform and Anatolian hieroglyphic script. The present collection of essays, contributed by colleagues and friends, honors his scholarly contributions in the domain of Anatolian and ancient Near Eastern studies.
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