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Corpse and Mirror
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Hawaiian Cowboys
Thirteen stories on people of mixed Asian and Caucasian origin. In the title story a man of Chinese-Dutch origin, who feels a foreigner wherever he goes, discovers the pleasure of feeling at home when on a visit to Hawaii people take him for a local resident. By the author of Crossing Canal Street.
Bijoux in the Dark
Poetry. Asian & Asian American Studies. At the conclusion of BIJOUX IN THE DARK, John Yau states, "I did not write a hauntingly beautiful book." A line that contrasts with the book's introductory poem, in which hauntings and beauty abound. With all of BIJOUX IN THE DARK, the answer is multifaceted as Yau disavows pretension and expectation and instead heeds a candor beyond categorization. Sonnets and pantoums abound alongside graffiti and Top Ten lists. Yau's work veers from satire, ekphrasis, and homage to imagined histories, surreal dimensions, and Egyptology. The book's list of characters includes Albrecht Durer, Hieronymus Bosch, Francis Bacon, Mark Wahlberg, Donald Trump, Dante, and Meng Chiao. Yet, from this miscellany there comes an ingenious whole deft in its wit and bite. Here John Yau is at home with the quirky and the profound, and any combination thereof.
Ing Grish
Acclaimed poet and art critic John Yau, author of fourteen books of poetry, teams up with esteemed painter Thomas Nozkowski to create the exquisite Ing Grish, the second in the Saturnalia Books Poet/Artist collaboration series
Catherine Murphy
Published by Skira Rizzoli in association with Peter Freeman, Inc. Catherine Murphy has been celebrated as a representational painter of exceptional precision, and this, her first monograph, Catherine Murphy, surveys her complete work, which unites American Minimalism and American naturalist painting. Murphy has evolved a style that combines obsessive authenticity with Minimalist rigor. From the shaded lawns of the New Jersey suburbs to the Massachusetts woods, from childhood interiors to self-portraits and detailed images of buttons and dust, carpeted stairs, or a stuccoed ceiling, Murphy always paints and draws from life, often the domestic and quotidian. John Yau notes in his introduction...
Liu Xiaodong
The remarkable plein air paintings of Liu Xiaodong (b.1963), which chronicle everyday lives within our diverse modern world, are the focus of this first monograph of his career to date. Immersing himself in communities around the globe, Xiaodong seeks to present people who often sit on the fringes of society who find themselves marginalised within a contemporary world striving for homogenisation. At first glance a traditional realist painter, closer examination reveals an artist exploring a range mediums while interrogating the opportunities presented by modern technology. The result is an outstanding body of work, often monumental in scale, that examines, reconsiders, and extends observational painting in fresh directions, while bringing into question the lines between fact and fiction, the traditional and the contemporary, to create a wholly original vision.
An Anthology of Fetish Fiction
At some point we all have cravings. These ca n be as innocuous as a strong desire for chocolate or a ciga rette. Yet at the heart of such intense desire lie impulses heavy with psychosexual implications. '
Further Adventures in Monochrome
John Yau engages visual art, social theory, and syntactical dexterity to push the limits of language toward an expansive counter-poetics
California Landscapes
A must-have for anyone interested in these two beloved West Coast artists, best known for their geometric abstractions of the California landscape. Featuring the pairings of more than 50 paintings, this book shows the connection of these two artists like never before. Richard Diebenkorn and Wayne Thiebaud were close friends; they shared the inspiration of California and experimented with perspective to capture their surroundings. The book includes important examples from Diebenkorn’s Berkeley series in addition to several works from the artist’s Ocean Park series. Inspired by the environs of the Ocean Park neighborhood in Santa Monica, where he lived at this time, these works from the 1960s are characterized by geometric abstractions of subtle line and suffused with Californian luminosity. Wayne Thiebaud began producing landscapes in the 1960s, experimenting with perspective to capture his Californian surroundings. Included are his works from the early 1970s through 2017, including his dramatic depictions of San Francisco, flattened aerial views of the Sacramento River Delta, and close-ups and cross-section views of mountains and beaches.
