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Cooper's Journal
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Mr. Associated Press
Between 1925 and 1951, Kent Cooper transformed the Associated Press, making it the world’s dominant news agency while changing the kind of journalism that millions of readers in the United States and other countries relied on. Gene Allen’s biography is a globe-spanning account of how Cooper led and reshaped the most important institution in American--and eventually international--journalism in the mid-twentieth century. Allen critically assesses the many new approaches and causes that Cooper championed: introducing celebrity news and colorful features to a service previously known for stodgy reliability, pushing through disruptive technological innovations like the instantaneous transmission of news photos, and leading a crusade to bring American-style press freedom--inseparable from private ownership, in Cooper’s view--to every country. His insistence on truthfulness and impartiality presents a sharp contrast to much of today’s fractured journalistic landscape. Deeply researched and engagingly written, Mr. Associated Press traces Cooper’s career as he built a new foundation for the modern AP and shaped the twentieth-century world of news.
Wrong
Dennis Cooper is one of the most inventive and prolific artists of our time. Working in a variety of forms and media since he first exploded onto the scene in the early 1970s, he has been a punk poet, a queercore novelist, a transgressive blogger, an indie filmmaker—each successive incarnation more ingenious and surprising than the last. Cooper’s unflinching determination to probe the obscure, often violent recesses of the human psyche have seen him compared with literary outlaws like Rimbaud, Genet, and the Marquis de Sade. In this, the first book-length study of Cooper’s life and work, Diarmuid Hester shows that such comparisons hardly scratch the surface. A lively retrospective appr...
The Representation of the Savage in James Fenimore Cooper and Herman Melville
Since the seventeenth century, ethnicity has been the central issue in the American search for a national identity. The articulation of this issue can clearly be seen in the representation of non-white others in the literature of the nineteenth century, specifically in the works of James Fenimore Cooper and Herman Melville. This book examines how both Cooper and Melville manipulated literary images of Native Americans, African Americans, and other non-Europeans, thus revealing how America created the image of the savage - by which it was alternately attracted and repulsed - as a way of defining its own identity.
Black Resistance to British Policing
Using a decade of activist research, this book offers a radical analysis of grassroots black resistance to policing in twenty-first-century Britain.
James Fenimore Cooper
Most of the essays in James Fenimore Cooper: New Historical and Literary Contexts are either directly or indirectly informed by the need to confront Cooper's tales with the indeterminate historical context from which they arose. Others start from the premise that our understanding of Cooper's work can benefit significantly from displacing it from its traditional position in American literary history and by repositioning it in a new literary context. What unites all the essays is a commitment to read Cooper's works as culturally-encoded documents that both reflect and give us access to the complex, equivocal mind that created them. This is not to say that the essays share a common critical or...
The Violence of Austerity
Austerity, a response to the aftermath of the financial crisis, continues to devastate contemporary Britain.In The Violence of Austerity, Vickie Cooper and David Whyte bring together the voices of campaigners and academics including Danny Dorling, Mary O'Hara and Rizwaan Sabir to show that rather than stimulating economic growth, austerity policies have led to a dismantling of the social systems that operated as a buffer against economic hardship, exposing austerity to be a form of systematic violence.Covering a range of famous cases of institutional violence in Britain, the book argues that police attacks on the homeless, violent evictions in the rented sector, the risks faced by people on workfare schemes, community violence in Northern Ireland and cuts to the regulation of social protection, are all being driven by reductions in public sector funding. The result is a shocking expos� of the myriad ways in which austerity policies harm people in Britain.
