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Taking a Line for a Walk
Deriving its title from the Paul Klees pedagogical sketchbook of the same name
Code as Creative Medium
An essential guide for teaching and learning computational art and design: exercises, assignments, interviews, and more than 170 illustrations of creative work. This book is an essential resource for art educators and practitioners who want to explore code as a creative medium, and serves as a guide for computer scientists transitioning from STEM to STEAM in their syllabi or practice. It provides a collection of classic creative coding prompts and assignments, accompanied by annotated examples of both classic and contemporary projects, and more than 170 illustrations of creative work, and features a set of interviews with leading educators. Picking up where standard programming guides leave off, the authors highlight alternative programming pedagogies suitable for the art- and design-oriented classroom, including teaching approaches, resources, and community support structures.
Protest
The history of the last fifty (or 100 or 150) years has been accompanied by a constant flow of statements, of practices, of declarations of dissatisfaction with regard to prevailing conditions. When something is able to reach from the margins of society into its very center - something mostly unorganized and unruly, sometimes violent, rarely controllable - it forges ahead in the form of a protest. This takes place in (real or virtual) spaces and is accomplished by (likewise real or virtual) bodies. The spaces and the bodies to which the protest relates are the spaces of politics and society. It masterfully and creatively draws on contemporary signs and symbols, subverting and transforming them to engender new aesthetics and meanings, thereby opening up a space that eludes control. From a position of powerlessness, irony, subversion, and provocation are its tools for pricking small but palpable pinholes into the controlling system of rule. This book presents and reflects on present and past forms of protest and looks at marginalized communities? practices of resistance from a wide variety of perspectives.
Revisiting Black Mountain
Das von der Zürcher Hochschule der Künste unter der Leitung des «Kollegium Kuration» initiierte Ausstellungs- und Veranstaltungsprogramm «Revisiting Black Mountain» hat vom 19.April bis 3.Juni 2018 über vierzig Projekte, Ausstellungen, Aufführungen und Vorträge von Lehrenden, Studierenden und Forschenden versammelt. In Auseinandersetzung mit Positionen des legendären Colleges wurde über Gegenwart und Zukunft von Kunsthochschulen, ihre Arbeitsweisen und ihre Rolle in der Gesellschaft nachgedacht, auch um Impulse für Disziplinen weitende Perspektiven zu entwickeln.
Design Rehearsals
The student projects from the preliminary course at the Bauhaus Dessau School of Design are unique documents of a unique learning process. As students set to work independently translating the experimental assignments set by Bauhaus Masters like Josef Albers, Johannes Itten, Wassily Kandinsky, Paul Klee and Gunta Stölzl, they produced a huge variety of interpretations. In their variety and open-endedness, these exploratory works testify to the dual process of acquiring knowledge and making new discoveries that characterizes learning. Design Rehearsals invites international educators and designers to look at a selection of student works originating from different courses at the Bauhaus. Serving as public guest critics, the commentators critically examine the historical student works, considering their artistic and pedagogic relevance today.
The Routledge Handbook of Philosophy and Improvisation in the Arts
Over the last few decades, the notion of improvisation has enriched and dynamized research on traditional philosophies of music, theatre, dance, poetry, and even visual art. This Handbook offers readers an authoritative collection of accessible articles on the philosophy of improvisation, synthesizing and explaining various subjects and issues from the growing wave of journal articles and monographs in the field. Its 48 chapters, written specifically for this volume by an international team of scholars, are accessible for students and researchers alike. The volume is organized into four main sections: I Art and Improvisation: Theoretical Perspectives II Art and Improvisation: Aesthetical, Et...
Design as Learning
Why do design? What is design for? These are forward-looking questions for a creative discipline that seems more slippery to define than ever. In a world of dwindling natural resources, exhausted social and political systems, and an overload of information there are many urgent reasons to reimagine the design discipline, and there is a growing need to look at design education. Learning and unlearning should become part of an on-going educational practice. We need new proposals for how to organise society, how to structure our governments, how to live with, not against, the planet, how to sift fact from fiction, how to relate to each other, and frankly, how to simply survive. The 4th Istanbul Design Biennial, and this publication Design as Learning ask: can design and design education provide these critical ideas and strategies? -- Back cover.
Gisele Bündchen
With more than 300 photographs from the likes of Steven Meisel, David LaChapelle, Peter Lindbergh, and Corinne Day, this book is a visual testimony to one of the world's highest-earning models.
CODE!創意的媒介
教學和學習運算藝術和設計的重要指南：練習、任務、訪談和超過170幅創意作品插圖 本書是運用代碼作為創意媒介的設計師、藝術家、教育工作者和實踐者的重要資源，並作為在科學、科技、工程、數學（STEM）教育中引進「藝術」（STEAM）提供了指南。本書包含一系列經典的創意編碼當代設計作品和歷史，並附有豐富的提示、任務、註解和示例。其中包含超過170件創意作品，以及一系列與頂尖教育者的訪談使得本書內容更為豐富。在一般程式書籍未提及的部分，作者們持續強調適用於以藝術和設計為導向的課堂替代教育方式...
Japan's Modern Divide
In the 1930s the history of Japanese photography evolved in two very different directions: one toward documentary photography, the other favoring an experimental, or avant-garde, approach strongly influenced by Western Surrealism. This book explores these two strains of modern Japanese photography through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture on the coast of the Sea of Japan. In 1940 he began photographing the New Year's rituals in a remote village, which was published as Yukiguni (S...
