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Coin Perdu 1:1
In the late 19th century, Emile Van Doren painted the Genk landscape from his artist villa Coin Perdu. Artists from home and abroad visited there to put their impressions of the then desolate Campine landscape on canvas. In the early 20th century, the environment changes abruptly. Three mines, three districts, three churches, three shopping streets. A large town hall is built in the old village centre, worthy of a city. Major roads connect the new mining sites.0Now that mining has disappeared, fragmented remnants of built urbanity are all that remains. The roads are too large, the neighbourhoods have grown tired and the old town hall seems misplaced. The irregularities in the landscape come to the fore and give the city an unusual character. Like the landscape painters of the 1900s, Sofie Van der Linden (°Turnhout, 1986) draws the surroundings of Genk in Coin Perdu.0The publication Coin Perdu was set up as a road atlas. A series of ten drawings were printed life-size, folded and cut. The drawings were realized during a work residency at FLACC in Genk. Cornel Bierens wrote a text to accompany the drawings by Sofie Van der Linden.
Ausstellung u.d.T.: Vuur werk 1987 - 2000
Guido Geelen occupies a prominent place in the world of Dutch sculpture, with his free and idiosyncratic approach to working with ceramics, bronze and aluminum. During the 1980s, Geelen achieved a conceptual breakthrough by producing three-dimensional fired clay pieces that evoked both the traditional and modern. In the mid-90s he began working in bronze, and later aluminum, casting and assembling vacuum cleaners, urinals and other everyday objects, and later cows and pigs. The runners, which are normally destroyed after the casting process, were left intact, becoming an integral part of the sculpture itself and giving his work an organic and process-oriented touch. Guido Geelen provides a complete overview of Geelen's work, and his development as an artist, from 1986 to the present day.
AMC art book
An art collector who was a patient at the Amsterdam Medical Center once expressed his gratitude with a donation of several works of art, the seed for the extraordinary modern art collection that now flourishes at the Amsterdam Medical Center. Since it began seriously cultivating its art collection in the 1980s, the Center has amassed approximately 5,000 works by Dutch and Dutch-resident artists. The Amsterdam Medical Center Art Book is an extraordinary showcase of the Center’s rich and diverse collection, which focuses on Dutch art from the 1950s through the 1970s. The book highlights several stunning examples within the collection of such benchmark art movements as CoBrA, Mixed Media Art, Zero Art, and New Figuration. Other fascinating pieces featured in the book were created by artists-in-residence, who were allowed to draw from live scenes in the Center’s operating theater and maternity ward. This volume ultimately presents a fascinating survey of Dutch post-war art, with over 100 vibrant color illustrations that include works by Eugene Brands, Karel Appel, Constant, Marc Mulders, Roy Villevoye, and Marlene Dumas.
Jubilee
Catalogus bij de jubileumeditie van de beeldententoonstelling in Park Sonsbeek die in 1949 voor het eerst plaatsvond.
RDA
In this important book El-Sherbini tackles key questions about how the new cataloging standard will be implemented by cataloging professionals, offering an orientation in the conceptual background and the structure of RDA: Resource Description and Access from a practical and technical perspective, including a detailed comparison with AACR2. Firmly rooted in the concrete application of RDA, with numerous sample records, this book Covers FRBR-driven tasks, FRBR-Group relationships, and principles of FRAD, including how FRAD impacts the RDA application Analyzes the roles of manifestations and items, such as pre-cataloging decisions, preferred sources of information, and mandatory elements of de...
The World of Ripley's Believe it Or Not!
Visit mindboggling places, witness death defying stunts, discover outlandishnventions and see fantastic human achievements that Robert Ripley unearthedn his life-long quest for the incredible and bizarre.
The Emocode
1. The Art of Gnidnarb Need for a new way of experiencing Branding as a mirror Magical Effect: the Hitchcock clinic The consumer as co-designer The curse of empowerment The Consuman Being Emocoding A coat of values 2. The Multiple Identity Crisis Democratic problems The social trapeze artist - Identity crisis 1: Good honest coffee - Identity crisis 2: Best is cheapest - Identity crisis 3: The new besiegers - Identity crisis 4: More good honest coffee - Identity crisis 5: The Paul Smith rip off The consumer taken hostage Acquired helplessness Escapism New eras 3. The Discovery of Identity I am not myself (and actually never have been) The other as a stranger Whom do I belong to? Mirror image,...
Rational animal
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