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Rational animal
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Jay Pather, Performance, and Spatial Politics in South Africa
Jay Pather, Performance and Spatial Politics in South Africa offers the first full-length monograph on the award-winning choreographer, theater director, curator, and creative artist in contemporary global performance. Working within the contexts of African studies, dance, theater, and performance, Ketu H. Katrak explores the extent of Pather's productive career but also places him and his work in the South African and global arts scene, where he is considered a visionary. Pather, a South African of Indian heritage, is known as a master of space, site, and location. Katrak examines how Pather's performance practices place him in the center of global trends that are interdisciplinary, multidisciplinary, collaborative, and multimedia and that cross borders between dance, theater, visual art, and technology. Jay Pather, Performance and Spatial Politics in South Africa offers a vision of an artist who is strategically aware of the spatiality of human life, who understands the human body as the nation's collective history, and who is a symbol of hope and resilience after the trauma of violent segregation.
Garments of Paradise
A historical and critical view of wearable technologies that considers them as acts of communication in a social landscape. Wearable technology—whether a Walkman in the 1970s, an LED-illuminated gown in the 2000s, or Google Glass today—makes the wearer visible in a technologically literate environment. Twenty years ago, wearable technology reflected cultural preoccupations with cyborgs and augmented reality; today, it reflects our newer needs for mobility and connectedness. In this book, Susan Elizabeth Ryan examines wearable technology as an evolving set of ideas and their contexts, always with an eye on actual wearables—on clothing, dress, and the histories and social relations they ...
The Art of Public Space
A journey through Johannesburg via three art projects raises intriguing notions about the constitutive relationship between the city, imagination and the public sphere- through walking, gaming and performance art. Amid prevailing economic validations, the trilogy posits art within an urban commons in which imagination is all-important.
Reality Machines
Text by Linda Vlassenrood, Aaron Betsky.
Derom Bangun
Autobiography of Derom Bangun, an entrepreneur of oil palm plantation in Indonesia.
Complete Works of Stan Williams
This is a collection of historical fiction, true newspaper account, and PTSD nightmares. "The Cousins" is a great account of the American fight for freedom. Two cousins, one a British officer, the other a member of the Sons of Liberty. They're cousins who died in the battle of Breed's Hill. They rest today side by side in the Old North Church graveyard. The other stories are a mixture of history and fantasy of Stan's mind, some from the pages of old newspapers and family journals. I hope you find them informative and entertaining.
Stan
Stan, surprisingly, is the first full-length biography of the legendary comic who was the creative half of the universally loved duo, Laurel and Hardy. Based upon scores of interviews with family and friends (including the intimate diaries of Virginia Ruth Laurel, whom Stan married three times) and enhanced by a magnificent collection of previously unpublished photographs, Stan tells the very human story of Laurel’s struggle to survive against difficult odds, personal and professional. From precarious beginnings in vaudeville with Charlie Chaplin, skinny Stan changed his name and rose to enjoy success and universal acclaim with his big-bellied partner Oliver Hardy. Yet beneath the exterior of the wistful comic whose sense of humor gave pleasure to so many millions was a man beset by financial worries, alcohol, and unhappy personal relationships that encompassed many dalliances and six marriages. This superb biography provides new insight into the supremely talented man behind the screen image and a fascinating panorama of show business in the first half of this century.
Stan Douglas
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Stan
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