Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Edith Wharton's Lenox
In 1900, Edith Wharton burst into the settled summer colony of Lenox. An aspiring novelist in her thirties, she was already a ferocious aesthete and intellect. She and her husband, Teddy, planned a defiantly classical villa, and she became a bestselling author with The House of Mirth in 1905. As a hostess, designer, gardener and writer, Wharton set high standards that delighted many, including Ambassador Joseph Choate and sculptor Daniel Chester French. But her perceptive and sometimes indiscreet pen also alienated potent figures like Emily Vanderbilt Sloane and Georgiana Welles Sargent. Author Cornelia Brooke Gilder gives an insider's glimpse of the community's reaction to this disruptive star during her tumultuous Lenox decade.
Lenox
"As he rode through mid-19th-century Lenox, Massachusetts, Dr. Oliver Wendell Holmes wrote, "Perfect almost to a miracle." Founded in 1767, Lenox had sent Gen. John Paterson riding to the Revolutionary War 75 years earlier. Named the Shire Town because of its central Berkshires location, Lenox was home to the county courts. In the east, the center of a bustling glassworks and ironworks industry was situated by the Housatonic River. In the west, rolling hills and sparkling waters drew the literary lights to the New England Lake District. When the county seat moved to Pittsfield, fears of a local economic decline were unfounded with the arrival of the Gilded Age millionaires, who built stately seasonal estates with the charmingly ironic nickname of cottage. The exodus of the millionaires saw Lenox reinvent itself as a cultural and educational center, with private schools and performing arts organizations, Tanglewood chief among them, located on former estates. Change may come to Lenox again, but one constant remains throughout these past 250 years: its scenic beauty." -- From cover.
Legendary Locals of the Southern Berkshires
Southern Berkshire County in Western Massachusetts is a magical place. Some call it paradise. The special synergy that exists here between people and place has inspired remarkable residents for centuries. From Mohican John Konkapot to African American W.E.B. Du Bois, from novelist Catharine Sedgwick to mental health pioneer Agnes Gould, the Housatonic Valley and surrounding hills have proved to be a haven for inventors and industrialists, artists and activists, entrepreneurs, and educators. Stockbridge summer resident and legendary sculptor Daniel Chester French once said to a New York reporter, "I spend six months of the year up there, it is heaven." William Cullen Bryant, Norman Rockwell, Cyrus Field, William Stanley, Elizabeth Freeman (Mumbet), Laura Ingersoll Secord, and numerous other luminaries have all passed on to a different heavenly plane. Still, the Southern Berkshires continue to produce local legends and unsung heroes--folks like community activist Rachel Fletcher, Pastor Charles Van Ausdall, educator Mae Brown, and police chief Rick Wilcox. Open the pages of Legendary Locals of the Southern Berkshires and see for yourself!
My Dear Governess
An exciting archive came to auction in 2009: the papers and personal effects of Anna Catherine Bahlmann (1849–1916), a governess and companion to several prominent American families. Among the collection were one hundred thirty-five letters from her most famous pupil, Edith Newbold Jones, later the great American novelist Edith Wharton. Remarkably, until now, just three letters from Wharton's childhood and early adulthood were thought to survive. Bahlmann, who would become Wharton's literary secretary and confidant, emerges in the letters as a seminal influence, closely guiding her precocious young student's readings, translations, and personal writing. Taken together, these letters, written over the course of forty-two years, provide a deeply affecting portrait of mutual loyalty and influence between two women from different social classes. This correspondence reveals Wharton's maturing sensibility and vocation, and includes details of her life that will challenge long-held assumptions about her formative years. Wharton scholar Irene Goldman-Price provides a rich introduction to My Dear Governess that restores Bahlmann to her central place in Wharton's life.
A Private Passion
"For the Winthrop collection's international debut exhibition, curators at the Fogg Art Museum of the Harvard University Art Museums, headed by Stephan Wolohojian, organized the selection and invited more than sixty specialists to write on artworks in their particular area of expertise. Works include such highlights in their creator's oeuvre as Jacques-Louis David's sketchbooks for The Coronation of Napoleon and the Crowning of Josephine, Theodore Gericault's Mutiny on the Raft of the Medusa, Vincent van Gogh's The Blue Cart, Jean-Auguste-Dominique Ingres's Odalisque with the Slave, William Blake's illustrations for the Divine Comedy, Dante Gabriel Rosetti's Blessed Damozel, and James Abbott McNeill Whistler's Nocturne in Blue and Silver. In addition, an essay by Wolohojian provides a fascinating and informative description of Winthrop and the growth of his collection."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Architects in Albany
None
Columbia Rising
In Columbia Rising, Bancroft Prize-winning historian John L. Brooke explores the struggle within the young American nation over the extension of social and political rights after the Revolution. By closely examining the formation and interplay of political structures and civil institutions in the upper Hudson Valley, Brooke traces the debates over who should fall within and outside of the legally protected category of citizen. The story of Martin Van Buren threads the narrative, since his views profoundly influenced American understandings of consent and civil society and led to the birth of the American party system. Brooke's analysis of the revolutionary settlement as a dynamic and unstable compromise over the balance of power offers a window onto a local struggle that mirrored the nationwide effort to define American citizenship.
A Season of Splendor
Journey through the splendor and the excesses of the Gilded Age "Every aspect of life in the Gilded Age took on deeper, transcendent meaning intended to prove the greatness of America: residences beautified their surroundings; works of art uplifted and were shared with the public; clothing exhibited evidence of breeding; jewelry testified to cultured taste and wealth; dinners demonstrated sophisticated palates; and balls rivaled those of European courts in their refinement. The message was unmistakable: the United States had arrived culturally, and Caroline Astor and her circle were intent on leading the nation to unimagined heights of glory."—From A Season of Splendor Take a dazzling jour...
