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Better Off Dead
What has the zombie metaphor meant in the past? Why does it continue to be, so prevalent in our culture? This collection seeks to provide an archaeology of the zombietracing its lineage from Haiti, mapping its various cultural transformations, and suggesting the post-humanist direction in which the zombie is ultimately heading.
I Am Legend as American Myth
Richard Matheson's 1954 novel I Am Legend has spawned a series of iconic horror and science fiction films, including The Last Man on Earth (1964), The Omega Man (1971) and I Am Legend (2007). The compelling narrative of the last man on earth, struggling to survive a pandemic that has transformed the rest of humanity into monsters, has become an American myth. While the core story remains intact, filmmakers have transformed the details over time, reflecting changing attitudes about race and masculinity. This reexamination of Matheson's novel situates the tale of one man's conflicted attitude about killing racialized "others" within its original post-World War II context, engaging the question of post-traumatic stress disorder. The author analyzes the several film adaptations, with a focus on the casting and interpretations of protagonist Robert Neville.
Legend
Den postapokalyptiska vampyrklassikern i ny utgåva »En av 1900-talets viktigaste författare.« Ray Bradbury »Den författare som inspirerat mig allra mest.« Stephen King Robert Neville är den sista levande människan på jorden. Om nätterna barrikaderar han sig i ett hus i centrala Los Angeles medan han väntar på att de nattliga attackerna ska upphöra. När solen går upp beger han sig åter ut i stadens ruiner - i jakt på vampyrerna som jagar honom, och sökande en väg ut ur den omänskliga tillvaro han fastnat i. Legend är en berättelse om ensamhet och förtvivlan, såväl som en kritik av religiös fanatism och vetenskaplig arrogans. Romanen har filmatiserats tre gånger - s...
Master of Terror Graphic Novel
Four of Richard Matheson’s classic tales of terror are collected in this graphic novel collection: I Am Legend (Steve Niles with Elman Brown), Hell House (Ian Edginton with Simon Frasier), Duel (Chris Ryall with Rara Garres), and The Shrinking Man (Ted Adams with Mark Torres). Matheson’s classics come to vivid life in these inspired comic book adaptations.
The Supernatural Revamped
This book is the logical continuation of a series of collected essays examining the origins and evolution of myths and legends of the supernatural in Western and non-Western tradition and popular culture. The first two volumes of the series, The Universal Vampire: Origins and Evolution of a Legend (Fairleigh Dickinson University Press, 2013) and Images of the Modern Vampire: The Hip and the Atavistic. (Fairleigh Dickinson University Press, 2013) focused on the vampire legend. The essays in this collection expand that scope to include a multicultural and multigeneric discussion of a pantheon of supernatural creatures who interact and cross species-specific boundaries with ease. Angels and demons are discussed from the perspective of supernatural allegory, angelic ethics and supernatural heredity and genetics. Fairies, sorcerers, witches and werewolves are viewed from the perspectives of popular nightmare tales, depictions of race and ethnicity, popular public discourse and cinematic imagery. Discussions of the “undead and still dead” include images of death messengers and draugar, zombies and vampires in literature, popular media and Japanese anime.
Horror and Science Fiction Cinema and Society
Examining how horror and science fiction films from the 1950s to the present invent and explore fictional “us-versus-them” scenarios, this book analyzes the different ways such films employ allegory and/or satire to interrogate the causes and consequences of increasing polarization in American politics and society. Starting with the killer ants film with an anti-communist subtext Them! (1954) and concluding with Jordan Peele’s social horror film with revenge-seeking homicidal doppelgängers Us (2019), Martin Harris highlights social and political contexts, contemporary reviews and responses, and retrospective evaluations to show how American horror and science fiction films reflect and...
Dispatches from Bitter America
A Fox News reporter takes a satirical look at serious culture war issues--everything from religion and healthcare to whoopee pie vs. sweet potato pie--getting input from celebrities and everyday folks along the way.
He Is Legend
“An impressive collection” of original short stories by Stephen King, Joe Hill, Nancy A. Collins and others—honoring the renowned author of I Am Legend (Locus). Richard Matheson has inspired a generation of storytellers with his ingeniously weird yet frighteningly realistic tales. Now an outstanding cast of top writers pays tribute to his legacy with an all-new collection of stories set in Matheson’s own fictional universes, including sequels, prequels, and companion stories to I Am Legend, Hell House, The Incredible Shrinking Man, Somewhere in Time, “Duel,” and “Button, Button.” Among the highlights of this one-of-a-kind anthology is the first ever collaboration between Stephen King and his son, bestselling horror writer Joe Hill. Other notable contributors include Nancy A. Collins, Joe R. Lansdale, William F. Nolan, Whitley Strieber, F. Paul Wilson, and Matheson’s son, Richard Christian Matheson. Previously published as a limited edition by Gauntlet Press in 2009, He Is Legend is now available to Matheson’s many fans, as well as all lovers of gripping horror and suspense.
Contagion and the Vampire
This book examines how the vampire has always been connected to ideas of infection, pollution and disease—even more so in the 21st century where it expresses the horrors of unseen and unstoppable disease and the foreboding and anxiety that accompany viral outbreaks and wider epidemics. Here the vampire gives physical form to the contagion and associated anxieties around the perceived causes and spread of disease, where it can take on many forms from animal to pestilential particulate matter, creeping shadows and even malignant weather systems. If blood is life, it is the body of the vampire that is death. This timely study looks at how and why the vampire continues to fulfil this function and posits that the true patient zero in the 21st century is no longer the dangerous, ancient, outsider from the East but is the undying monster that is Western culture itself.
