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No one interested in the history of dress, from art historians to stage designers, from museum curators to teachers of fashion and costume, can function effectively without Janet Arnold's Patterns of Fashion series, published by Macmillan since 1964. Since her untimely death in 1998, admirers of her work have been waiting, with increasing impatience, for the promised volume devoted to the linen clothes of the Elizabethan and early Stuart periods, a companion to her previous volume on tailored clothes of the same era. Planned and partly prepared by Janet herself, and completed by Jenny Tiramani, Janet's last pupil, no other book exists that is dedicated to the linen clothes that covered the body from the skin outwards. It contains full colour portraits and photographs of details of garments in the explanatory section as well as patterns for 86 items of linen clothing which range from men's shirts and women's smocks, from superb ruffs and collars to boot hose and children's stomachers. Beautifully produced, it is an invaluable guide to both the history and the recreation of these wonderful garments.
Over 80 years ago, Heather Firbank packed away her extensive collection of fine clothes, bought from London's very best dressmakers and tailors. These treasures lay undiscovered for the next 30 years, until after her death, they were given to the V&A, laying the foundations for the Museum's world-famous collection. Firbank was an enthusiastic shopper and bought her clothes from the world's leading couture houses, including Lucile, Redfern and Mascotte, as well as private dressmakers and department stores. Her collection forms an invaluable record of fashionable Edwardian taste over a period of some 15 years. Beautifully illustrated with new photography of finely crafted evening gowns, tailored suits and glamorous hats, the book also features contemporary photographs and pages from Heather's own albums of fashion cuttings. It vividly maps out the London couture scene of Edwardian Britain, and charts changes in fashion through the tumultuous first decades of the twentieth century. Through the story of Heather's own life, both joyous and troubled, this book celebrates the central role of clothing in creating a single woman's identity.
Essays inspired by the collections at Platt Hall, The Gallery of English Costume, Manchester.
This volume, consisting of papers originally delivered at the Sport and Fashion symposium in 2011, celebrates the connection between sport and the clothes and fashion which are associated with certain sporting activities. Articles include a study of Olympic swimming costumes, women's sport during the inter-war period, the use of sportsmen by clothing industries for brand marketing, and the aesthetic significance of certain items of clothing, specifically the shirt worn by Maradona during the 1986 Argentina-England World Cup quarter final. For more information, visit: www.maney.co.uk/journals/cos
AT HAUSVOGTEIPLATZ Something unique emerged in the heart of Berlin in the nineteenth century: a creative centre for fashion and ready-made clothing. The hundreds of clothing companies that were established here manufactured modern clothing and developed new designs that were sold throughout Germany and the world. This industry reached the height of its success in the 1920s. Freed from their corsets, sophisticated women of the time dressed in the "Berlin chic" sold by Valentin Manheimer, Herrmann Gerson, or the Wertheim department stores. After 1933, however, most Jewish clothing industrialists were confronted with hatred and violence. Many of their companies were "Aryanized" while they themselves were robbed, displaced, and murdered. Under new Aryan management, these companies created conservative clothing that represented an entirely different image of women.
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A thrilling mini Murder Most Unladylike mystery, specially written and published for World Book Day 2020. Daisy Wells and Hazel Wong are best friends, schoolgirls - and detectives. And wherever they go, mysteries will find them... While on a seaside holiday with their friends George and Alexander, the Detective Society discover the body of famous swimmer Antonia Braithwaite - nicknamed The Pearl - on the beach. Everyone presumes that she drowned accidentally - but how could such a famous swimmer have struggled to swim? Even more mysteriously, three guests at the girls' hotel all wanted Antonia dead... Can the Detective Society solve this mystery? Or will they sink under the pressure? Praise for the Murder Most Unladylike mysteries: 'This is that rare thing: a series that gets better with every book' Telegraph 'Thrilling' Guardian 'A total delight' Metro
Machine generated contents note: -- Preface Introduction -- 1 The First Costume: Ritual and Reinvention -- 2 Costuming Choruses: Spectacle and the Social Landscape on Stage -- 3 The Grotesque Costume: The Comical and Conflicted 'Other' Body -- 4 The Flight off the Pedestal -- 5 Agency and Empathy: Artists Touch the Body -- 6 A Different Performativity: Society, Culture and History on Stage Notes -- Selected Bibliography -- Index
A vivid history of fashion exhibitions that informs contemporary curating practices, from two experts in the field