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A Collection of Ball-dances Perform'd at Court
Dancer, teacher, and theoretician John Weaver (1673-1760) compiled this important collection of choreographies by Mr. Isaac. With melodies composed by James Paisible, the collection contains six ballroom dances: "The Richman," "The Rondeau," "The Rigadoon," "The Favorite," "The Spanheim," and "The Britannia." All are couple dances and are notated in a notation system first published in 1700 by dancing master Raoul-Auger Feuillet (1659 or 1660-1710). The system is based on tract drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to bar lines in the music score. Signs written on the right or left hand side of the tract indicate the steps.
Dance and Music of Court and Theater
This collection of selected writings of Ms. Hilton includes a complete facsimile of her 1981 book Dance of Court & Theater (no longer available) as well as two significant articles, and a notated triple-meter danse � deux by LouisP�cour. Book One (the facsimile) provides in-depth analysis of primary sources on dance of the baroque period.The main body of the text is devoted to mastery of the Beauchamp-Feuillet notation system,which includes the relationships of steps to music in such dance types as the menuet,gavotte, bourr�e, sarabande, passacaille, loure, gigue, and entr�e grave. Instruction is also given on style, bows and courtesies, the use of the hat, and the ballroom menuet ordinaire as given by Pierre Rameau.Book Two adds theslow Seventeenth-Century French Courante; A survey of the 56 dances extant to music by J.B. Lully with their airs and some of the more virtuosic, theatrical step-units in notation; Louis P�cour's ballroom dance Aimable Vainqueur (1701 in six pages of dance notation with a five-part score of Andr� Campra's music from Hesione (1700)and an updated bibliography.
The Gentleman Dancing-Master
The Gentleman Dancing-Master: Mr Isaac and the English Royal Court from Charles II to Queen Anne considers the life and times of the dancer known as Mr Isaac, performer, teacher and creator of prestigious dances for performance at the royal court. Includes facsimiles and discussion of his surviving dances and their context.
French Court Dance and Dance Music
Growing interest in classic French music and theatrical entertainment has brought with it awareness of the prominent role of dance in French culture of the 17th and 18th centuries. Primary sources from which social and theatrical dances of the period may be reconstructed have inspired much enthusiasm on the part of performers and students of the French classic period. The sources described in this volume consist of printed matter issued during the reigns of Louis XIV, XV, and XVI, representing the period 1643-1789. The work focuses upon writings that bear directly or indirectly upon French court dance and its music, its practitioners in France, and its imitators abroad.
Dancing Queen
Under glittering lights in the Louvre palace, the French court ballets danced by Queen Marie de M?dicis prior to Henri IV's assassination in 1610 attracted thousands of spectators ranging from pickpockets to ambassadors from across Europe. Drawing on newly discovered primary sources as well as theories and methodologies derived from literary studies, political history, musicology, dance studies, and women's and gender studies, Dancing Queen traces how Marie's ballets authorized her incipient political authority through innovative verbal and visual imagery, avant-garde musical developments, and ceremonial arrangements of objects and bodies in space. Making use of women's "semi-official" statu...
Dance of Court & Theater
Danse ved det franske hof samt analyser
