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Moving beyond the preoccupation of honour and its associations with violence and sexual reputation, Courtney Thomas offers an intriguing investigation of honour’s social meanings amongst early modern elites in sixteenth- and seventeenth-century England. If I Lose Mine Honour I Lose Myself reveals honour’s complex role as a representational strategy amongst the aristocracy. Thomas’ erudite and detailed investigation of multi-generational family papers as well as legal records and prescriptive sources develops a fuller picture of how the concept of honour was employed, often in contradictory ways in daily life. Whether considering economic matters, marriage arrangements, supervision of servants, household management, mediation, or political engagement, Thomas argues that while honour was invoked as a structuring principle of social life its meanings were diffuse and varied. Paradoxically, it is the malleability of honour that made it such an enduring social value with very real meaning for early modern men and women.
Courtney Thomas offers an intriguing investigation of honour's social meanings amongst early modern elites in sixteenth- and seventeenth-century England.
Telltale Women fundamentally reimagines the relationship between the history play and its source material as an intertextual one, presenting evidence for a new narrative about how—and why—these genres disparately chronicle the histories of royal women. Allison Machlis Meyer challenges established perceptions of source study, historiography, and the staging of gender politics in well-known drama by arguing that chronicles and political histories frequently value women’s political interventions and use narrative techniques to invest their voices with authority. Dramatists who used these sources for their history plays thus encountered a historical record that offered surprisingly ample p...
In the period between 1575 and 1625, civic peace in England, Scotland, and Ireland was persistently threatened by various kinds of religiously inspired violence, involving conspiracies, rebellions, and foreign invasions. Religious divisions divided local communities in all three kingdoms, but they also impacted relations between the nations, and in the broader European continent. The challenges posed by actual or potential religious violence gave rise to complex responses, including efforts to impose religious uniformity through preaching campaigns and regulation of national churches; an expanded use of the press as a medium of religious and political propaganda; improved government surveill...
With the final words of the Declaration of Independence, the signatories famously pledged to one another their lives, their fortunes, and their "sacred Honor." But what about those who made the opposite choice? By looking through the analytical lens of honor culture, Dishonored Americans offers an innovative assessment of the experience of Americans who made the fateful decision to remain loyal to the British Crown during and after the Revolution. Loyalists, as Timothy Compeau explains, suffered a "political death" at the hands of American Patriots. A term drawn from eighteenth-century sources, ‘political death’ encompassed the legal punishments and ritualized dishonors Patriots used to defeat Loyalist public figures and discredit their counter-revolutionary vision for America. By highlighting this dynamic, Compeau makes a significant intervention in the long-standing debate over the social and cultural factors that motivated colonial Americans to choose sides in the conflict, narrating in compelling detail the severe consequences for once-respected gentlemen who were stripped of their rights, privileges, and power in Revolutionary America.
On 4 August 1914, Britain declared war on Germany, and entered the First World War. It may be tempting to view the conflict as inevitable, or to see British intervention as unavoidable, but the truth was not so simple. Britons had long loathed the prospect of a continental war, and were assured that their nation had a free hand in Europe. Yet, in the first days of August, the debate abruptly changed. This was not simply a question of war, the British Government insisted. Instead, it was a matter of honour. If Britain stayed neutral, her friends would never trust her again; the country’s prestige would plummet; the national honour would be destroyed. ‘National honour,’ David Lloyd Georg...
This collection examines early modern women’s contribution to the culturally central mode of complaint. Complaint has largely been understood as male-authored, yet, as this collection shows, early modern women used complaint across a surprising variety of forms from the early-Tudor period to the late-seventeenth century. They were some of the mode’s first writers, most influential patrons, and most innovative contributors. Together, these new essays illuminate early modern women’s participation in one of the most powerful rhetorical modes in the English Renaissance, one which gave voice to political, religious and erotic protest and loss across a diverse range of texts. This volume int...
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Adrian doesn’t believe in magic, but when a tooth fairy visits to retrieve a tooth, she is determined to bring Adrian along for the ride. Courtney the fairy shrinks Adrian and together they ride a winged horse to fairyland for King Kl’airy’s birthday party. But when Adrian uncovers the greatest mystery of all—what happens to teeth after fairies retrieve them—Courtney reveals an even more magical connection between her and Adrian, and Adrian never doubts magic again.
In early 1618, Anne Cecil (nee Lake), Lady Roos, accused Frances Cecil, countess of Exeter, of having committed adultery and incest with her husband, the countess's step grandson, William Cecil, Lord Roos. The countess had attempted to poison her twice, first with a poisoned enema, and later with a poisoned syrup of roses. With the help of the countess, Lord Roos secretively fled England for Catholic Italy, leaving his wife and family behind. Now, the murderous countess was again planning to poison Lady Roos, and perhaps also her father, Sir Thomas Lake, the king's Secretary of State. The countess vehemently denied these sensational charges, fell on her knees before the king, and asked for j...