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The Anticolonial Linguistics of Nikolai Marr
The archaeologist, philologist, and Linguistics theoretician Nikolai Marr (1865-1934) has attracted increasing scholarly attention as a pivotal figure of late-tsarist and early Soviet cultural politics and as an early anticolonial theorist. He remains, however, an elusive thinker who is much written about but seldom read. This volume offers a representative selection of Marr’s writing from several stages of his life translated here for the first time into English. The selection of texts allows the reader to trace the key evolving and interconnected preoccupations that animate Marr’s vast oeuvre: his anti-nationalist valorization of the cultural and linguistic hybridity of the Caucasus, h...
Central and Eastern European Literary Theory and the West
Literary theory flourished in Central and Eastern Europe throughout the twentieth century, but its relation to Western literary scholarship is complex. This book sheds light on the entangled histories of exchange and influence both within the region known as Central and Eastern Europe, and between the region and the West. The exchange of ideas between scholars in the East and West was facilitated by both personal and institutional relations, both official and informal encounters. For the longest time, however, intellectual exchange was thwarted by political tensions that led to large parts of Central and Eastern Europe being isolated from the West. A few literary theories nevertheless made i...
Hegemony and Class Struggle
Leon Trotsky and Antonio Gramsci are two of the most important Marxist thinkers of the 20th century. This book explores the similarities and the differences between their philosophical and political theories. The first and second chapters deal with a still under-investigated aspect of Trotsky’s thought, i.e. his reflections on the issue of hegemony. The third chapter focuses on Gramsci’s critique of Trotsky in his Prison Notebooks, analysing Gramsci’s knowledge of Trotsky’s positions as well as the scope and limits of Gramsci’s critique. The fourth chapter consists of a critical rereading of Perry Anderson's essay Antinomies of Antonio Gramsci, originally published in 1976 and repu...
Stalin Era Intellectuals
This book focuses on the extent to which Soviet scholars and cultural theoreticians were able to act autonomously during the Stalin era. The authors question how we should consider certain intellectual achievements which took place despite the pressure of Stalinism, and how best to recognise and describe such achievements. The chapters in this book offer suggestions for new interpretations on Soviet philosophy of science and humanities, linguistics, philosophy, musicology, literature and mathematics from the point of view of general cultural theory. In this way, they challenge the received image of the Stalin-era humanities which reduces them into mere propaganda. Intended for scholars of Russian and Soviet studies, this book will dispel many received views about the character of Stalinism and Soviet culture. Chapters 1, 2, 4, 6, 10 and 13 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Mark at the Threshold
The discussion concerning Markan characterisation (and Markan genre) can be helpfully informed by Bakhtinian categories. This book uses the twin foci of chronotope and carnival to examine specific characters in terms of different levels of dialogue. Various passages in Mark are examined, and thresholds are noted between interindividual character-zones, and between the hearing-reader and text-voices. Several generic contacts are shown to have shaped the text’s ‘genre-memory’ – in particular, the Graeco-Roman popular literature of the ancient world. The resultant picture is of an earthy, populist Gospel whose “voices” resonate with the “vulgar” classes, and whose spirituality is refreshingly relevant to everyday concerns.
Other People’s Words
What if the great love of your life is friendship? In their twenties, Lissa Soep and her boyfriend forged deep friendships with two other couples—Mercy and Christine; and Emily and Jonnie—until, decades later, Jonnie died suddenly, in an accident, and Christine passed away after a mysterious illness. Christine had been a writer, Jonnie a storyteller. Lissa couldn’t imagine a world without their letters, postcards, texts—a world without their voices. Then she found comfort in a surprising place. As a graduate student, she had studied the philosophy of the Russian critic Mikhail Bakhtin, who wrote about the many voices that can echo through a single person’s speech. Suddenly, Bakhtin...
Bakhtin and Cultural Theory
This wide-ranging treatment of Bakhtin's cultural and literary theory tests, compares, and explores his work in relation to colonialism, feminism, reception theory, and theories of the body. Many of the essays in the first edition have become standard reference points in cultural debate. This revised second edition takes advantage of the wealth of new Bakhtin material which became available after perestroika. New articles make use of previously unacknowledged sources of Bakhtin's theory of dialogue; they also vividly recount the dramatic events surrounding his thesis on Rabelais, and interrogate his famous distinction between poetry and the novel.
Language in Action
The Russian psychologist L. S. Vygotsky (1896–1934) has been one of the central figures in the recent shift from the cognitive to the social and the cultural in educational and psychological research. A. N. Leontiev’s (1903–1979) activity theory has had a similar impact in the West. A. A. Leontiev’s (1936–2004) psycholinguistic theories have also started to attract increasing attention. The ideas of these scholars have also made their mark on second and foreign language learning research outside Russia. However, there is no one widely accepted, monolithic Vygotskian or Leontievian theory. Furthermore, the nature and role of language in action and activity remain open for debate. Th...
Wingless Desire in Modernist Russia
In Wingless Desire in Modernist Russia, Yelena Zotova argues that the concept of envy underwent a peculiar transformation in the Russian Modernist prose of the 1920s due to a series of radical shifts in societal values, with each subsequent change thwarting Russia’s volatile axiological hierarchy. Industriousness and austerity, inferior to playful genius in Pushkin’s “Mozart and Salieri,” became virtues, while the intrinsic value of nonutilitarian art was officially nullified by the Bolshevik state.Consequently, a new literary type emerged, and envy, described as “wingless desire” by Russia’s chief poet Alexander Pushkin, obtained new ownership as the envied became the envier. Superimposing twentieth-century theories of envy onto Mikhail Bakhtin’s “Author and Hero in the Aesthetic Activity” (1923), Zotova proposes that Salieri’s envy could be the wingless embryo of the Bakhtinian authorship.
The Philosophy of Living Experience
The Philosophy of Living Experience is the single best introduction to the thought of Alexander Bogdanov (1873–1928), a Russian polymath who was co-founder, with Lenin, of the Bolshevik Party. His landmark achievements are Empiriomonism (1904–6), a philosophy of radical empiricism that he developed to replace what he considered to be the crude materialism of contemporary Marxists, and Tektology: Universal Organisational Science (1912–17), a precursor of cybernetics and systems theory. The Philosophy of Living Experience (1913) was written at a transitional point between the two; it is a final summing up of empiriomonism, an illustration of his theory of the social genesis of ideas, and an anticipation of Tektology.
